Olympic Theatre, New York


The Olympic Theatre was the name given to five former 19th and early 20th-century theatres on Broadway in Manhattan and in Brooklyn, New York.

First Olympic Theatre (1800–1821)

The first theatre in New York to bear the name Olympic was on 79–85 Anthony Street in Manhattan. Converted in 1800 from a former circus building, it was named the Olympic Theatre in July 1812 under the management of actor-manager William Twaits along with Alexander Placide and Jean Baptiste Casmiere Breschard; Twaits and Placide had come to New York after the disastrous Richmond Theatre fire in Richmond, Virginia where they had been co-managers of the theatre there. The Olympic was due to open with a production led by Charlotte Melmoth and Twaits, but while travelling to fulfil this engagement Melmoth was involved in a carriage accident, resulting in a severe fracture to her arm that failed to heal, forcing her to give up her acting career. Circus acts continued to appear here throughout this period. The theatre was renovated and redecorated in 1813 when it was named the Anthony Street Theatre, becoming the Commonwealth Theatre in 1814, the Pavilion Theatre in 1816 and reverting to the Anthony Street Theatre in 1820.
During the 1820–1821 season, the theatre was the home of the acting company of the Park Theatre while their own theatre was being rebuilt after having burnt down. With this company Edmund Kean made his first appearance to much acclaim in New York in Richard III. The theatre was demolished in 1821 shortly after the Park Theatre company left, following which the plot was bought for the Christ Episcopal Church.

Second Olympic Theatre (1837–1852)

The second Olympic Theatre was built on 444 Broadway, near Grand Street in New York, in 1837. It was designed by the architect Calvin Pollard, who modeled it on the Olympic Theatre in London, which concentrated on Victorian burlesque, a form of theatrical parody, often of opera or classic plays. It was built by Willard and Blake, who struggled as managers and leased it, at first, to a series of even less successful managers.
In 1839 actor-manager William Mitchell took over the theatre and offered parodies and comic entertainments at reduced prices. The house became known as Mitchell's Olympic Theatre. One of his entertainments was Amy Lee, or Who Loves Best?, a parody version of Amilie, or the Love Test. Noteworthy musicals produced at the theatre included 1940! and A Glance at New York in 1848. After his retirement in 1850, it became a German-language theatre and minstrel hall. The theatre closed in 1852 when it was converted into offices. The building burned down in 1854 and was demolished the same year.

Productions

The third Olympic Theatre was located on 622 Broadway, near Houston Street in New York. It was built in 1856 to a design by architect John M. Trimble as Laura Keene's Theatre under the management of Laura Keene, a popular actress of the time. Keene had lost her lease on the Metropolitan Hall, and she relocated her Varieties to this theatre. The stage manager in the 1860s was Harry Eytinge. Many of Keene's productions had music by Thomas Baker and starred Joseph Jefferson.
Under Keene's management, the theatre saw a number of notable premieres including Our American Cousin in 1858 by English playwright Tom Taylor when the title character was played by Jefferson with Edward Askew Sothern as Lord Dundreary. Keene was acting in the play at Ford's Theatre in Washington, D.C. on 14 April 1865 when United States President Abraham Lincoln, in the audience, was assassinated by actor and Confederate sympathizer John Wilkes Booth. Other works to receive their premieres here included the melodrama The Colleen Bawn by Dion Boucicault and the long-running musical The Seven Sisters. In The Colleen Bawn, Keene played Anne Chute with Boucicault playing Myles na Coppaleen.
After Keene left in 1863 the theatre was renamed the Olympic and was managed by a number of actresses, including Mrs. John Wood. The theatre closed in 1880 and was demolished in the same year.

Productions (as Laura Keene's Theatre)

The fifth Olympic Theatre in New York was located on 143 East 14th Street in Manhattan. Built in 1868 for the Tammany Society, the building had an auditorium big enough to hold public meetings, and a smaller one that became the Olympic Theatre. The structure was topped off by a larger-than-life statue of Saint Tammany. The smaller auditorium was renamed Bryant's Minstrel Hall in 1868 when it became the home of Don Bryant's Minstrels. After Bryant's Minstrels left, the theatre was leased to a German company:
Tammany Hall merged politics and entertainment, already stylistically similar, in its new headquarters.... The Tammany Society kept only one room for itself, renting the rest to entertainment impresarios: Don Bryant's Minstrels, a German theater company, classical concerts and opera. The basement – in the French mode – offered the Café Ausant, where one could see tableaux vivant, gymnastic exhibitions, pantomimes, and Punch and Judy shows. There was also a bar, a bazaar, a Ladies' Café, and an oyster saloon. All this – with the exception of Bryant's – was open from seven till midnight for a combination price of fifty cents.

In 1881 Tony Pastor took over the lease, renaming the venue Tony Pastor's 14th Street Theatre and making the theatre New York's most famous vaudeville house during the 1880s and 1890s. After Pastor left in 1908 the theatre was renamed the Olympic and became a burlesque house until Tammany Hall was sold in 1928 and demolished in the same year.

Fifth Olympic Theatre (1925–1927)

The fourth theatre in New York to bear the name Olympic was located at 365 Fulton Street in Brooklyn, New York. It was originally called Hyde & Behmans Theater and was one of the leading vaudeville theatres in America during the late 19th- and early 20th-centuries. This theatre was remodeled as the 2,000-seat Olympic Theatre, which opened on Labor Day, 1925. In 1926 an organ was installed in the theatre by the M. P. Moller company of Hagerstown, Maryland. In 1927 the Olympic later became a movie theatre called the Tivoli Theatre. From 1942 the Tivoli was part of the Century Theatres circuit, and by 1950 it was operated by Liggett-Florin Booking Service. The Tivoli Theater closed in 1952 and after being damaged by a fire in 1954 was subsequently demolished.