Padraic Fiacc was an Irish poet, and member of Aosdána, the exclusive Irish Arts Academy.
Biographical information
Born Patrick Joseph O'Connor in Belfast to Bernard and Annie O'Connor, Fiacc's father was a barman who left for the United States when Fiacc was very young. Fiacc resided with his maternal grandparents who had recently moved to the Markets area of South Belfast after being burned out of their home in Lisburn in which all their furniture was burned by anti-Catholic rioters. His family emigrated to the United States in the late 1920s and he grew up in New York City. He returned to Belfast in 1946 where he lived for four years before returning to New York in 1950; he grew up in Hell's Kitchen. The multicultural influences, coupled with the poverty and violence of the neighbourhood impacted Fiacc's outlook and his writing, especially his early writing.
Education and early writing
He attended Commerce High School and later changed to Haaren High School to learn Latin. While at school, he produced several original plays and his first collection of poetry titled Innisfail Lost. The poems were reviewed by Padraic Colum who became a mentor to Fiacc, directing him away from themes of coming to America and encouraging him to research and write about his own people's history. Fiacc had already developed a distaste for America and found himself longing for Ireland as he dug deeper into its history and literary technique and style. Seminary was Padraic's next step. He attended St. Joseph's Seraphic Seminary and later studied with the Irish Capuchin Order for a total of three years spanning 1941–44. He includes in his main reasons for leaving the path to priesthood his lack of disciplinary habits and longing for a freer existence.
Relocation
On leaving the seminary, and to avoid signing up for military service, he returned to Belfast in 1946 where he lived for four years during which time his poetry was published in several magazines and the 1948 volume of New Irish Poets. Fiacc was the youngest poet in that edition. Publications of Fiacc's work from this time may be found in Irish Bookman, Irish Times, Poetry Ireland, and . In 1952, upon the death of his mother, Fiacc returned to New York to look after his alcoholic father and younger siblings. It was during this time that he met his soon-to-be wife Nancy, who had read and enjoyed some of his early writings. Fiacc was unsettled and returned to Belfast in 1956, settling in Glengormley, a suburb of North Belfast, where they had a baby girl in 1962. He has since published a steady stream of poetry and other works.
Life in Belfast
Fiacc continued to write and won the 1957 AE Memorial Award. 1969 was a momentous year for Fiacc. The publishing of his first volume of poetry came alongside the return of pervasive violence. The breakdown of his marriage and his nerves, and the murder of a close friend, Gerry McLaughlin, ensued, as did his edited collection of poetry by his contemporaries surrounding the topic of the troubling times in Northern Ireland, The Wearing of the Black. In the early 1970s, he met poet Gerald Dawe with whom he met regularly, corresponded, and later acted as mentor. Dawe published a steady stream of poetry and other pieces, and still resides in Belfast. He was a member of Aosdána, the Irish Arts Academy. In the 1980s, Fiacc collaborated with Seamus Carmichael, who produced a series of color linoleum prints, three based on poems from the "Missa Terriblis" collection and 7 based on work from "Woe to the Boy". These images were widely exhibited in Ireland in 1985 and 1986. Many artists have depicted the poet such as Neil Shawcross, Paul Bradley, Dan Dowling, Michael McKernon, Úna O'Grady, Rory Lambe and Photographers such as Frankie Quinn, Stevie Raeylon and Bill Kirk.
