Milan Knížák


Milan Knížák is a Czech performance artist, sculptor, musician, installation artist, dissident, graphic artist, art theorist and pedagogue of art.

Biography

Childhood and early life in the Protectorate and in the former Sudetenland (1940–1960)

Milan Knizak is the son of the painter, musician and teacher of mathematics Karel Knížák from Doubravka u Plzně, nowadays part of the town Plzeň, and Julia Knížáková. The parents taught in Jarov and later in Blovice close to Pilsen. Milan Knížák was born in Plzeň on 19 April 1940. In 1945, after the expulsion of Germans from Czechoslovakia the family moved to the Mariánské Lázně, a spa town in the former Sudetenland, close to the German border. There, his father played violin in a spa orchestra and Milan attended primary school, where he was interested in music and literature. He also took piano, trumpet and guitar lessons.

Studies and beginnings (1955–1965)

He started painting at fourteen. He attended secondary/high- school and graduated in 1957. One of his schoolmate was gallery gangster MUDr. Pavel Náprava known in the 1960s like a "thief with the academic title" On several occasions young Milan visited the studio of the unofficial painter and war veteran Vladimír Modrý. Later he wrote /in his diaries from US/ about movie Fantastic voyage that its scenes reminded him the paintings by Vladimir Modrý. In one interview Milan Knížák said about this period:
From his childhood in Mariánské Lázně is known a story from one empty house. One day he appeared a secret garret warehouse of the quirts. His first exhibition was in 1958 in Mariánské Lázně.
In the period of 1957–1958 He attended the Pedagogical University in Prague, majoring in art education – Russian language. He said it was a compromise between the wishes of his parents and his desire to be a painter, later he dropped out. Then he became assistant worker in Prague exhibition grounds. He later passed the exams at the Academy of Fine Arts in Prague, where he also later abandoned. Then he studied the mathematical analysis of the Faculty of Mathematics and Physics in Prague. This studies after the first year was interrupted.

Czechoslovak Socialist Republic (1960–1989)

Actual and public art (1960–1975)

At the beginning of the 1960s, he created his first activity – happenings, ceremonies, installations and various environments on the busy or calm streets or in courtyards of Prague.
Together with his friends he founded a group of contemporary art. Sometime around 1966 the word "art" was dropped from the name and group was called poor "AKTUAL". Already known and also documented are their actions in the part of old Prague called New World, such as: "Demonstration of One". Some of AKTUAL´s songs were remastered by unofficial musical group The Plastic People of the Universe, which members became, somewhat against their will, dissidents during political process in the autumn of the year 1976.
He was a member of Fluxus, an international artistic community of music, actions, poetry, objects and events. Milan Knížák was director of Fluxus East from the year 1965. He is known for organising and performing the first happenings and concerts in Czechoslovakia: e.g. A Walk around Novy Svět and the Demonstration for Oneself. Later he had contacts with Fluxus since 1965, the first contact mediated Czech philosopher Jindřich Chalupecký. Knížák was promoted to "Director Fluxus East" by director George Maciunas about 1965. In the countries of former Eastern bloc there were managed these activities: Fluxus festivals in Vilnius, Prague, Budapest, and Poznań.

Fluxus festival in Prague (1966)

In the 60 years Milan Knížák lived in the street directly in the New World. There was also visited by an American beatnik poet Allen Ginsberg or minimal artist Joseph Kosuth. In October 1966, Milan Knížák organised the first Fluxus concert in Czechoslovakia in Prague. in which he appeared together with Ben Vautier, Jeff Berner, Alison Knowles, Serge Oldenbourg and Dick Higgins. George Maciunas invited Knížák to the US in 1965. He had a visa in 1968. He participated in the Fluxus events there.
He realised his Lying Ceremony in New Brunswick and the "Difficult Ceremony" in New York. George Maciunas prepared the publication of Knížák's collected works as a Fluxus Edition. He returned to Czechoslovakia in 1970. His works was exhibited in the galleries in the East bloc, f.e. Kraków in Poland, Budapest in Hungary but also in capitalistic Austria. In 1979 he received a fellowship from the DAAD to West Berlin, where he meet with artists Wolf Vostell and Czech poet in emigrationJiří Kolář. In West Berlin he cooperated like a designer on one avantgard film and created the automobile cycle of collages for the trust of Volkswagen.

Political activities

During the communist era he was under police surveillance and called "Enemy of the State". He was also arrested during an event with the music band The Plastic People of the Universe. In 1998 he unsuccessfully ran for the Senate /independent, supported by the ODS/. Milan Knížák was director of the Czech National Gallery in Prague between 1999 and 2011.
In 2010 he became a recipient of the Medal of Merit.

Critiques

His post of general director of the National Gallery in Prague Milan Knizak has held for over ten years. In this time period he was criticised by artists David Černý, Jiří David, group Guma guar and Rafani or the organizers of the first Prague Biennale in 2005, Giancarlo Politi and magazine Flash Art. Criticism of them in particular contains Knizak's disregard of current artistic trends and Milan Knizak's opponents:
Milan Knížák is a professor of intermedia at the Academy of Fine Arts in Prague since 1990. His pupils have included Jana Šindelová.