Michael Wilson is an Americanstage and screen director working extensively on Broadway, Off-Broadway, and at the nation's leading resident theaters. He made his screen directorial debut with the 2014 Lifetime/Ostar television film adaptation of Horton Foote's The Trip to Bountiful, which was nominated for two 2014 Emmy Awards and six 2015 NAACP/Image Awards—including Outstanding Television Movie – as well as a DGA Award for Outstanding Direction of a Movie or Mini-Series for Television. The film won three 2015 NAACP/Image Awards ; the Black Reel Award for Outstanding TV Movie; and the Gracie Allen Award for Outstanding Ensemble Cast. Showing Roots – his first indie film produced by Michael Mailer Films in association with Bill Haber—starred Uzo Aduba, Maggie Grace, Elizabeth McGovern, Adam Brody and Cicely Tyson. It won Best Narrative Film awards at the 2015 Bahamas and 2016 Maryland International Film Festivals, and was subsequently acquired by Lifetime for broadcast in May 2016. On Broadway, Wilson directed the 2013 Tony Award-winning revival of The Trip to Bountiful starring Cicely Tyson, Cuba Gooding Jr, Vanessa Williams and Condola Rashad. Other Broadway productions include the 2012 Tony nominated revival of Gore Vidal’s The Best Man ; the Tony nominated Best Plays Dividing the Estate ; and Enchanted April. Off-Broadway, he directed the 2015 Signature revival of Arthur Miller's Incident at Vichy starring Richard Thomas, which was subsequently filmed for television and broadcast in 2016 on Theater Close-Up by WNET 13 and BroadwayHD. In 2010, he received Drama Desk and Outer Critics Circle Awards for his direction of Foote's three-part, nine-hour epic The Orphans’ Home Cycle. Internationally, he directed both parts of Tony Kushner's Angels in America for the 1995 Venice Biennale. Most recently, he directed the acclaimed Los Angeles premiere of the musical Grey Gardens: starring Betty Buckley and Rachel York for CTG/Ahmanson Theater at the Music Center.
Career
In an interview in 2008, Wilson noted:
Like most directors, I want to show a variety of work. I've done Shakespeare, Chekhov, and O'Neill, as well as new work. Some people have defined my body of work as being dominated by female characters, and this play is no exception. I have collaborated many times with Elizabeth Ashley, who plays the matriarch in Dividing, I don't necessarily subscribe to the notion that I am "a woman's director." But I would say that I am drawn to plays that deal with family situations. In the plays I work on I want there to be a real moment of catharsis. I am always looking to let the audience have some kind of emotional connection. That's one of the reasons why I love Horton's plays so much: they allow that connection.
Hartford Stage
As Artistic Director from 1998 to 2011, Wilson commissioned and developed numerous new works, including the 2012 Pulitzer Prize-winning play Water By the Spoonful by Quiara Alegria Hudes. He directed seventeen productions for Hartford Stage, including the premiere of Enchanted April. He directed the premieres of Horton Foote’s The Orphans' Home Cycle ; The Carpetbagger’s Children and Eve Ensler’s Necessary Targets, all which subsequently transferred Off-Broadway; Williams's The Glass Menagerie ; O’Neill's Long Day’s Journey Into Night; and Shakespeare's Macbeth. Under his leadership, in addition to the Tennessee Williams Marathon—the first national, multi-year retrospective of the American playwright—Hartford Stage focused on the development of new work, a vast expansion of its education and outreach programs, and helped raise 17 million dollars which accomplished among many things the company's first major renovation of its John W. Huntington Theater home since that facility opened in 1977. Wilson also forged new collaborations with Houston's Alley Theatre, Harvard's American Repertory Theater, the Dallas Theater Center, the Guthrie Theater, The Shakespeare Theatre, and Chicago's Steppenwolf Theatre.
Source: IOBDB Arthur Miller's Incident at Vichy, 2015 Horton Foote's The Old Friends, 2013 Lanford Wilson's Talley's Folly 2013 Christopher Shinn's Picked 2011 Tennessee Williams' The Milk Train Doesn't Stop Here Anymore 2011
