Osamu Tezuka


Osamu Tezuka was a Japanese manga artist, cartoonist, and animator. Born in Osaka Prefecture, his prolific output, pioneering techniques, and innovative redefinitions of genres earned him such titles as "the Father of Manga", "the Godfather of Manga" and "the God of Manga". Additionally, he is often considered the Japanese equivalent to Walt Disney, who served as a major inspiration during Tezuka's formative years. Though this phrase praises the quality of his early manga works for children and animations, it also blurs the significant influence of his later, more literary, gekiga works.
Tezuka began what was known as the manga revolution in Japan with his New Treasure Island published in 1947. His legendary output would spawn some of the most influential, successful, and well received manga series including the children mangas Astro Boy, Princess Knight and Kimba the White Lion, and the adult oriented series Black Jack, Phoenix, and Buddha, all of which won several awards.
Tezuka died of stomach cancer in 1989. His death had an immediate impact on the Japanese public and other cartoonists. A museum was constructed in Takarazuka dedicated to his memory and life works, and Tezuka received many posthumous awards. Several animations were in production at the time of his death along with the final chapters of Phoenix, which were never released.

Biography

Early life (1928–1945)

Tezuka was the eldest of three children in Toyonaka, Osaka. The Tezuka family were prosperous and well-educated; his father Yutaka worked in management at Sumitomo Metals, his grandfather Taro was a lawyer, and his great-grandfather Ryoan and great-great-grandfather Ryosen were doctors. His mother's family had a long military history.
Later in life, he gave his mother credit for inspiring confidence and creativity through her stories. She frequently took him to the Takarazuka Grand Theater, which often headlined the Takarazuka Revue, an all-female musical theater troupe. Their romantic musicals aimed at a female audience, had a large influence of Tezuka's later works, including his costume designs. Not only that, but the performers' large, sparkling eyes also had an influence on Tezuka's art style. He has said that he has a profound "spirit of nostalgia" for Takarazuka.
When Tezuka was young, his father showed him Disney films and he became a Disney movie buff, seeing the films multiple times in a row, most famously seeing Bambi more than 80 times. Tezuka started to draw comics around his second year of elementary school, in large part inspired by Disney animation; he drew so much that his mother would have to erase pages in his notebook in order to keep up with his output. Tezuka was also inspired by the works by Suihō Tagawa and Unno Juza.
Around his fifth year he found a ground beetle, known as "Osamushi" in Japanese. It so resembled his own name that he adopted "Osamushi" as his pen name. Tezuka continued to develop his manga skills throughout his school career. During this period he created his first adept amateur works.
During high school in 1944, Tezuka was drafted to work for a factory, supporting the Japanese war effort during World War II; he simultaneously continued writing manga. In 1945, Tezuka was accepted into Osaka University and began studying medicine. During this time, he also began publishing his first professional works.

Early success (1946–1952)

Tezuka came to the realization that he could use manga as a means of helping to convince people to care for the world. After World War II, at age 17, he published his first professional work, Diary of Ma-chan, which was serialized in the elementary school children's newspaper Shokokumin Shinbun in early 1946.
Tezuka began talks with fellow manga creator Shichima Sakai, who pitched Tezuka a story based on Robert Louis Stevenson's classic adventure novel, Treasure Island. Sakai promised Tezuka a publishing spot from Ikuei Shuppan if he would work on the manga. Tezuka finished the manga, only loosely basing it on the original work. Shin Takarajima was published and became an overnight success, which began the golden age of manga, a craze comparable to American comic book Golden Age at the same time.
With the success of New Treasure Island, Tezuka traveled to Tokyo in search of a publisher for more of his work. Kobunsha turned Tezuka down, but Shinseikaku agreed to publish The Strange Voyage of Dr. Tiger and Domei Shuppansha agreed to publish The Mysterious Dr. Koronko.
While still in medical school Tezuka published his first masterpieces: a trilogy of science fiction epics called Lost World, Metropolis, and Nextworld. These works featured early steampunk elements.
Soon afterward, Tezuka published his first major success, Kimba the White Lion, which was serialized in Manga Shonen from 1950 to 1954.
In 1951 Tezuka graduated from the Osaka School of Medicine and published Ambassador Atom, the first appearance of the Astro Boy character. That same year Tezuka joined a group known as the Tokyo Children Manga Association, consisting of other manga artists such as Baba Noboru, Ota Jiro, Furusawa Hideo, Eiichi Fukui, Irie Shigeru, and Negishi Komichi.

''Astro Boy'', national fame and early animation (1952–1960)

By 1952, Ambassador Atom had proven to be only a mild success in Japan; however, one particular character became extremely popular with young boys: a humanoid robot named Atom. Tezuka received several letters from many young boys. Expecting success with a series based around Atom, Tezuka's producer suggested that he be given human emotions. One day, while working at a hospital, Tezuka was punched in the face by a frustrated American G.I. This encounter gave Tezuka the idea to include the theme of Atom's interaction with aliens. On February 4, 1952, Tetsuwan Atom began serialization in Weekly Shonen Magazine. The character Atom and his adventures became an instant phenomenon in Japan.
Due to the success of Tetsuwan Atom, in 1953 Tezuka published the shōjo manga Ribon no Kishi, serialized in Shojo Club from 1953 to 1956.
In 1954 Tezuka first published what he would consider his life's work, Phoenix, which originally appeared in Mushi Production Commercial Firm.
In 1958 Tezuka was asked by Toei Animation if his manga Son-Goku the Monkey could be adapted into animation. It was widely reported that Tezuka worked as a director on the film, though Tezuka himself denied working on it. He was only involved in its promotion, which later sparked his interest in the animation industry. The film was released as Alakazam the Great in 1960.

Production career (1961–1989)

In 1961, Tezuka entered the animation industry in Japan by founding the production company Mushi Productions as a rival of Toei Animation. He first began innovating the industry with the broadcast of the animated version of Astro Boy in 1963; this series would create the first successful model for animation production in Japan and would also be the first Japanese animation dubbed into English for an American audience. Other series were subsequently translated to animation, including Jungle Emperor, the first Japanese animated series produced in full color. Tezuka stepped down as acting director in 1968 to found a new animation studio, Tezuka Productions, and continued experimenting with animation late into his life. In 1973, Mushi Productions collapsed financially; the fallout would produce several influential animation production studios, including Sunrise.

''Gekiga'' graphic novels (1967–1989)

In 1967, in response to the magazine Garo and the gekiga movement, Tezuka created the magazine COM. By doing so, he radically changed his art from a cartoony, Disney-esque slapstick style towards a more realistic drawing style; at the time the themes of his books became focused on an adult audience. A common element in all these books and short stories is the very dark and immoral nature of the main characters. The stories are also filled with explicit violence, erotic scenes, and crime.
The change of his manga from aimed at children to more 'literary' gekiga manga started with the yōkai manga Dororo in 1967. This yōkai manga was influenced by the success of and a response to Shigeru Mizuki's GeGeGe no Kitarō. Simultaneously, he also produced vampires that, like Dororo, also introduced a stronger, more coherent storyline and a shift in the drawing style. After these two he began his true first gekiga attempt with Swallowing the Earth. Dissatisfied with the result, he soon after produced I.L.. His work Phoenix began in 1967.
Besides the well-known series Phoenix, Black Jack and Buddha, which are drawn in this style, he also produced a vast amount of one-shots or shorter series, such as Ayako, Ode to Kirihito, Alabaster, Apollo's Song, Barbara, MW, The Book of Human Insects, and a large number of short stories that were later collectively published in books such as Under the Air, Clockwork Apple, The Crater, Melody of Iron and Other Short Stories, and Record of the Glass Castle.
Tezuka would become a bit milder in narrative tone in the 1980s with his follow-up works such as Message to Adolf, Midnight, Ludwig B, and Neo Faust.

Death

Tezuka died of stomach cancer on 9 February 1989 in Tokyo. His last words were: "I'm begging you, let me work!", spoken to a nurse who had tried to take away his drawing equipment.
Although Tezuka was agnostic, he was buried in a Buddhist cemetery in Tokyo.

Style

Tezuka is known for his imaginative stories and stylized Japanese adaptations of Western literature. Tezuka's "cinematic" page layouts were influenced by Milt Gross' early graphic novel He Done Her Wrong. He read this book as a child, and its style characterized many manga artists who followed in Tezuka's footsteps. His work, like that of other manga creators, was sometimes gritty and violent.
He invented the distinctive "large eyes" style of Japanese animation, drawing inspiration from Western cartoons and animated films of the time such as Betty Boop, Mickey Mouse, and other Disney movies.

Works

Tezuka's complete oeuvre includes over 700 volumes, with more than 150,000 pages. Tezuka's creations include Astro Boy, Black Jack, Princess Knight, Phoenix, Kimba the White Lion, Unico, Message to Adolf, The Amazing 3, Buddha, and Dororo. His "life's work" was Phoenix—a story of life and death that he began in the 1950s and continued until his death.
In addition, Tezuka headed the animation production studio Mushi Production, which pioneered TV animation in Japan.

Personal life

Tezuka was a descendant of Hattori Hanzō, a famous ninja and samurai who faithfully served Tokugawa Ieyasu during the Sengoku period in Japan.
Tezuka's childhood nickname was gashagasha-atama: "messy head". As a child, Tezuka's arms swelled up and he became ill. He was treated and cured by a doctor, which made also him want to be a doctor. At a crossing point, he asked his mother whether he should look into doing manga full-time or whether he should become a doctor. At the time, being a manga author was not a particularly rewarding job. The answer his mother gave was: "You should work doing the thing you like most of all." Tezuka decided to devote himself to manga creation on a full-time basis. He graduated from Osaka University and obtained his medical degree, but he would later use his medical and scientific knowledge to enrich his sci-fi manga, such as Black Jack.
Tezuka enjoyed insect collecting and entomology, Disney, and baseball — in fact, he licensed the "grown up" version of his character Kimba the White Lion as the logo for the Seibu Lions of the Nippon Professional Baseball League. A fan of Superman, Tezuka was honorary chairman of Japan's Superman Fan Club.
In 1959 Osamu Tezuka married Etsuko Okada at a Takarazuka hotel.
Tezuka met Walt Disney in person at the 1964 New York World's Fair. In a 1986 entry in his personal diary, Tezuka stated that Disney wanted to hire him for a potential science fiction project.
In January 1965, Tezuka received a letter from American film director Stanley Kubrick, who had watched Astro Boy and wanted to invite Tezuka to be the art director of his next movie, . Although flattered by Kubrick's invitation, Tezuka could not afford to leave his studio for a year to live in England, so he had to turn down the offer. Although he was not able to work on 2001, he loved the film, and would play its soundtrack at maximum volume in his studio to keep him awake during long nights of work.
Tezuka's son Makoto Tezuka became a film and anime director.

Legacy

Stamps were issued in his honor in 1997. Also, beginning in 2003, the Japanese toy company Kaiyodo began manufacturing a series of figurines of Tezuka's creations, including Princess Knight, Unico, the Phoenix, Dororo, Marvelous Melmo, Ambassador Magma, and many others. To date, three series of the figurines have been released.
His legacy has continued to be honored among manga artists and animators. Tezuka guided many well-known manga artists, such as Shotaro Ishinomori and Go Nagai. Artists such as Akira Toriyama have also cited Tezuka as inspiration for their works.
From 2003 to 2009, Naoki Urasawa and Takashi Nagasaki adapted an arc of Astro Boy into the murder mystery series Pluto.
Tezuka was a personal friend of Brazilian comic book artist Mauricio de Sousa. In 2012, Maurício published a two-issue story arc in the Monica Teen comic book featuring some of Tezuka's main characters, including Astro Boy, Black Jack, Sapphire, and Kimba, joining Monica and her friends in an adventure in the Amazon rainforest against a smuggling organization chopping down hundreds of trees. This was the first time that Tezuka Productions allowed overseas artists to use Tezuka's characters.
In October 2019, a project was announced called Tezuka 2020, which is AI-illustrated manga in his style. At first, the illustrations were distorted and horrifying, but after studying actual human faces, the illustrations looked more like his. After looking through thousands of AI-generated pictures, one stood out, and the illustrator Urumu Tsunogai created the new protagonist. In 2020, an AI writer-artist made by Kioxia was tasked to make a new "Tezuka" manga called Paidon, which takes place in a futuristic apocalyptic society, which was released in the magazine 'Morning' on February 27, 2020. It is part of the project, which will also be drawn by physical human beings such as Shigeto Ikehara, Kenichi Kiriki, and Urumu Tsunogai. Tezuka's son held a ceremony on February 26, 2020, to introduce people to the manga. The publisher of the magazine already confirmed that a sequel is in production.

Awards and recognition

The city of Takarazuka, Hyōgo, where Tezuka grew up, opened a museum in his memory. The Osamu Tezuka Manga Museum was inaugurated on April 25, 1994, and has three floors. In the basement there is an "Animation Workshop" in which visitors can make their own animation, and a mockup of the city of Takarazuka and a replica of the table where Osamu Tezuka worked.
Outside of the building's entrance, there are imitations of the hands and feet of several characters from Tezuka and on the inside, the entry hall, a replica of Princess Knight's furniture. On the same floor is a permanent exhibition of manga and a room for the display of anime. The exhibition is divided into two parts: Osamu Tezuka and the city of Takarazuka and Osamu Tezuka, the author.
The second floor contains, along with several exhibitions, a manga library with five hundred works of Tezuka, a video library, and a lounge with decor inspired by Kimba the White Lion.
There is also a glass sculpture that represents the planet Earth and is based on a book written by Tezuka in his childhood called Our Earth of Glass.

Citations