Palazzo delle Poste, Palermo


The Palazzo Postale is an official Italian government building in Palermo, Sicily, Italy executed in the Stripped Classicism architectural style. it is located on the centrally located Palermo boulevard Via Roma.

History

The building was designed by the rationalist and later fascist government architect Angiolo Mazzoni in the early 1920s. Construction was begun on the structure in 1929 and the building was inaugurated in 1934 with the Italian government's communications minister Umberto Puppini in attendance. The Palermo flood occurred from February 21–23, 1931 while the building was being constructed and during that time a large crane which was being used to erect the post office collapsed onto a neighboring building.
The building was damaged by fire in 1988 and then in 2017 the building was reopened for visitation.

Architecture

The building

The style of the building is typical of the fascist period and falls under the rubric of Italian Rationalism. It covers an area of 5100 m², which is symmetrically structured around two side courtyards. The structure is rendered in reinforced concrete and clad in gray marble from Mount Billiemi. The front colonnade is formed by 10 columns each 30 meters high. Also of note is the large elliptical staircase with a diameter greater than 9 meters.

Interiors

The interiors are done in the style of Futurism, one of the few examples an interior created as such from the time. All the details were attended to by Mazzoni such as the copper-clad doors, the specially designed window handles, the lighting and the choice of marble and stone all from Italy except the black stone of the staircase, as he desired.
Most striking perhaps is the conference room, with works by the Futurist painter Benedetta Cappa, five panels on canvas depicting land, sea, air, telegraphic, radio communications. There are also two paintings by Tato and another by Piero Bevilacqua, "Radio and television". Finally there is a bronze sculpture by Corrado Vigni, "Diana the Huntress".
The waiting room which precedes the conference room is impressive as well with an intense blue tiling.
Originally on the right side of the building there was a large lictorian beam, as tall as the entire building and also in marble, which was removed at the fall of the fascist regime.