Otto Evens


Otto Frederik Theobald Evens was a Danish sculptor.

Early life and education

Evens was born in Copenhagen, the son of brazier Thomas Mandix Evens and his wife Ane Margrethe Frederiksen. He was articled to his father and later J. Dalhoff. In 1843, he was admitted to the Royal Danish Academy of Fine Arts and became an assistant in Herman Wilhelm Bissen's studio when he was in his twenties. He won the Academy's small silver medal in 1846, its large silver medal in 1849 and the small gold medal in 1851 for Thetis bønfalder Vulkan om Vaaben til Achilles. In 1857, after several unsuccessful attempts, he won the Neuhausen Prize for the group sculpture Maternal Love.
He spent a couple of months in Paris in 1856 and was in Italy in 1858-61 on a stipend from the Academy. In 1865, he returned to Italy on a grant from the Ancher Foundation.

Career

Evens belonged to the group of sculptors who, with Bissen and H. E. Freund, continued the Beoclassical tradition from Bertel Thorvaldsen but gradually represented the transition to Naturalism.
Evens remained a minor figure in Danish sculpture. His works include a memorial to Ewald and Wessel at Trinitatis Church in Copenhagen. He also contributed to the decoration of the Marble Church with the statue of Hieronymus and created the group sculpture Faun and en Satyr for the complex at Gammeltorv in Aalborg and A Neapolitan Fisherman Teaches His Son to Play the Flute for Store Strandstræde in Copenhagen and on Rustenborgvej in Lyngby-Taarbæk.
He also created two memorials to Caroline Amalie, Næstved and Sorø.
He has also portrayed a number of figures, including Saxo and Snorre, Herluf Trolle, Birgitte Gøye, Arild Hvidtfeldt, Griffenfeld and Niels Juel.

Personal life

Evens never married. He died in 1895 and is buried in Assistens Cemetery in Copenhagen.

Selected works

Public art and memorials