The founder of the OSA Group, which had links with Vladimir Mayakovsky and Osip Brik's LEF Group, he published the book Style and Epoch in 1924, an influential work of architectural theory with similarities to Le Corbusier's Vers une architecture. It was effectively the manifesto of Constructivist Architecture, a style which combined an interest in advanced technology and engineering with socialist ideals. The OSA experimented with forms of Communal apartments to provide for the new Communistway of life. Its magazine SA featured discussions of city planning and communal living, as well as the futuristic projects of Ivan Leonidov. The group was dissolved in the early 1930s into an 'All-Union Association of Architects', along with the competing Modernist group ASNOVA, led by Nikolai Ladovsky, and the proto-Stalinist VOPRA.
Communal houses
The first of these was the Gosstrakh apartments, designed in 1926, one of which was rented by Sergei Tretyakov: these flats were the first employment of Le Corbusier's 'Five Points of Modern Architecture' in the USSR. A similar structure was built to Ginzburg's 1928 design in Sverdlovsk. This was followed three years later by the Narkomfin Building, a 'social condenser' which tried to embody socialist and principles in its structure. The apartment blocks were built for employees of the Commissariat of Finance, and featured collective facilities, roof gardens and a parkland setting. The Narkomfin building was acknowledged by Le Corbusier as an influence on his Unité d'Habitation, while the layout of its duplex apartments have been copied by Moshe Safdie in his Expo 67 flats, as well as by Denys Lasdun in his luxury flats at St James', London. In 1928, Ginzburg also designed the Government Building in Alma-Ata, completed in 1931. In the early 1930s, he concentrated more on urban planning projects, from utilitarian to utopian. He was also a Soviet delegate to the CIAM from 1928 to 1932.
Career in 1930s
Like other avant-garde artists with limited practical experience, Ginzburg fell out of favor in 1932, when the state took control of architectural profession and steered it in favor of eclectic, revivalist stalinist architecture. Actual demotion of Ginzburg and other constructivists became a gradual process that extended until the end of the 1930s. He never returned to Moscow or Leningrad practice, but left a contribution in Crimea and Central Asia and retained his own architectural workshop until his death. His new books on Home and Industrializing housing construction were printed in 1934 and 1937; since 1934, Ginzburg was the editor of an encyclopedic History of Architecture. In the early 1930s, Ginzburg was involved in planning of Crimean Coast, designed a number of resort hotels and sanatoriums; only one of them was built in Kislovodsk. Ginzburg's workshop was also employed by the Ministry of Railways and designed a whole range of model stations for Central Asian and Siberian railroads. Their projects, publicized in the late 1930s, are not as bold as the 1920s avant-garde but are definitely modernist in appearance. In the 1940s, Ginzburg produced the reconstruction plan for post-war Sevastopol and designed two resort buildings that were completed in Kislovodsk and Oreanda after his death.
Legacy
His most famous work, the Narkomfin Building, is in a dilapidated state, having been without maintenance for decades, and is on UNESCO's endangered buildings list. Previous drafts to rebuild Dom Narkomfin into a hotel was barred by legal uncertainty over the status of the site. As for 2019, Dom Narkomfin is under careful restoration to become once again a dwelling complex. The goal is to restore the building as close to its original state as possible; construction is supposed to end in 2020. Narkomfin has been the subject of Victor Buchli's study of Soviet material culture, Archaeology of Socialism, which traces the building's history from early Utopianism to the harshness of the Stalinist era, up to its current ruined state.
