Pablo Marcos Ortega, known professionally as Pablo Marcos, is a comic book artist and commercial illustrator best known as one of his home country's leading cartoonists and for his work on such popular Americancomics characters as Batman and Conan the Barbarian, particularly during the 1970s. His signature character was Marvel Comics' the Zombie, for which Marcos drew all but one story in the black-and-white horror-comics magazine Tales of the Zombie.
had Marcos fill-in for him with spot illustrations in the influential Latin AmericannewspaperLa Prensa, which led to more newspaper work. Marcos later contributed caricatures to such weekly political magazines as Rochabus and Zamba Conuto while still an economics major at Peru's University of Lima. During the 1960s, Marcos drew such comic strips as Benito Puna and James Bond 007 in Peruvian newspapers. He became art director of the newspaper Expreso, working as well on its evening edition, Extra, and a weekly supplement, Estampa. Marcos became nationally known in 1965, following his illustrations for the trial and execution by firing squad of a convicted rapist. This wider recognition led to advertising artwork and high-profile political, news, and sports illustration. He began freelancing for the Mexican publishing company Editorial Novaro and in 1968 moved with his family to Mexico.
American comics
Marcos moved to New Jersey in the U.S. in the 1970s. Warren Publishing art director Billy Graham assigned him his first American-comics work, penciling and inking the six-page story "The Water World", by writer Buddy Sounders, in Warren's black-and-white horror-comics magazine Creepy #39. After another Creepy story and one in companion magazine Eerie that year, Marcos drew comics exclusively for rival Skywald Publications' Nightmare and Psycho from May 1972 to May 1973 cover-dates. Skywald co-founder Sol Brodsky introduced Marcos to fellow Peruvian artist Boris Vallejo, who became a mentor. When Brodsky, who had been Marvel Comics' production manager, left Skywald to return to Marvel, he brought Marcos along as an artist and later his staff assistant for roughly two months. Marcos began drawing covers for such Marvel UK titles featuring such characters and features as Captain Britain, "Planet of the Apes", and Dracula. Marcos' naturalistic, "illustrative" style, similar to that of Neal Adams, became a mainstay of Marvel's black-and-white horror-comics magazines Dracula Lives!, Monsters Unleashed, Tales of the Zombie, Vampire Tales and others, and the exposure afforded by industry leader Marvel made Marcos a popular artist of the 1970s. His first color-comics work in the U.S. was the cover of Marvel's Giant-Size Dracula #2. Marcos' color-comics interior-art debut came at publisher Martin Goodman's short-lived Atlas/Seaboard Comics, illustrating the sword-and-sorcery title Iron Jaw #3. He went on to draw the following issue, plus the Iron Jaw story in Barbarians #1 and the cover of The Brute #3 before the company folded. Marcos next freelanced for DC Comics, drawing Man-Bat stories in Detective Comics, and working on an issue or two each of series including Freedom Fighters, Kamandi, Kobra, Secret Society of Super-Villains, and Teen Titans before returning to Marvel to do art for issues of The Avengers, The Mighty Thor and other comics. In 1980, Marcos additionally freelanced for an Italian comic-book series, Tremila Dollari per Ebenezer Cross Western Story, and created a series, "Dragon" for the Mexican magazineEjea. By the early 1980s, Marcos was at work at what would become one of his signature characters, inking penciler John Buscema on Conan the Barbarian comic books, the black-and-white magazine The Savage Sword of Conan, and the newspaper comic strip. Marcos reduced his workload in September 1985 in order to tend to his severely ill wife. Marcos later illustrated a long run of DC's TV tie-in series through the early 1990s, and again from 1993–1994. His last known comics penciling for several years was the 14-page, painted story "Om", scripted by Ron Fortier from a Marcos plot, in Quantum Cat Entertainment's Frank Frazetta Fantasy Illustrated #7. He returned as an inker two years later on a handful of issues of CrossGen's Ruse, Mystic, Crux, and Silken Ghost through 2003, and once again did penciling from 2006 to 2008, on comics including Dynamite Entertainment's Red Sonja and Savage Tales.
Marcos married Norma Martinez in 1960, and the couple had a child, Judith, that same year. Their second child, daughter Gisella, was born in 1963, and their third, a daughter named Norma like her mother, in 1967. The following year, the Marcos family, including newborn son Pablo, moved to Mexico. In the 1970s, the family relocated again, to New Jersey in the United States. Marcos reduced his workload in September 1985 in order to tend to his severely ill wife, a patient at New York University Medical Center, who died in November 1985. Marcos later married artist Myriam Giraldo.
