Oliver Lyttelton, 1st Viscount Chandos, was a British businessman from the Lyttelton family who was brought into government during the Second World War, holding a number of ministerial posts.
According to the Dictionary of National Biography:
In August 1920 Lyttelton was invited to join the British Metal Corporation, a firm established at the instigation of the British government with the long-term strategic objective of undermining Germany's domination of the metal trade and making the British Empire self-supporting in non-ferrous metals. After a brief apprenticeship Lyttelton served as general manager of the corporation and subsequently as managing director. He also became chairman of the London Tin Corporation and joined the boards of a number of foreign companies, including that of the German firm Metallgesellschaft. He became one of a small group of individuals who through their multiple, interlocking directorships, effectively controlled the global metal trade.... On the outbreak of war in September 1939 he was appointed controller of non-ferrous metals. He set about exploiting his extensive network of personal contacts and his intimate knowledge of the mining industry in order to secure for Britain vital supplies of metals at highly advantageous rates. His unconventional methods caused some anxiety at the Treasury, but over the course of the war they saved Britain a substantial amount of money.
After ending his career as an MP, Chandos returned to Associated Electrical Industries, and steered it to become a major British company. In 1961 he was invited to deliver the MacMillan Memorial Lecture to the Institution of Engineers and Shipbuilders in Scotland. He chose the subject "Jungle – or Cloister? – Some Thoughts on the Present Industrial Scene".
In 1962, Chandos became the first chairman of the National Theatre, serving until 1971. He then served as president until his death. His parents had been active campaigners for its development, and the Lyttelton Theatre, part of the National's South Bank complex, was named after him. During Laurence Olivier's tenure as director of the National, Chandos was a central figure in the controversy over a proposed production of Rolf Hochhuth's Soldiers. The production had been championed by Olivier's dramaturg, Kenneth Tynan. Though Olivier, a great admirer of Winston Churchill did not particularly like the play or its depiction of Churchill, he backed his dramaturg. There was a potential problem with the Lord Chamberlain, who might not have licensed the play due to its controversial stand on Churchill. The National's board vetoed the production and Lord Chandos damned the play as a "grotesque and grievous libel".
Lord Chandos died in Marylebone, London, in January 1972, aged 78, and was succeeded by his eldest son, Antony. Lady Chandos died in May 1976, aged 84.
