Orphans of Chaos is a 2005 science fantasy novel by John C. Wright. It is the first volume of the Orphans of Chaos trilogy that continues with the novels Fugitives of Chaos and Titans of Chaos.
Plot synopsis
Five orphans – Victor, Amelia, Vanity, Colin, and Quentin – who have spent their lives in a luxurious but strict and secretive British boarding school, begin to discover that they are different from the other children that they so rarely see. Unlike the village children, the five orphans do not age. They can also manipulate their appearances. Throughout the book, they also come to discover that they possess unique paranormal abilities. Victor can control the molecular arrangement of matter. Amelia is a fourth-dimensional being. Vanity can find secret passageways. Colin is a psychic. Quentin is a warlock. The five also discover that the patrons of the school along with their guardians and teachers are just as human as they themselves, which is to say not at all. The story largely concerns the main characters' investigations and discoveries about an otherworldly power struggle, and their place within it.
Names and identities
Themes of naming and identity, both assumed and genuine, are important in the novel and the trilogy it opens. The five child-protagonists are first known only by simple Latin numerical designations; when they reach school age they are allowed to select names for themselves. Only in their teens do the five discover their true identities:
"Primus," who calls himself Victor Invictus Triumph, learns that he is Damnameneus, one of the Telchines;
Wright bases the cosmology of the novel firmly in the mythology of ancient Greece. Many of the gods are habitually referred to by obscure titles from their respective mythologies. "Lord Mavors," the children's principal antagonist, is Ares or Mars; "Lord Mulciber" is Vulcan. Most of the major deities of the Greek pantheon have roles in the novel and its successors. Many of the secondary figures like Boreas and Orpheus also appear. Decidedly minor personalities also pop up, like Laverna, Corus, and Pherespondus the satyr. Wright structures his fictional world on the Greeks' primal creation myth, the rebellion of the Olympian gods against their progenitors, Saturn and the other Titans. The author combines this traditional mythology with science-fiction elements. In his cosmos, the Phaiacians are not merely the ancient people familiar from the Odyssey, but a race of otherworldly beings with remarkable abilities. The other four teenage protagonists each derive from a different order of non-human, pre-Olympian life, with their own strange natures and capacities. The Olympians regard them as monsters of Chaos. Wright blends mythological, classical, and Homeric elements with Science Fiction in surprising ways. For example, his Laestrygonians are Martians, while his Atlanteans sail in outer space vessels as well as in submarines below the oceans of the Earth.
The novel's narrator, Amelia Windrose, is one of a race of beings who experience higher spatial dimensions; the concept of the fourth dimension is extensively and imaginatively developed in the book and its sequels. Wright is to some degree comparable to Rudy Rucker as a science fiction writer who has devoted significant attention to the theme of the fourth dimension.
