Oleg Vassiliev (painter)


Oleg Vassiliev was a Russian painter associated with the Soviet Nonconformist Art style. Vassiliev emigrated to the United States, arriving in New York City in 1990 and later lived and worked in St. Paul, Minnesota.

Education

Vassiliev graduated from V.I. Surikov State Art Institute, Moscow, in 1958. In the late 1950s he became influenced by the Russian avant-garde formalists, Vladimir Favorsky, Robert Falk, and Artur Fonvizin.

Biography

From the 1950s through the 1980s, Vassiliev worked with friend and collaborator Erik Bulatov as a children's book illustrator. They developed a unique style of illustration that combined realist painting with graphic elements, such as text. This "official" source of income provided the means and materials for Vassiliev to take part in the Soviet Nonconformist Art movement, also known as "unofficial" or "dissident" art. Along with friends, Ilya Kabakov, Erik Bulatov and Viktor Pivovarov, Vassiliev belonged to a large group of Soviet artists that took advantage of the Nikita Khrushchev "thaw" in official policy that opened up the Soviet Union to Western culture in the years following Joseph Stalin's death in 1953.

Style

During this period of time Vassiliev developed his mature style. In his art Vassiliev combines the traditions of Russian Realism of the 19th century with the Russian avant-garde of the beginning of the 20th century. "Vassiliev’s principal themes, which were born while he was in Russia and continue to the present day, are his memories of home and houses, roads, forests, fields, friends and family. Vassiliev always starts his creative process from a very personal memory, from his sacred space, the safeguarded inner center, and connects it with the visual image. Vassiliev masterfully incorporates elements from different times and spaces and arranges them throughout his paintings according to the logic and 'energetic' space of the painting."
"Leading Soviet graphic artist Vladimir Favorsky was a major influence on Vassiliev's work. Favorsky emphasised the constructive qualities of image-making, understanding painting as a rhythmic organisation of space swirling about time. Such abstract aesthetic thought was alien to mainstream Soviet Realism and demonstrates the liberties afforded graphic designers during this period. With a preoccupation for the structural qualities of a composition, these aesthetics also find their origin in Russian Constructivism of the 1920s.
"...Vassiliev's recurring preoccupation with light and shade in his oeuvre also points to a psychological dimension, with light symbolising consciousness and dark, the subconscious. Elements of German Romanticism influence his thought. He searches for answers in an unfathomable world, posing questions without obvious answers and leaving the viewer feeling nonplussed, a hallmark of Postmodernist art...."

Public collections

Solo exhibitions