Paris Gun


The Paris Gun was the name given to a type of German long-range siege gun, several of which were used to bombard Paris during World War I. They were in service from March to August 1918. When the guns were first employed, Parisians believed they had been bombed by a high-altitude Zeppelin, as the sound of neither an aeroplane nor a gun could be heard. They were the largest pieces of artillery used during the war by barrel length, and qualify under the formal definition of large-calibre artillery.
Also called the "Kaiser Wilhelm Geschütz", they were often confused with Big Bertha, the German howitzer used against the Liège forts in 1914; indeed, the French called them by this name, as well. They were also confused with the smaller "Langer Max" cannon, from which they were derived; although the famous Krupp-family artillery makers produced all these guns, the resemblance ended there.
As military weapons, the Paris Guns were not a great success: the payload was small, the barrel required frequent replacement, and the guns' accuracy was good enough for only city-sized targets. The German objective was to build a psychological weapon to attack the morale of the Parisians, not to destroy the city itself.

Description

Due to the weapon's apparent total destruction by the Germans in the face of the final Allied offensives, its capabilities are not known with full certainty. Figures stated for the weapon's size, range, and performance varied widely depending on the source—not even the number of shells fired is certain. With the discovery and publication of a long note on the gun written shortly before his death in 1926 by Dr. Fritz Rausenberger, who was in charge of its development at Krupp, the details of its design and capabilities were considerably clarified.
The gun was capable of firing a shell to a range of and a maximum altitude of —the greatest height reached by a human-made projectile until the first successful V-2 flight test in October 1942. At the start of its 182-second trajectory, each shell from the Paris Gun reached a speed of or.
Seven barrels were constructed. They used worn-out 38 cm SK L/45 "Max" 17,130 mm gun barrels that were fitted with an internal tube that reduced the caliber from to. The tube was long and projected out of the end of the gun, so an extension was bolted to the old gun-muzzle to cover and reinforce the lining tube. A further, 6-meter–long smooth-bore extension was attached to the end of this, giving a total barrel length of. This smooth section was intended to improve accuracy and reduce the dispersion of the shells, as it reduced the slight yaw a shell might have immediately after leaving the gun barrel produced by the gun's rifling. The barrel was braced to counteract barrel drop due to its length and weight, and vibrations while firing; it was mounted on a special rail-transportable carriage and fired from a prepared, concrete emplacement with a turntable. The original breech of the old 38 cm gun did not require modification or reinforcement.
Since it was based on a naval weapon, the gun was manned by a crew of 80 Imperial Navy sailors under the command of Vice-Admiral Maximilian Rogge, chief of the Ordnance branch of the Admiralty. It was surrounded by several batteries of standard army artillery to create a "noise-screen" chorus around the big gun so that it could not be located by French and British spotters.
The projectile was flying significantly higher than projectiles from previous guns. Writer and journalist Adam Hochschild put it this way: "It took about three minutes for each giant shell to cover the distance to the city, climbing to an altitude of at the top of its trajectory. This was by far the highest point ever reached by a man-made object, so high that gunners, in calculating where the shells would land, had to take into account the rotation of the Earth. For the first time in warfare, deadly projectiles rained down on civilians from the stratosphere". This reduced drag from air resistance, allowing the shell to achieve a range of over.
The unfinished V-3 cannon would have been able to fire larger projectiles to a longer range, and with a substantially higher rate of fire. The unfinished Iraqi super gun would also have been substantially bigger.

Projectiles

The Paris Gun shells weighed. The shells initially used had a diameter of and a length of . The main body of the shell was composed of thick steel, containing of TNT. The small amount of explosive – around 6.6% of the weight of the shell – meant that the effect of its shellburst was small for the shell's size. The thickness of the shell casing, to withstand the forces of firing, meant that shells would explode into a comparatively small number of large fragments, limiting their destructive effect. A crater produced by a shell falling in the Tuileries Garden was described by an eyewitness as being across and deep.
The shells were propelled at such a high velocity that each successive shot wore away a considerable amount of steel from the rifled bore. Each shell was sequentially numbered according to its increasing diameter, and had to be fired in numeric order, lest the projectile lodge in the bore and the gun explode. Also, when the shell was rammed into the gun, the chamber was precisely measured to determine the difference in its length: a few inches off would cause a great variance in the velocity, and with it, the range. Then, with the variance determined, the additional quantity of propellant was calculated, and its measure taken from a special car and added to the regular charge. After 65 rounds had been fired, each of progressively larger caliber to allow for wear, the barrel was sent back to Krupp and rebored to a caliber of with a new set of shells.
The shell's explosive was contained in two compartments, separated by a wall. This strengthened the shell and supported the explosive charge under the acceleration of firing. One of the shell's two fuzes was mounted in the wall, with the other in the base of the shell. The fuzes proved very reliable as every single one of the 303 shells that landed in and around Paris successfully detonated. The shell's nose was fitted with a streamlined, lightweight, ballistic cap – a highly unusual feature for the time – and the side had grooves that engaged with the rifling of the gun barrel, spinning the shell as it was fired so its flight was stable. Two copper driving bands provided a gas-tight seal against the gun barrel during firing.

Use in World War I

The gun was fired from a wooded hill near Crépy, and the first shell landed at 7:18 a.m. on 21 March 1918 on the Quai de la Seine, the explosion being heard across the city. Shells continued to land at 15-minute intervals, with 21 counted on the first day. The initial assumption was these were bombs dropped from an airplane or Zeppelin flying too high to be seen or heard. Within a few hours, sufficient casing fragments had been collected to show that the explosions were the result of shells, not bombs. By the end of the day, military authorities were aware the shells were being fired from behind German lines by a new long-range gun, although there was initially press speculation on the origin of the shells. This included the theory they were being fired by German agents close by Paris, or even within the city itself, so abandoned quarries close to the city were searched for a hidden gun. The actual gun was found within days by the French air reconnaissance aviator Didier Daurat.
The Paris gun emplacement was dug out of the north side of the wooded hill at Coucy-le-Château-Auffrique. The gun was mounted on heavy steel rails embedded in concrete, facing Paris.
The Paris gun was used to shell Paris at a range of. The distance was so far that the Coriolis effect—the rotation of the Earth—was substantial enough to affect trajectory calculations. The gun was fired at an azimuth of 232 degrees from Crépy-en-Laon, which was at a latitude of 49.5 degrees north.
Between 320 and 367 shells were fired, at a maximum rate of around 20 per day. The shells killed 250 people and wounded 620, and caused considerable damage to property. The worst incident was on 29 March 1918, when a single shell hit the roof of the St-Gervais-et-St-Protais Church, collapsing the roof on to the congregation then hearing the Good Friday service. A total of 91 people were killed and 68 were wounded.
The gun was taken back to Germany in August 1918 as Allied advances threatened its security. No guns were ever captured by the Allies. It is believed that near the end of the war they were completely destroyed by the Germans. One spare mounting was captured by American troops in Bruyères-sur-Fère, near Château-Thierry, but the gun was never found; the construction plans seem to have been destroyed as well.

After World War I

Under the terms of the Treaty of Versailles, the Germans were required to turn over a complete Paris Gun to the Allies, but they never complied with this.
In the 1930s, the German Army became interested in rockets for long-range artillery as a replacement for the Paris Gun—which was specifically banned under the Versailles Treaty. This work would eventually led to the V-2 rocket that was used in World War II.
Despite the ban, Krupp continued theoretical work on long-range guns. They started experimental work after the Nazi government began funding the project upon coming to power in 1933. This research led to the 21 cm K 12, a refinement of the Paris Gun design concept. Although it was broadly similar in size and range to its predecessor, Krupp's engineers had significantly reduced the problem of barrel wear. They also improved mobility over the fixed Paris Gun by making the K12 a railway gun.
The first K12 was delivered to the German Army in 1939 and a second in 1940. During World War II, they were deployed in the Nord-Pas-de-Calais region of France; they were used to shell Kent in Southern England between late 1940 and early 1941. One gun was captured by Allied forces in the Netherlands in 1945.

In popular culture

A parody of the Paris Gun appears in the Charlie Chaplin movie The Great Dictator. Firing at the Cathedral of Notre Dame, the "Tomanians" succeed in blowing up a small outhouse. The destruction of the St-Gervais-et-St-Protais Church inspired Romain Rolland to write his novel Pierre et Luce.