Mondo Cane


Mondo Cane is a 1962 Italian mondo documentary film written and directed by Paolo Cavara, Franco Prosperi and Gualtiero Jacopetti. The film consists of a series of travelogue scenes that provide glimpses into cultural practices around the world with the intention to shock or surprise Western film audiences. These scenes are presented with little continuity, as they are intended as a kaleidoscopic display of shocking content rather than presenting a structured argument. Despite its claims of genuine documentation, certain scenes are either staged or creatively manipulated to enhance this effect.
The film was an international box-office success and inspired an entire genre of mondo films in the form of exploitation documentaries, many of which also include the word "Mondo" in their title.

Vignettes

In the beginning, as Cavara and his supervisor Stanis Nievo' interviews revealed, Mondo Cane was a unique project conceived with La donna nel Mondo, and worked at the same time .

Reception

Mondo Cane was an international box-office success and inspired the production of numerous, similar exploitation documentaries, many of which also include the word "Mondo" in their title. These films collectively came to be recognized as a distinct genre known as mondo films. In addition, the film's success led Jacopetti and Prosperi to produce several additional documentaries, including Mondo Cane 2, Africa addio and Addio zio Tom, while Cavara directed La donna nel mondo, Malamondo, as well as the anti-Mondo drama Wild Eye.

Accolades

The film was nominated for two awards for the 1962 film season. It won the David di Donatello for Best Production by the Accademia del Cinema Italiano, which it shared with Una vita difficile. It was also nominated for the Palme d'Or at the 15th Cannes Film Festival, which it lost to O Pagador de Promessas. The theme song, "More", was written by Riz Ortolani and Nino Oliviero, and was given new lyrics in English by Norman Newell. In 1963, the song was nominated for the Academy Award for Best Original Song, where it lost to "Call Me Irresponsible" from the film Papa's Delicate Condition.

Influence

The film spawned several direct sequels, starting with Jacopetti and Prosperi's own Mondo Cane 2, released the following year. Much later, in the 1980s, two more emerged: Mondo Cane Oggi: L'Orrore Continua and Mondo Cane 2000: L'Incredible. The films continued into the nineties with two follow-ups from German filmmaker Uwe Schier; despite the fact that they were the fifth and sixth installments, they were titled Mondo Cane IV and Mondo Cane V.
As well as encouraging sequels, Mondo Cane shock-exploitation-documentary-exquisite corpse style is credited with starting a whole genre: the mondo film. Examples include Mondo Bizarro, Mondo Daytona, Mondo Freudo, Mondo Mod, Mondo Infame, Mondo New York, and Mondo Hollywood; later examples include the Faces of Death series.
The film also inspired lampooning, including Mr. Mike's Mondo Video, written by Saturday Night Live's Michael O'Donoghue and starring members of the contemporary cast of the program.
In 2010, Mike Patton released a musical album in tribute to the film, also called Mondo Cane.