Miloš Kopecký was a Czech actor, active mainly in the second half of the 20th century.
Biography
He was born into the family of a furrier; his mother was a hatter. Since his childhood he was involved with the theatre and music, and after some unsuccessful attempts to study, he chose the career of an actor. He began to appear on the stage in 1939, as a member of an amateur elocution group. During the German occupation of Czechoslovakia he performed with a collective of young artists, Tvar. At the end of the Second World War, he was interned in the labor camp in Bystřice u Benešova. His mother was murdered in the Auschwitz concentration camp. Following the liberation, he took up a career as a professional actor in the avant-garde studio Větrník, and afterward he was engaged in many Prague theatre scenes. A few years later, he also began to appear in films and gradually became one of the most popular actors in Czechoslovakia. In the mid-1980s Kopecký acted in a politically biased documentary film about emigrants, but, on the other side, he presented a very critical speech against the communist régime in May 1987, at the Fourth Congress of Dramatic Artists. He was married five times, once with Czech actress Stella Zázvorková. For many years Kopecký suffered from manic-depressive disease, partially caused by the death of his mother, who perished in a concentration camp.
Theatre
Following his engagement in Větrník he appeared in various theatre scenes:
Divadlo satiry
Studio Národního divadla
Realistické divadlo
Národní divadlo
Městská divadla pražská
Armádní umělecké divadlo
Divadlo estrády a satiry
Divadlo satiry
Divadlo ABC
Hudební divadlo v Karlíně
A turning point in his career came in 1965, when the director František Pavlíček engaged him to the Divadlo na Vinohradech, to which he remained faithful throughout the rest of his life. Nonetheless, he acted as a guest also in other theatres, e.g. in Semafor Theatre, or in Divadlo ABC, where he cooperated with another important actor of the time, Jan Werich. Among his most valued roles were Paolino in Pirandello's The Man, The Beast and The Virtue, Professor Higgins in G. B. Shaw's Pygmalion, Harpagon in Molière's The Miser, and many others.
Film
Kopecký was a passionate admirer of film from his early age, and began to appear on screen shortly after the war. His first minor role was in the historic film Jan Roháč z Dubé, but he quickly graduated to more important characters. During his career he played mainly negative roles of bon vivants, elegant intriguers, traitors, debauchees, lechers and villains, which he managed to depict with the great elegance and esprit. Among his most valued roles in film were Chaplain Katz in The Good Soldier Švejk, Hogofogo in Limonádový Joe, the chief of the Czech water-goblins in Jak utopit dr. Mráčka aneb Konec vodníků v Čechách, the villainous Count von Kratzmar in Adéla ještě nevečeřela, and many others. He may be best known today as Dr. Štrosmajer in the Czech television seriesNemocnice na kraji města.