My Lucky Star (2013 film)


My Lucky Star is a 2013 Chinese romantic adventure film directed by Dennie Gordon and starring Zhang Ziyi and Leehom Wang. The film serves as a prequel to the 2009 film Sophie's Revenge, with Zhang, Ruby Lin and Yao Chen reprising their roles.
It is the first Chinese-language film to be directed by an American woman—Dennie Gordon—known for the American comedies Joe Dirt and What A Girl Wants as well as her work on TV series like Burn Notice, White Collar, 30 Rock and The Office. My Lucky Star's screenplay is a similarly collaborative effort, co-written by Amy Snow, Chris Chow, Hai Huang and Yao Meng. Zhang co-produced, reuniting with her Sophie's Revenge producers Kwei and Ling Lucas.

Plot

Melding elements of romantic comedy, James Bond-style action and Pink Panther-like capers, My Lucky Star tells the story of lovelorn Sophie, who winds up in the midst of an international diamond heist, while falling in love with a dashing, heroic spy named David. Stuck in a dull job as a travel agent in Beijing, Sophie whiles away her time daydreaming and drawing cartoons of imaginary adventures starring a handsome hero or hanging out with friends Lily and Lucy. Her luck suddenly changes when she wins an all-expenses paid trip to a luxurious hotel in Singapore. Ditched by Lily and Lucy at the last minute, Sophie decides to go to Singapore on her own, where she runs into David, the living embodiment of her illustrated dream man. An American secret agent, David is at the hotel to retrieve the stolen Lucky Star diamond. The valuable gem has the potential to fuel a major atomic weapon, capable of destroying the world. David must retrieve the diamond from the evildoers in order to save the world. David intends to thwart a covert sale of the Lucky Star between arms dealer Li Wan and Mr. Gao at a posh rooftop party. Lovestruck Sophie crashes the party hoping to meet David. Through a series of misunderstandings and a case of mistaken identity, she briefly winds up in possession of the gem herself and is the only one who can unlock its top-secret case. Now with the help of David and his techie sidekick Bo, Sophie is in hot pursuit of the jewel trying to retrieve it from evil mastermind Charlize, who plans to bomb Bermuda. Their chase takes them to the fishing villages of coastal Hong Kong and Charlize's secret underworld lair, culminating at the Venetian Hotel & Casino in Macau, where Sophie goes undercover as a gondolier on the resort's famous canal. In addition to the fast-paced, comedic action, which includes several fight scenes and a daring parachute jump off the hotel skyscraper, romantic sparks fly between Sophie and David. The film is also interspersed with dynamic animated sequences and concludes with the ballad, "Love a Little "<爱一点> sung by Wang and Zhang.

Cast

The 2009 comedy Sophie's Revenge was a success in China, earning RMB97 million. It marked a change of pace for Zhang, who gained fame for her work in serious dramas and action movies like her award-winning performance in Wong Kar-wai's The Grandmaster and Ang Lee's Oscar-winning Crouching Tiger, Hidden Dragon. Initially producer Ming Beaver Kwei brought the project to Village Roadshow Pictures as a direct follow-up to Sophie's Revenge. My Lucky Star eventually evolved into a standalone story, now under Bona Film International Film Group. My Lucky Star retains certain elements from its predecessor. Zhang reprises her role as Sophie, with Chen and Lin returning as her best friends, Lucy and Lily. Also returning are cinematographer Armando Salas, and two of the producers of Sophie's Revenge—Kwei and Ling Lucas. While a big part of the success of the first movie was the presence of pop heart-throbs Peter Ho and So Ji-sub, My Lucky Star casts Mandopop superstar Wang as Zhang's romantic leading man.
The Chinese trailers for My Lucky Star also tout the connection with the "Sophie Is Back" tagline and even the Mandarin titles are similar—Fei chang wan mei or "Extraordinary Perfection" and "Fei chang xinyun". My Lucky Star is also notable for being the first Chinese-language movie to be directed by an American woman, Dennie Gordon.
Gordon recalled to The Los Angeles Times how she initially got involved with the production:
"I was trying to do a remake of What a Girl Wants and there was a company in China that was interested. There was a guy there who was very keen on doing it, Song Ge, and he would just show up wherever I was shooting something. He was sort of tracking me and we just built this relationship. He had produced Sophie’s Revenge with Ziyi -- we call her Z -- and he wanted to do another project with her. And so he put us together. She said, 'I really want you to develop a movie for me like Anne Hathaway would star in, or like 10 years ago Kate Hudson would star in.... I want to do a romantic comedy with some adventure. I want to do something different. I want to do a Sophie movie because I love that character but I don’t want to do the old Sophie, I want to take her to a new place.' So I pitched her -- what if we took you to the land of James Bond or Romancing the Stone, a spy-tastic adventure where Sophie has to step up to the plate? And she loved that."

Chow wrote the first draft of the script in China, while stateside, the story was developed by Gordon, with American screenwriter Snow and producer Kwei. Chinese writers Huang and Meng also contributed to the script. After several translated drafts and lots of cross-cultural collaboration, the team was able to strike the right balance of humor and cultural relevance for Chinese audiences. In an interview with , Snow explained how much she enjoyed the process:
"It was so fun when I got to work with Sean , who working on set as the writer," says Snow. "We had both been working on the same script but had never met, and it was so great to be able to talk through these scenes -- to go 'Oh, I love what you did with that!' or to say 'That moment doesn't work. I can't figure it out!'"

The result is a movie that pays homage to American action films and classic romantic comedies, as well as the Pink Panther, James Bond and Austin Powers series.
"It feels like a throwback here but it’s revolutionary in China," Gordon told The Los Angeles Times. " This mixing romance, comedy, action and travel-adventure, it’s never been done. We are really hoping they dig it. There’s really no Chinese film we could point to and say, oh, it’s kind of like this. So it feels a little retro, a little vintage here, but there it's not."
With an $8 million budget, My Lucky Star began shooting in July 2012 on a 56-day schedule with locations in China, Singapore, Hong Kong and Macau. Like many productions, it experienced its share of challenges. After only one day of shooting, the film's entire Hong Kong set was destroyed by a major typhoon.
"I thought we’d just get the insurance like we do in the West," Gordon recalled to The Los Angeles Times. "And they said oh no, we don’t have insurance. So we had to figure out how to make up the difference -- we were down for 10 days and had to rebuild the set. I just started pulling pages out of the script. We shot a very tight little movie."
Due to the movie's limited budget, the team also struggled with the stunt equipment and action choreography, until a very famous friend came to their rescue: Jackie Chan. While visiting the set to see his friends and former co-stars Zhang and Wang, Chan offered his action team, including the legendary stunt master Wu Gang.
"The next day, team and all of their equipment were at my disposal. It was amazing; we could have never afforded that team. We have about six major stunt set pieces in the film that are all crazy-great and that team was with me every step of the way. We couldn't afford his guys; they're the best guys on the planet. We had his entire team and all their harnesses, so when you see the movie, you see Wu Gang, action stunts -- that's Jackie's No. 1 guy. He just really stepped up to the plate. He's just that extraordinary, that generous." Chan's contributions to the production earned him a "Special Thanks" in the end credits of My Lucky Star.
Another challenge for Gordon was dealing with the language barrier and cultural differences among her mostly Chinese crew. Gordon relied on her Cuban-American cinematographer Armando Salas and her English-speaking stars for guidance.
"Between the three of us we formed a linguistic trio," Gordon explained in a DGA Guild interview. "They’d come to me and speak back and forth in Mandarin, then they’d say to me in English, ‘It’s funnier this way because what it means is...’ She also worked hard to create the kind of on-set atmosphere she had on her previous films where cast members know that any and all dialogue ideas are welcome. "I like to improvise a lot," something uncommon in the world of Chinese filmmaking. "I don’t want to be stuck not being able to have off-the-cuff dialogue."
It took longer for Gordon to gain the trust of the technical crew, with whom she was unable to communicate directly in Chinese. Ultimately, the universal language of cinema solved the dilemma.
"All the production meetings are in Mandarin, Cantonese and English because we’re shooting primarily in Hong Kong with Chinese stars but a Hong Kong crew. I could tell they didn’t really get what I was doing. "Gordon said. "Basically the vibe I kept getting was, "What is a white chick from Hollywood doing, telling us what to do with our biggest stars. What the ?" I could feel it and I was just having a hard time getting my mojo going with these guys no matter how much beer I bought them. I had an idea that maybe if I cut together a trailer—I had heard that the Wachowskis did this on the first "Matrix"—and so I cut together a trailer about three weeks in and then took that trailer, like three minutes, took it around on my iPad to every single person on the crew. And I said, 'I just want you to see the movie we are making together.' And it was like, 'Boing!' They got it."
The film benefits from on-location shooting at two world-class resorts. At the Marina Bay Sands Hotel in Singapore, key scenes were shot on the 57-story high rooftop Ku De Ta nightclub and at the stunning infinity pool overlooking the cityscape. My Lucky Star's finale unfolds with a gondola ride on the famous canal of the Venetian Resort in Macau.
Speaking on a panel at the 54th annual Asia-Pacific Film Festival, Kwei explained Macau, in particular is likely to be a popular choice for future film productions. "Macau already has a great infrastructure--airport, proximity to Hong Kong, the people, hotels. If you tell people about it, they will want to come and take a look."
My Lucky Star is dedicated to the memory of Taiwanese actor Morris Rong. Rong, who plays Li Wan, died of a heart attack at the age of 43 in January 2013, months before the movie was released.

Box office

My Lucky Star was released in China by the Bona Film Group on September 17, 2013. Coinciding with the busy Mid-Autumn Moon Festival, a time generally known for low cinema attendance, My Lucky Star beat expectations with a blockbuster weekend. It opening in first place at the Chinese box office, the movie took in RMB10.5 million the first day of its release and grossed RMB83.6 million for the week, accounting for approximately 23% of nationwide screenings. At RMB130 million, it has already outpaced Sophie's Revenge's RMB97 million gross.
Just days later, My Lucky Star was released internationally by China Lion Film, the distributor's widest 2013 release, in Australia, New Zealand, and Singapore and received a limited 23-theater North American release on September 20, 2013. The film also expanded to Hong Kong, Taiwan and Malaysia in October 2013.
According to site Box Office Mojo, My Lucky Star has earned $22.8 million in China and $224,747 in other Asian markets. As of early October 2013, My Lucky Star had grossed $64,232 in its North American release. The movie's domestic success helped contribute to a strong third-quarter for Bona Film Group, which reported a 42% growth for the quarter.

Critical reception

My Lucky Star has received mostly mixed reviews, with an aggregate score of 50% on Rotten Tomatoes.
The Metacritic site tallied a combined score of 33, with the movie receiving mostly negative reviews.
The New York Times called it "sweet and harmless, but it’s also a little disorienting. After watching it, you may need a few moments to remember which decade this is, because the film has the tone and silliness of a Pink Panther movie or an episode of the 1960s sitcom Get Smart
The Seattle Times praises the film's star and its production values:
"My Lucky Star plays out like a sparkling, brightly lit travelogue with Zhang as a bubbly tour guide. Whether she’s posing as a nightclub sex kitten, singing gondolier or leather-clad badass, Zhang’s every bit as appealing here as she was in her martial-arts classics."

Variety found the film to be "wholesome, effortless entertainment that runs smoothly enough but seldom takes one’s breath away in the romance department." Zhang displays sufficient comic verve to make the silly gags hit the sweet spot while Gordon "skillfully sets a snappy yet even pace, effectively balancing verbal jokes and campy drama with purely physical stunts as the protags gallivant from one metropolis to another."
Other reviewers were less enthusiastic, with Slant referring to it as "another limp spy spoof that fails to make any interesting critiques about the genre" and The Washington Post deeming it "utterly provincial."
The Los Angeles Times found Zhang to be "at her spunky best" but considered Gordon's direction "thoughtless" and Wang's performance "uncharismatic."

Soundtrack