Péter Forgács


Péter Forgács is a media artist and independent filmmaker based in Budapest, Hungary. He is best known for his "Private Hungary" series of award winning films based on home movies from the 1930s and 1960s, which document ordinary lives that were soon to be ruptured by an extraordinary historical trauma that occurs off screen.

Biography

Since 1976 Péter Forgács has been active in the Hungarian art scene as media artist/filmmaker. In the late 1970s and '80s he collaborated with the contemporary music ensemble Group 180 , at the same time he started to work in the Béla Balázs Filmstudio. Forgács established the Private Photo & Film Archives Foundation in Budapest, a unique collection of amateur film footage from the '920, and has made this material "the raw data" for his unique postmodern re-orchestrations of history.
In 2002 The Getty Research Institute held an exhibit The Danube Exodus: Rippling Currents of the River. His international debut came with the Bartos Family , which was awarded the Grand Prix at the World Wide Video Festival in The Hague. Since then Forgács has received several international festival awards in Budapest, Lisbon, Marseilles, San Francisco International Film Festival the Documentary Golden Gate Award 1998, Tribeca Film Festival 2005; At the Prix Europa, Berlin received the European TV Documentary of the Year Award 1997. Forgács received the 2007 Erasmus Prize, which is "awarded to a person or institution which has made an exceptionally important contribution to culture in Europe." In 2009 Forgács represented Hungary at the Venice Biennale, exhibiting the Col Tempo - The W. Project installation. In 2013 Forgacs created the ″Letters to Afar″ video installation at Museum of the History of Polish Jews in Warsaw with The Klezmatics Group; and at EYE Netherlands Filmmuseum Amsterdam the ″Looming Fire - Stories from The Dutch East Indies 1900-1940″ installation.

Filmography

*Cinema’s Alchemist. The Films of Péter Forgács, ed. by Bill Nichols and Michael Renov, Minneapolis, Minn. : University of Minnesota Press, 2011