Mistoffelees' name derives from the demonMephistopheles. However, the character is not sinister as the name implies, and instead is described by Eliot as being "the original conjuring cat", who is "always deceiving you into believing that he's only hunting for mice" — a mysterious, quiet and small black feline capable of performing feats of magic and sleight of hand. These traits are portrayed as amusing, not fearsome or particularly deadly. Although originally published as part of a collection of poems, "Mr. Mistoffelees" was published as a standalone book by Faber and Faber in 2015.
''Cats''
In Cats, Mistoffelees is a principal role and maintains most of the same attributes as Eliot's original character, although he is a much flashier showman. He is portrayed as a young Jellicle cat who is not yet able to fully control his magical powers. As the most prominent male dancer, he usually serves as a counterpart to the lead female dancer, Victoria. Mistoffelees has his own titular song in the second act of the show, during which he performs an extended dance solo; the song is usually sung by him and Rum Tum Tugger. Mistoffelees's dance solo consists of some of the most difficult choreography in the show, including his signature "Conjuring Turn" that comprises 24 consecutive fouettés en tournant. In most productions, Mistoffelees also sings the "Invitation to the Jellicle Ball" in the first act. In the original West End production, Mistoffelees also sang "The Old Gumbie Cat"; and in the original Broadway production, he sang "Mungojerrie and Rumpleteazer", until the song was reworked to allow the two titular characters to sing it themselves. In some versions of the musical, his chorus identity is given a second name, "Quaxo". The role is usually played by dancers with extensive ballet training. Because the role's technical demands necessarily trump the performer's vocal abilities, the show permits multiple vocal tracks for the character—thereby allowing some dancers to sing quite a bit, while others do no singing at all. In productions where Mistoffelees does sing, he is played by a high baritone. In the 2019 film adaptation, however, the role has been significantly altered. Mistoffelees, depicted by Laurie Davidson, is more nervous and unsure of himself. He is shown to actually have magical powers, including being able to levitate objects and able to pull objects such as mice and flowers out of his hat. He saves Victoria from a dog when Mungojerrie and Rumpleteazer abandon her in a house and becomes her love interest by the end of the film.
Costume
Although Eliot's poem is specific about Mistoffelees's appearance being "black from the ears to the tip of his tail", the practicalities of stage costume mean he is usually portrayed as a black-and-white tuxedo cat, as a pure black costume would be completely lost under stage lighting. He wears two costumes, a basic black hatched leotard with white chest and fluffy warmers through the majority of the show. However, for his feature song, he has a more glamorous black velvet and rhinestone costume, with a black jacket fitted with electric flashing lights to make for a more spectacular entrance.
Notable casting
The role of Mr. Mistoffelees was originated by Wayne Sleep in the West End in 1981, and by Timothy Scott on Broadway in 1982. Actors who have portrayed Mistoffelees onstage include Louie Spence, Gen Horiuchi and George de la Peña. In the 1998 DVD production of the show, Mistoffelees is portrayed by Jacob Brent, reprising his Broadway role. In the 2016 Broadway revival the part was played by Ricky Ubeda. Laurie Davidson portrayed him in the 2019 film adaptation.
