Moment by Moment
Moment by Moment is a 1978 American romantic drama film written and directed by Jane Wagner and starring Lily Tomlin and John Travolta. It was produced by Robert Stigwood and released by Universal Pictures on December 22, 1978.
The film was shot in Malibu, California from April to July 1978 and also marked the end of Travolta's three-film contract with Stigwood, following Saturday Night Fever and Grease.
Synopsis
Trisha Rawlings is a wealthy, middle-aged Beverly Hills socialite suffering from loneliness following a separation from her philandering husband Stu. One day at a pharmacy, she meets Vick "Strip" Harrison, a suave young drifter she met briefly in the recent past when he worked as a car valet. He becomes infatuated with her, follows her to her Malibu beach house, hangs around despite her cold demeanor, and offers her pills in an attempt to woo her.Trisha is initially annoyed by Strip's flirtation but eventually reciprocates his affections, although not quite to the same degree he feels for her. When he leaves her house, she goes after him and they have lunch, officially beginning their rocky relationship. She enjoys spending time with him but the age and class differences make her feel ashamed.
When they attend a photography exhibition together, they run into Stu, which makes the situation uncomfortable. Once they return home, they argue over their relationship. Strip leaves, but Trisha tracks him down and they reconcile.
Cast
- Lily Tomlin as Trisha Rawlings
- John Travolta as Strip Harrison
- Andra Akers as Naomi
- Bert Kramer as Stu Rawlings
- Shelley R. Bonus as Peg
- Debra Feuer as Stacie
- James Luisi as Dan Santini
- John O'Leary as Pharmacist
- Neil Flanagan as Storekeeper
- Jarvais Hudson as Gas Station Attendant
- Tom Slocum as Band Leader
- Michael Consoldane as Hotel Desk Clerk
- Jo Jordan as Bookstore Lady
- Joseph Schwab as Druggest
- Stan Rodarte as Dancer in Bar
Novelization
Soundtrack
Moment by Moment: The Original Soundtrack from the Motion Picture was released on vinyl, cassette tape and 8-track tape by RSO Records in January 1979. Despite the film's poor reputation, its title song was a considerable hit for singer Yvonne Elliman.Side 1:
- "Moment by Moment" – 3:15
- "The Lady Wants To Know" – 4:32
- "Everybody Needs Love" – 3:40
- "Moment by Moment Theme " – 1:07
- "You Know I Love You" – 3:25
- "Sometimes When We Touch" – 4:03
- "Moment by Moment " – 2:57
- "For You and I" – 5:20
- "Hollywood Boulevard " – 3:34
- "Your Heart Never Lies" – 5:07
- "Moment by Moment " – 2:15
- "Moment by Moment Film Version" – 4:00
Charts
Title | Chart | Peak position |
"Moment by Moment" | US Billboard 200 Bubbling Under | 202 |
Single
Title | Chart | Peak position |
"Moment by Moment" | US Billboard Hot 100 | 59 |
"Moment by Moment" | US Billboard Adult Contemporary | 32 |
Critical response
Moment by Moment was widely panned by critics and moviegoers.Vincent Canby of The New York Times wrote, "It's very difficult to understand what Miss Tomlin and Jane Wagner, who wrote and directed the film, wanted to do in 'Moment by Moment.' As romantic drama it's pretty tepid. That the two stars look enough alike to be brother and sister is no help, and though Miss Wagner's camera comes in for some tactful close-ups of flesh in the love scenes, they are singularly unerotic. One has the impression that these two lovers would prefer to be doing something else." Variety said that the film "has to rate as one of the major disappointments of 1978. What seemed like inspired casting on paper, the teaming of John Travolta and Lily Tomlin, fails badly in execution." Gene Siskel gave the film 1.5 stars out of 4 and called it "a thoroughly awkward, frequently laughable love story that Travolta would do well not to defend, but to simply forget and move on to his next project. Chalk it up to working with the wrong people at the wrong time." Gary Arnold of The Washington Post wrote, "The circumscribed nature of Jane Wagner's screenplay and the hazy nature of her direction tend to divorce the film from any semblance of reality, both social and erotic. For all practical purposes 'Moment by Moment' is a two-character idyll, concentrated at a location—the heroine's Malibu Colony beachhouse—that seems imaginary." Gilbert Adair of The Monthly Film Bulletin stated, "Critics are fond of attributing a film's badness to some hypothetical computer; this truly terrible movie might have been made by HAL in his most maudlin 'Bicycle-built-for-two' mood, as the plugs were being pulled out." Kevin Thomas of the Los Angeles Times offered a lonely defense of the film, writing, "There have been many complaints that there is a lack of chemistry between the stars and that their dialogue is banal in the utmost... Yet for those of us who respond to the intense concern Wagner projects for Tomlin and Travolta, there actually is chemistry between them and what they have to say to each other sounds lifelike rather than merely trite. At any rate, Tomlin and Travolta clearly have trusted in Wagner completely, giving themselves entirely to their roles, with Tomlin underplaying to Travolta's engaging projection of vulnerability."
During filming of Moment by Moment, a Los Angeles magazine reported from the set at the time: "The chemistry between Tomlin and Travolta began to rival that between Menachem Begin and Yassar Arafat." A crew staff was also quoted saying: "Two weeks into the shooting on location in Malibu, there was nobody on the set that didn't know we were in the middle of a turkey. It was like being on the voyage of the damned."
Two years after its release, Lily Tomlin said of the experience: "John and I were totally unprepared. We thought it was a sweet, small, lightly funny movie. We were not prepared for what others thought. It's the one thing that all performers live in fear of—total failure. And when it happens and you survive, I think you're probably in a much better place. It's made me less cautious. It made me place more importance on the experience of working with other artists than on the reaction of critics or the public."
The film remains a "camp classic," with a reputation sufficient to have prompted Mystery Science Theater 3000 producers to try to obtain the rights necessary to broadcast it and mock it on their show. Brad Jones of The Cinema Snob claimed in his review: "Everything is so wrong , in so many ways, that even an actual Train Wreck would stop to look at it. And because of that, more people should be talking about this thing".