Recorded in 1970–71 at the same time that the Move was also laying down tracks for the first Electric Light Orchestra album, there are inevitably some similarities in style between the two albums, especially the heavy use of "tracking up" to capture all of the instruments being played by Roy Wood and Jeff Lynne. Nevertheless, Wood and Lynne were determined to maintain some differentiation between the sound of their two groups. The lengthy sessions for this album mostly involved only Wood and Lynne, because of all the overdubbing. As a result, during these sessions, bassist Rick Price quit The Move after he realised he was no longer needed, reducing it to a trio. Instead of replacing him, Roy Wood added bass duties to his other roles, as well as erasing Price's tracks on the existing songs and then re-recording the bass parts, but exactly why Wood re-tracked Price's parts is unclear. Although drummer Bev Bevan did not quit, in the liner notes for the 2005 reissue of Message from the Country he is quoted as saying that it is his least favorite Move album.
Singing
All previous Move singles had been solo Wood compositions, and recent singles had also featured Wood singing lead. For this album, Wood composed only four songs, with four songs from Lynne, one Lynne–Wood joint credit, and one Bevan song. Lead vocals on the album were largely split between Wood and Lynne depending upon author, with Wood singing lead on Bevan's composition "Don't Mess Me Up", Bevan singing lead on Wood's "Ben Crawley Steel Company" and Lynne singing lead on the joint composition "My Marge".
Release
The initial 1971 album on the Harvest label in the UK and Capitol in the US contained tracks 1–10 below, as did a later reissue on CD on Beat Goes On Records in the UK and One Way in the US, both long since deleted. The bonus tracks on the current reissue are alternative takes and A-sides or B-sides of singles. The US rights to the Message songs were transferred to United Artists shortly after the release of Message, and various compilation albums and CDs containing some combination of the songs on Message and the five single tracks were released in the US by United Artists for years prior to the comprehensive reissue. One such album is the 1972 album Split Ends; another is the album Great Move: The Best of The Move, released in 1995, by which time Capitol/EMI owned the rights to United Artists material in the US. The latter album, released only on CD contained a US radio ad for "Split Ends" as an unlisted track. Ultimately, Wood's "Ella James" was released as a single in 1971, but it was quickly withdrawn when Harvest and the group felt that Wood's "Tonight" would be a more commercial choice for The Move's first single on the Harvest label. No other song from the album was ever issued as a single, although The Move released two more hit singles before folding into ELO permanently. All three songs featured lead vocals from both Wood and Lynne. The Move was also responsible for the album cover art, as the painting was done by Wood, based on an idea by Lynne. "Ella James" was later covered by The Nashville Teens. "No Time" was covered by Marshall Crenshaw in 2012. In 2010, Rhapsody called it one of the best "longhaired" power-pop albums of the 1970s.
