Parable of the Ten Virgins


The Parable of the Ten Virgins, also known as the Parable of the Wise and Foolish Virgins or the Parable of the ten bridesmaids, is one of the parables of Jesus. According to, ten virgins await a bridesgroom; five have brought enough oil for their lamps for the wait, while another five need to purchase more oil after the arrival is delayed. The five virgins who are prepared for the bridegroom's arrival are rewarded, while the five who are not prepared are disowned. The parable has a clear eschatological theme: be prepared for the Day of Judgement. It was one of the most popular parables in the Middle Ages and had influence on Gothic art, sculpture and the architecture of German and French cathedrals.

Narrative according to the Gospel of Matthew

In the Parable of the Ten Virgins, Jesus tells a story about a party of virgins, perhaps bridesmaids or torchbearers for a procession, chosen to participate in a wedding. Each of the ten virgins is carrying a lamp or torch as they await the coming of the bridegroom, which they expect at some time during the night. Five of the virgins are wise and have brought oil for their lamps. Five are foolish and have only brought their lamps.
At midnight, all the virgins hear the call to come out to meet the bridegroom. Realising their lamps have gone out, the foolish virgins ask the wise ones for oil, but they refuse, saying that there will certainly not be enough for them to share. While the foolish virgins are away trying to get more oil, the bridegroom arrives. The wise virgins then accompany him to the celebration. The others arrive too late and are excluded.

Interpretations

The parable is one of a sequence of responses to a question in Matthew :
Other parables in this sequence include the parable of the budding fig tree and the parable of the Faithful Servant. The parable of the Ten Virgins reinforces the call for readiness in the face of the uncertain time of this second "coming." It has been described as a "watching parable." Like the parable of the Lost Coin, it is a parable about women which immediately follows, and makes the same point as, a preceding parable about men.
the Younger gives a moralistic interpretation of the parable.
In this parable, Jesus Christ is the bridegroom, echoing the Old Testament image of God as the bridegroom in Jeremiah and similar passages, and the virgins are the Christians. The awaited event is the Second Coming of Christ. R. T. France writes that the parable is "a warning addressed specifically to those inside the professing church who are not to assume that their future is unconditionally assured."
The parable does not criticise the virgins for sleeping, since both groups do that, but for being unprepared as they brought no oil. The New Testament scholar, Dan O. Via, considers the story of the bridesmaids as an example of a tragic parable with an inverted U-shaped plot. The rising action of the parable is the preparation for the coming of the bridegroom, but a crisis occurs when the bridegroom is delayed. This is the turning point that leads to disaster. A recognition scene of the five foolish maidens occurs too late to reverse their fortunes. Yet the reader can benefit from their folly by considering the fatal flaw or hamartia that causes their downfall and by asking how their error in judgment can be avoided.
The parable is not written in praise of virginity, and indeed Louis of Granada, in his The Sinner's Guide of 1555, writes "No one makes intercession with the Bridegroom for the five foolish virgins who, after despising the pleasures of the flesh and stifling in their hearts the fire of concupiscence, nay, after observing the great counsel of virginity, neglected the precept of humility and became inflated with pride on account of their virginity."
Spencer W. Kimball gave an LDS perspective on the difference between the wise and the foolish virgins, and why they could not share the oil: "This was not selfishness or unkindness. The kind of oil that is needed to illuminate the way and light up the darkness is not shareable. How can one share obedience to the principle of tithing; a mind at peace from righteous living; an accumulation of knowledge? How can one share faith or testimony? How can one share attitudes or chastity.... Each must obtain that kind of oil for himself."

Authenticity

The parable occurs in all ancient New Testament manuscripts, with only slight variations in some words. Bible commentators and scholars do not entirely agree on the nature of the parable: whether it is an authentic parable of Jesus, based on an authentic parable but significantly modified, or entirely an invention of the early Church. According to Jan Lambrecht, "a considerable number of exegetes in fact suppose that the parable of 'The Wise and Foolish Virgins' ultimately goes back to Jesus." Other scholars believe that this parable has only been lightly edited.
The argument for modification is due to the parable's eschatological nature, which seems to speak more directly to the situation of the early Church rather than the situation during Jesus's life. A large majority of fellows on the Jesus Seminar, for example, designated the parable as merely similar to something Jesus might have said or simply inauthentic. Bart Ehrman wrote that the parable makes sense within the context of the Church during the time period before the Gospel of Matthew was written, around 60-90 AD. Many early Christians believed the Second Coming of Jesus and the establishment of the Kingdom of God was imminent, yet this did not occur. In the parable, the bridegroom has been "delayed". The parable is thus an encouragement to keep watch and stay prepared for Christians who expected Jesus to have already returned.

Liturgical use

In the Catholic Church, the parable is the Gospel reading for the 32nd Sunday in Ordinary Time in Cycle A; in the extraordinary form of the Roman rite, the parable is the Gospel reading for Masses of virgins and virgin martyrs. The parable is the Gospel reading for the 27th Sunday after Trinity in the traditional Lutheran lectionary. In the Revised Common Lectionary, the parable is read in Proper 27 .
In the Armenian Orthodox Church the parable is the main theme of Holy Monday. A special Church service enacting the parable of the ten virgins is celebrated on Tuesday evening of the Holy Week.
In the Syriac Orthodox Church, the parable is used to commemorate the Sunday vespers service of Nahire. Nahire symbolizes our lives in accordance with the 10 virgins that only through a life of dedication, vigilance, fasting and prayer can we be ready for the Bridegroom himself.

In the arts

This parable has been a popular subject for painting, sculpture, music, and drama.
, The Parable of the Wise and Foolish Virgins, 1838–1842, Städel Museum, Frankfurt am Main.

Painting

The parable has been depicted in several paintings, including altarpieces in Northern Europe. A recent example, from 1954, is by Tove Jansson. In the 19th century, the artists of the Nazarene movement also took up this theme.

Sculpture

Sculptures of the wise and foolish virgins were a common motif in medieval ecclesial architecture in Europe, especially for the decoration of doorways, and carved figures representing them appear on many of the medieval churches and cathedrals of the Gothic style, including:
The virgins are also depicted on cathedrals in Switzerland and other countries; the portal leading into the main church of Hovhannavank in Armenia has carved scenes from the Parable of the Wise and Foolish Virgins.
The ubiquity of such sculptures has inspired a fictional description: the carvings on the doors of Kingsbridge cathedral in Ken Follett's novel World Without End, set in the Late Middle Ages.

Music

Several religious musical compositions have been inspired by the parable. Its message was formed into a hymn, "Wachet auf, ruft uns die Stimme", by Philipp Nicolai, which Johann Sebastian Bach used for his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140. The parable forms the theme for several hymns, including the 19th century hymn "Behold the Bridegroom Cometh" by George Frederick Root, which begins:

Our lamps are trimmed and burning,
Our robes are white and clean;
We’ve tarried for the Bridegroom,
Oh, may we enter in?

The Wise Virgins is a one-act ballet, written in 1941 by William Walton, based on the music of Johann Sebastian Bach, with choreography by Frederick Ashton.
"Keep Your Lamp Trimmed and Burning" is a gospel blues song based on the parable. It has been recorded by such artists as Blind Willie Johnson, Reverend Pearly Brown, and Rev. "Blind" Gary Davis.
Non-religious music has also used the parable as a theme, such as the ballet "The wise and the foolish virgins" by Swedish composer Kurt Atterberg, written in 1920.
A reference is made to the parable in the 2002 Johnny Cash song "The Man Comes Around," which draws heavily on the Bible.
On the 1974 album by Genesis - The Lamb Lies Down on Broadway, a reference to the parable is made in the song The Carpet Crawlers: "and the wise and foolish virgins giggle with their bodies glowing bright."
American composer Emily Freeman-Brown has also composed an oratorio based on the parable.

Drama

From early Christian times, the story of the ten virgins has been told as a mystery play. St Methodius wrote the Banquet of the Ten Virgins, a mystery play in Greek. Sponsus, a mid-11th-century play, was performed in both Latin and Occitan. The German play Ludus de decem virginibus was first performed on 4 May 1321. There was also a Dutch play of the late Middle Ages.