According to bandleader and bassist Giblin, the band's "...sound might be best described as a trip through our record collections. A little punk, a little soul, a little glam, a lot of attitude!" About half of the songs were written by Giblin. According to him, some of the songs had been in his notebook at one stage or another, ""e.g."", the title song began to take form about 4 years before it was finished for the album. Not all songs took so long, "I Can't Remember" was created "...in about 40 minutes in a hotel room in India". The first collaboratively-written song was "Touch & Go". On that song, guitarist Streng wrote almost all the music, and Giblin wrote the lyrics and melody. Giblin and McCaughey collaborated on "Superman Says", with Giblin having the verses and the melody, but no chorus. He emailed the song to McCaughey, and about 20 minutes later received an email with an mp3 containing the lyrics. The album set of 10 original songs is rounded out with four covers. Steng takes over on vocals for a cover of '60's and '70's British musician Terry Reid "Tinker Taylor" - misspelled "Tinker Tailor" on the CD and back cover. The band covers "Put It Down", by Pennsylvania power pop/garage rock band The Jellybricks. The third cover is of The Small Faces "Sorry She's Mine". In the album acknowledgements, they list The Small Faces, adding "" The final cover is "You'll Never Change" first performed by Bettye LaVette, and covered by others.
Recording
In an interview with Giblin, the band had been performing many of the songs on the album for nearly a year, but it took 4 months to coordinate everyone's schedules to book, in May 2013, a week of "summer camp", as producer Don Dixon calls it, in David Minehan's Woolly Mammoth Studios in Boston. A photogallery of that week is available on the group's web site. During that week, about 85% of 14 tracks were recorded. All the basic instrument tracks as well as all lead vocals were recorded then. During that week's recording session, drummer Hugo Burnham, who lives in the Boston area, was invited by the band to sit in and perform with them. He played congas on "Messin' Around" while during "I've Got A Feeling"'s breakdown, he overdubbed, on a separate drum kit, a second drum part. The individual kits were flanged and panned far left and right, with Burke on the left. Later, Streng's vocal and some lead guitar overdubs in "Tinker Tailor" were done in Andy Shernoff's studio in Brooklyn. At Woolly Mammoth Studios, the signal path was analog, through a Neotech Elite console, until digitized with a Pro Tools HD-2 digital audio workstation. Giblin subsequently went to Portland to Scott McCaughey's Dungeon of Horror studios to do most of what remained.
Reception
Reviews of the album have been uniformly positive. Blurt reviewed the album, giving it 5 out of 5 stars. Writing for Carolina Orange, Richard Rossi wrote that with this collaboration"...there is more collective genius in the making of this disc than any that’s come along in a very long time." After receiving the album from Closer Records, Joe Whyte opened his review with "Powerpop/garage nobility with quite possibly the who-the-hell-are- they-and why didn’t I know-about-them album re-release of the year!" giving the album a 9 of 10 rating.
