Watteau's first novel, La colère végétale, was published in 1954. Critics praised it as a striking literary debut; Albert-Marie Schmidt wrote that Watteau had created "a new kind of fantasy". Watteau was reportedly considered for the Prix Goncourt and the Prix Femina, but she was removed from the running of the latter prize in 1954 when the jury discovered that she had posed for nude photographs. Her following novels, La nuit aux yeux de bête, L'ange à fourrure, and Je suis le ténébreux, cemented her reputation as one of the foremost Francophone fantasy writers of the twentieth century. Her work is marked by its sensuality of expression and its ecological, Taoist, and Surrealist themes. The writer described Watteau's novels as prime examples of feminism in twentieth-century fantasy. Her first three novels were written under the name Monique Watteau; her fourth gave her name as Monique-Alika Watteau. After its publication, she abandoned the name Monique altogether, going by Alika Watteau and later Alika Lindbergh. After publishing four novels, she turned to painting as a career. Her output as a painter includes a notable corpus of cryptozoological art, including her work as the primary illustrator of Bernard Heuvelmans's books. When the cartoonist Hergé, researching Tintin in Tibet, asked Heuvelmans for details on the yeti, Watteau supplied a "graphic reconstitution" of the creature for Hergé's reference. In the 1970s, Watteau published two new books, Nous sommes deux dans l'Arche et Quand les singes hurleurs se tairont. She published an autobiographical work, Le testament d'une fée, in 2002. Watteau also worked as an animal rights activist. In the early 1990s, she was the president of the Cercle national pour la défense de la vie, de la nature, et de l'animal, a conservationadvocacy group within the French National Front.
Personal life
Heuvelmans was Watteau's first husband; they divorced in 1961, but remained friends and collaborators. According to her autobiography, Watteau was romantically involved with actor Yul Brynner from 1961 to 1967. It was after this affair that she changed her first name to Alika, which she and Brynner had used as her nom d'amour. She married zoologist Scott Lindbergh, son of aviator Charles Lindbergh, in 1968. In 1972, Lindbergh and Watteau established a grant-funded primate research center on an 82-acre estate in the Dordogne valley in France, where they raised and studied dozens of South American monkeys. Watteau and Lindbergh separated in 1983. During Watteau's marriage to Lindbergh, the couple arranged for Heuvelmans, then in poverty, to live in a small house on the grounds of the Dordogne estate. Watteau attended to Heuvelmans during his final years, and was with him at his death in 2001. In accordance with his last wishes, Watteau was in charge of his private funeral in Le Vésinet.
The following list comprises the original publications of Watteau's works. Because Watteau used multiple names, each entry includes the name under which the work was published.
As writer
Monique Watteau, La colère végétale
Monique Watteau, La nuit aux yeux de bête
Monique Watteau, L'ange à fourrure
Monique-Alika Watteau, Je suis le ténébreux
Alika Lindbergh, Nous sommes deux dans l'arche
Alika Lindbergh, Quand les singes hurleurs se tairont
Alika Lindbergh, Le testament d'une fée
Alika Lindbergh, "Préface," in Bernard Marck, Lindbergh, l'ange noir
Alika Lindbergh, "Préface," in Jean-Jacques Barloy, Bernard Heuvelmans, un rebelle de la science
As illustrator
Hubert Dubois, Le danseur du sacre: poèmes, frontispiece by Monique Watteau
André Romus, Voix dans le labyrinthe, frontispiece by Monique Watteau
Bernard Heuvelmans, Sur la piste des bêtes ignorées, illustrations by Monique Watteau
Bernard Heuvelmans, Dans le sillage des monstres marins, Vol. I, Le kraken et le poulpe colossal, illustrations by Monique Watteau
Edward Lear, Le hibou et la poussiquette, translated by Francis Steegmuller, illustrated by Monique-Alika Watteau
Bernard Heuvelmans, Le grand serpent-de-mer: le problème zoologique et sa solution: histoire des bêtes ignorées de la mer, illustrated by Alika Watteau
Albert Jeannin, En vacances avec l'oncle Antoine, four volumes, illustrated by Alika Watteau
Bernard Heuvelmans, Les derniers dragons d'Afrique, illustrated by Alika Lindbergh
Bernard Heuvelmans, Les bêtes humaines d'Afrique, illustrated by Alika Lindbergh
Jean-Léo, Histoire illustrée du cirque à Bruxelles: saltimbanques et gens du voyage depuis le dix-septième siècle, illustrations by Alika Lindbergh and others
Other works
Ian Cameron, Le cimetière des cachalots, translated from the English by Alika Watteau
Allain Bougrain-Dubourg, L'agonie des bébés phoques, contributions by Alika Lindbergh and others
Regards croisés: collectif d'artistes peintres animaliers: Zsuzsa Farkas, Alika Lindbergh, István Nemes, catalogue for a Musée Cantonal de Zoologie exhibition of paintings by Lindbergh and others, 17 March to 19 May 2002