Music of the Pacific Northwest


Music of the Pacific Northwest encompasses many musical styles from prehistory to the modern Pacific Northwest.

Native American and First Nations

Song and dance was a notable element of pre-Contact Northwest culture. The abundant food supply for coastal tribes like the Tlingit, Haida, Tsimishan, Kwakiutl, Makah, Quinault and Coast Salish peoples, and other Puget Sound Salish peoples, is credited for allowing a settled lifestyle with elaborate artistic expression including woven clothing and basketry, communal longhouses and dance and music. Some dances, songs and stories were owned by a particular culture and used in association with potlatches and other important community events. Cultural preservation efforts in the 21st century include Makah and Yakama music.

Modern

In modern times, the Northwest is known for largely for its contributions to indie music, especially grunge and alternative rock. There is also a historically-strong interest in folk music and many musicians from the region have made notable contributions to the contemporary folk revivalism movement.

Folk

Folk music from the region traditionally takes stock of Pacific Northwest in lyrical references, such as the local history, the landscape, and in the spirit of transcendentalism, which has historical roots in the exploration and settlement of the Pacific Northwest. The music is documented in Songs of the Pacific Northwest by Phil Thomas, Washington Songs and Lore and The Rainy Day Songbook both by Linda Allen.

Great Depression

Woody Guthrie's "Roll on Columbia", written in 1941, is the official Washington State folk song.

Jazz

Jazz artists from the Pacific Northwest include Ray Charles, Quincy Jones, Buddy Catlett, Bill Frisell, Ernestine Anderson, Larry Coryell, Jeff Lorber, Diane Schuur, Kenny G, Aaron Parks and Esperanza Spalding. The Seattle Repertory Jazz Orchestra is noted for its renditions of big band jazz music.

Heavy metal

Mondo Bando may be the earliest documented all out original Heavy Metal band in the Seattle area dating to early 1976 to 1977.,, Live Radio broadcast early 1976:, Rock Scene Magazine 1/77 Page 53: Members were: Electra Blue Vocals, Mark Maye Guitar, Carl Joseph Seltice Bass Guitar and Gary Herrman Drums. Disco Music was certainly the music of choice at that time and Punk was on the rise in Seattle so Mondo Bando was in the musical wilderness but played around 25 shows during 1976-1977. Mark Maye, Joe Seltice and the original singer Warren Ferger migrated to Seattle in 1975 from Spokane, Washington and reformed Mondo Bando with Brad Butler on Drums and played High School Dances, self promoted shows and some parties playing very hard rock. Warren Ferger left the band very early and Roger Williams joined as lead vocalist. Mondo Bando disbanded in December 1975 and then reformed again in January 1976 when they added Electra Blue and Gary Herrman to their lineup. The newly revived band then began writing their own music and went extra hard in their delivery. "We didn't call ourselves Heavy Metal, it was what people were calling us". The band once again disbanded in 1977 and it was permanent. Mondo Bando has also made the Ranker list of most famous Seattle musical acts at the 111 spot. Electra Blue moved on to the Seattle Punk Scene and performed with Violent World for a while before relocating to San Francisco. The Pacific Northwest region – primarily Oregon, Washington, and British Columbia – has been host to a growing scene of Doom metal, Sludge metal and Stoner metal since the 1990s, influenced by the geographical origin of grunge music and a sound pioneered in part by Washington band The Melvins. Common visual themes include the region's cold, rainy, forested climate, and many bands utilize psychedelic imagery influenced by bands like Sleep, Karp and Harkonen. Musical styles often share crossover features with atmospheric/ambient black metal, drone metal, and post-metal as seen in Oregon's YOB, Agalloch, Witch Mountain, Red Fang, Washington's Lesbian, Earth, Sunn O))), Vancouver's Anciients, Astrakhan, and Aaron Turner project Sumac, among various others.

Rock

1959–1960

In 1959–1960, Seattle's Dolton Records started to take off and local bands including The Kingsmen and Paul Revere and the Raiders became known as the Sea-Port Beat, later to be referred to as the Original Northwest Sound.

2000s

The famous indie label Sub Pop is associated with some of the most iconic Pacific Northwest acts, like Sleater-Kinney and The Postal Service. Indeed Indie rock has made a strong-hold in the Pacific Northwest due to prolific cities like Portland, Seattle, and Olympia. KEXP.org is a popular and nationally-noted Seattle-based public radio station that celebrates primarily indie rock music. But the indie music scene was never contained to the genre alternative rock and many musicians from the Pacific Northwest became well-known indie folk musicians, such as Neko Case, The Decemberists and Loch Lomond. Likewise, indie pop, indietronica and indie rap music have seen PNW artists like Macklemore, Carly Rae Jepsen, and Odesza and Sir-Mix-A-Lot make notable contributions.
Pacific Northwest artists who became ground-breaking rock bands of their times include:
Several Northwest cities have symphony orchestras, including the Oregon Symphony, Seattle Symphony, Spokane Symphony, and Vancouver Symphony Orchestra. The Northwest Chamber Orchestra is based in Seattle. Vancouver, Seattle, and Portland have operas. Smaller cities such as Victoria and Eugene have classical groups as well.

Local music scenes

Northwest cities have spawned their own music scenes and styles, including music of Olympia, music of Portland, music of Seattle, and Northwest hiphop from Tacoma and elsewhere.

Festivals

Among the area's largest music festivals are the Merritt Mountain Music Festival, the Vancouver Folk Music Festival, the Sasquatch! Music Festival in George, Washington, Seattle's Bumbershoot, and Portland's MusicfestNW. Portland's Waterfront Blues Festival is the largest blues-based festival west of the Mississippi River.