Norman Demuth was an English composer and musicologist, currently remembered largely for his biographies of French composers.
Biography
Early life
Demuth was born in Croydon, Surrey. On leaving Repton School in 1915, he volunteered as Rifleman No. 2780 with the 5th London Regiment in the City of London on 17 September 1915, falsifying his age by adding one year on enlistment to seek active-service for which he was then under-age. In early March 1916 he was sent to France with a reinforcement draft to the Regiment's 1st Battalion on the Western Front, and was wounded in the leg by shrapnel fragments from the accidental detonation of a Mills Bomb on 28 June 1916 in the frontline village of Hebuterne during the prelude of the Battle of the Somme. He was medically evacuated to England and subsequently discharged from the British Army as medically unfit for further war service in November 1916. In Forgotten Voices of the Great War, Demuth is quoted as saying:
"Almost the last feather I received was on a bus. I was sitting near the door when I became aware of two women on the other side talking at me, and I thought to myself, 'Oh Lord, here we go again'. One lent forward and produced a feather and said, 'Here's a gift for a brave soldier. I took it and said,'Thank you very much- I wanted one of those.' Then I took my pipe out of my pocket and put this feather down the stem and worked it in a way I've never worked a pipe cleaner before. When it was filthy I pulled it out and said, 'You know, we didn't get these in the trenches', and handed it back to her. She instinctively put out her hand and took it, so there she was sitting with this filthy pipe cleaner in her hand and all the other people on the bus began to get indignant. Then she dropped it and got up to get out, but we were nowhere near a stopping place and the bus went on quite a long way while she got well and truly barracked by the rest of the people on the bus. I sat back and laughed like mad."
Demuth was active in the Home Guard and received a commission with the rank of lieutenant in the British Army on 23 October 1942. He served in the Pioneer Corps, for whom he composed the Regimental March in 1943. During this period he also wrote a series of handbooks on military strategy, including Harrying the Hun: A Handbook of Scouting, Stalking and Camouflage , and A Manual of Street Fighting.
Music and writing
Greatly sympathetic to French music, Demuth wrote a number of books on the subject. The first two, on Albert Roussel and Maurice Ravel, both appeared in 1947. Further books on César Franck, Charles Gounod, Vincent d'Indy, French Piano Music and French Opera were published over the following fifteen years. His Musical Trends in the 20th Century took a broader focus, though its judgements on German and American music are largely unsympathetic. In a scathing review in Tempo, Hans Keller, noting the hostility towards Teutonic music, observes that "Mr Demuth's all too transparent personal prejudices come into play" and feels obliged to sign himself off with the words "The present writer is an Austrian-born British Jew". The French preference is evident in his own compositions, of which there were many. Demuth produced nine symphonies between 1930 and 1957, six operas between 1947 and 1959, and numerous orchestral ballets, concertos and overtures, works for military band, chamber music and songs, as well as much incidental music written for BBC radio plays. His orchestral set of Ravel-inspired Valses graves et gaies were premiered at the Proms in 1942. Mason characterises his melodic style as somewhat austere, "in which definable tunes have little part", and his harmony as ranging from intense late Romantic Franckian chromaticism to more brittle Stravinskian neoclassicism. The Viola Concerto received its first performance in 1956 with Herbert Downes as soloist. Hugh Ottaway said of the work "Designed in two linked sections, one slowish, the other quick, it made an impression through its capable workmanship and sense of purpose but did not offer much of imaginative distinction. A certain monotony of rhythm and texture was acutely felt, especially in the opening section, which is a rather busy meditation whose concertante viola part is inclined to fuss and fidget." Demuth wrote his Processional Fanfare for three trumpets and organ for the enthronement of the Lord Bishop of Chichester in 1958.
Death
Demuth married the pianist and teacher Edna Marjorie Hardwick in November 1943. She died in March 1965. He died three years later in Chichester at the age of 69. His pupil Gordon Langford has expressed regret at the complete current neglect of Demuth's achievements as a composer.
