Northeastern Mandarin


Northeastern Mandarin is the subgroup of Mandarin varieties spoken in Northeast China with the exception of the Liaodong Peninsula. The classification of Northeastern Mandarin as a separate dialect group from Beijing Mandarin was first proposed by Li Rong, author of the Language Atlas of China, in 1989. However, many researchers do not accept the distinction.

Geographical distribution

Northeastern Mandarin varieties are spoken in the northeastern part of China, in the provinces of Liaoning, Jilin and Heilongjiang, and in some northern parts of Inner Mongolia. The number of speakers was estimated in 1987 as 82 million. The Language Atlas of China divided Northeastern Mandarin into three subgroups, following a classification be Hè Wēi based on the occurrence of nasal initials in words having a zero initial in Beijing:
More distant varieties tend to be more similar to the Beijing dialect than closer ones, so that the speech of Harbin is closer to that of Beijing than that of Jilin and Changchun, which in turn are closer than that of Shenyang.
A form of Northeastern Mandarin has been spoken since approximately 1800 by the Taz people nearby in the Russian Far East, primarily in Primorsky Krai.
Overseas, Northeastern Mandarin is spoken in increasingly larger communities in New York City Chinatowns/Flushing in the United States.

Phonology

Northeastern Mandarin shares similarities with the Beijing dialect, such as a similar development of the entering tone and the preservation of initial, where the dialects of Hebei province, which surrounds Beijing, have. However, in northeastern Chinese, final -ian or -üan is pronounced with an rather than with or as in the standard. The initial of Beijing is generally omitted in northeastern varieties.

Cultural and regional identity

variants like Northeastern Mandarin often contribute to a strong regional identity. Because of its informal usage of words and tones, comedians often use Northeast dialects when performing. Comedian Zhao Benshan is recognized nationwide for his performances which make humorous use of Northeastern dialect and Northeastern Errenzhuan folk dance and song traditions.