Nights in White Satin
"Nights in White Satin" is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment "The Night" on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since "Go Now" and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined.
When reissued in 1972, in the United States the single hit number two – for two weeks – on the Billboard Hot 100 and hit number one on the Cash Box Top 100. It earned a gold certification for sales of over a million US copies. It also hit number one in Canada. After two weeks at #2, it was replaced by "I'd Love You to Want Me" by Lobo. It reached its highest UK position this year at number 9. Although the song did not enter the official New Zealand chart, it reached #5 on the New Zealand Listeners chart compiled from the readers' votes in 1973.
The song enjoyed a recurring chart presence in the following decades. It charted again in the UK and Ireland in 1979 reaching #14 and #8, respectively. The song charted again in 2010, reaching number 51 in the British Official Singles Charts. It has also been covered by numerous other artists, most notably Giorgio Moroder, Elkie Brooks, and Sandra.
Production
Band member Justin Hayward wrote and composed the song at age 19 in Swindon, and titled the song after a girlfriend gave him a gift of satin bedsheets. The song itself was a tale of a yearning love from afar, which leads many aficionados to term it as a tale of unrequited love endured by Hayward. Hayward said of the song, "It was just another song I was writing and I thought it was very powerful. It was a very personal song and every note, every word in it means something to me and I found that a lot of other people have felt that very same way about it."The London Festival Orchestra provided the orchestral accompaniment for the introduction, the final rendition of the chorus, and the "final lament" section, all of which were in the original album version. The "orchestral" sounds in the main body of the song were actually produced by Mike Pinder's Mellotron keyboard device, which would come to define the "Moody 's signature sound".
The song is written in the key of E minor and features the Neapolitan chord.
Single releases
The two single versions of the song were both stripped of the orchestral and "Late Lament" poetry sections of the LP version. The first edited version, with the songwriter's credit shown as "Redwave", was a hasty-sounding 3:06 version of the LP recording with very noticeable chopped parts. However, many versions of the single are listed on the labels at 3:06, but in fact are closer to the later version of 4:26.Some versions, instead of ending cold as most do, segue briefly into the symphonic second half and, in fact, run for 4:33. For the second edited version, the early parts of the song were kept intact, ending early at 4:26. Most single versions were backed with a non-LP B-side, "Cities".
Although it only had limited commercial success on its first release, the song has since garnered much critical acclaim, ranking number 36 in BBC Radio 2's "Sold on Song Top 100" list.
"Late Lament"
The spoken-word poem heard near the six-minute mark of the album version of the song is called "Late Lament". Drummer Graeme Edge wrote the verses, which were recited by keyboardist Mike Pinder. On Days of Future Passed, the poem's last five lines bracket the album and also appear at the end of track 1.While it has been commonly known as part of "Nights in White Satin" with no separate credit on the original LP, "Late Lament" was given its own listing on the two-LP compilation This Is The Moody Blues in 1974 and again in 1987 on another compilation, Prelude. Both compilations feature the track in a slightly different form than on Days of Future Passed, giving both spoken and instrumental tracks an echo effect. The orchestral ending is kept intact, but mastering engineers edited out the gong that closes the track on the original LP.
From 1992 through the early 2000s, the Moody Blues toured with shows backed by live orchestras. When with orchestral accompaniment, they often took the opportunity to include "Late Lament" in the performance of "Nights in White Satin". On these occasions, Edge recited it himself, since Pinder was no longer in the band at that time.
Personnel
- Justin Hayward – acoustic guitar, lead vocals
- Ray Thomas – flute, backing vocals
- Mike Pinder – Mellotron, backing vocals, narration, gong
- John Lodge – bass, backing vocals
- Graeme Edge – drums, backing vocals, percussion
- Peter Knight and the London Festival Orchestra – orchestral arrangements
Charts
Weekly charts
Chart | Peak position |
Australia | 8 |
Canada | 1 |
scope="row" | - |
South Africa | 20 |
UK | 9 |
US Hot 100 | 2 |
US Adult Contemporary | 37 |
US Top 100 | 1 |
Chart | Peak position |
Year-end charts
Certifications
Sandra version
A cover version of "Nights in White Satin" was released by the German singer Sandra on her sixth studio album Fading Shades. Her version was produced by Michael Cretu.The song was released as the lead single off Fading Shades in the spring of 1995 and failed to match the success of Sandra's previous singles. The song only reached #86 in Germany, becoming her least successful lead single there to date, and #34 in New Zealand, where it remains her only charting single. It fared much better in Israel and Finland, and was also a top 10 airplay hit in Poland.
The music video, directed by Angel Hart, showed only close-ups of Sandra's face as she was pregnant at the time. A still from the video was later used on the Fading Shades album cover. The music video was released on Sandra's 2003 DVD The Complete History.
Formats and track listings
- CD maxi single
- "Nights in White Satin" — 3:35
- "Nights in White Satin" — 6:05
- "Nights in White Satin" — 5:29
- "Nights in White Satin" — 6:09
- "Nights in White Satin" — 4:02
- 12" maxi single
Charts
Other cover versions
- An Italian cover version of the song by Dalida, "Un po' d'amore", was released on her 1969 album Canta in Italiano.
- German singer Juliane Werding covered the song in German as "Wildes Wasser" for her 1973 album Mein Name ist Juliane. The single reached #40 in Germany.
- Giorgio Moroder recorded the song as "Knights in White Satin" for a 1976 album of the same name. His cover reached #44 on the Walloon singles chart in Belgium.
- Los Angeles punk rock band The Dickies recorded a cover of the song for their 1979 LP Dawn of the Dickies. Released as a single, it charted in the top 40 on the UK singles charts.
- Elkie Brooks recorded the song for her 1982 album Pearls II. The single reached #14 in Ireland and #33 in the UK.
- Jennifer Rush recorded the song for her 1995 album Out of My Hands.
- The group Il Divo released their cover "Nights in White Satin " on the 2006 album Siempre. Their version reached #81 in Switzerland.
- A cover by the Dutch singer Erwin Nyhoff reached the top 5 in the Netherlands in 2012.
- Rachael Leahcar recorded a cover of the song for her debut album Shooting Star. The song reached #43 in Australia.
Theme park attraction and other uses
Nights in White Satin was the title of a 1987 film directed by Michael Barnard, and starring Kip Gilman and Priscilla Harris. The Moody Blues recording of the song was featured prominently in the soundtrack, particularly during a rooftop dance sequence.