Paride ed Elena


Paride ed Elena is an opera by Christoph Willibald Gluck. It is the third of Gluck's so-called reform operas for Vienna, following Alceste and Orfeo ed Euridice, and the least often performed of the three. Like its predecessors, the libretto was written by Ranieri de' Calzabigi. The opera tells the story of the events between the Judgment of Paris and the flight of Paris and Helen to Troy. It was premiered at the Burgtheater in Vienna on 3 November 1770.

Roles

RoleVoice typePremiere cast, 3 November 1770
Paride, son of King Priam of Troysoprano castratoGiuseppe Millico
Elena, Queen of SpartasopranoKatherina Schindler
Cupid, under the name of Erasto, Helen's confidantsopranoTeresa Kurz
Pallas Athene, the goddesssopranoGabriella Tagliaferri
A Trojansoprano castrato

Synopsis

The hero Paris is in Sparta, having chosen Aphrodite above Hera and Athena, sacrificing to Aphrodite and seeking, with the encouragement of Erasto, the love of Helen. Paris and Helen meet at her royal palace and each is struck by the other's beauty. She calls on him to judge an athletic contest and when asked to sing he does so in praise of her beauty, admitting the purpose of his visit is to win her love. She dismisses him. In despair Paris now pleads with her, and she begins to give way. Eventually, through the intervention of Erasto, who now reveals himself as Cupid, she gives way, but Pallas Athene now warns them of sorrow to come. In the final scene Paris and Helen make ready to embark for Troy.

Arias

s from the opera that enjoy an independent concert existence include Paris's minor-key declaration of love, "O del mio dolce ardor", in the first act. His second aria is "Spiagge amate". In the second act, again in a minor key, Paris fears that he may lose Helen in "Le belle imagini" and in the fourth would prefer death to life without Helen, "Di te scordarmi, e vivere". The role of Paris offers difficulties of casting, written, as it was, for a relatively high castrato voice. Arias of Paris have been adapted by tenors, with transposition an octave lower, or appropriated by sopranos and mezzo-sopranos.
The aria "O del mio dolce ardor" was arranged for orchestra by Tchaikovsky in October 1870.

Performance history

After the première in the Burgtheater, Vienna, in 1770, there were 25 further performances in Vienna before 1800.
It seems that Gluck did not bring this opera to Paris - he was in Paris from 1773, but it was not performed there at this time,
The opera was put on in Naples in 1777 but no other productions have been traced until 1901, when it was revived in Prague, and 1905, when it was produced in Hamburg. Nevertheless a New York Times critic wrote that it had been performed in Berlin in 1863.
The opera received its first performance in the USA in 1954 at the Town Hall in Manhattan. Another production was given at the Mannes College of Music in New York in 1991.
In the UK, the first performance was in Manchester in November 1963. What seems to have been the London première was on 21 October 2003, at the Barbican Hall.
There have been concert performances from time to time, and one in 1983 was followed by a recording. The opera was staged at the Drottningholm Theatre in Stockholm in 1987.
Odyssey Theatre staged the opera in Boston in February 2019.
Bampton Classical Opera plans to perform the opera in 2020 and 2021.

Recordings