The Paseo Los Próceres is a monument located in the Venezuelan city of Caracas, near Fort Tiuna and the Military Academy of the Bolivarian Army. On the promenade there are statues of the heroes of the War of Independence, as well as fountains, stairs, squares, roads and walls. Since 1993, the Paseo Los Próceres and the entire annex system was declared a National Historic Landmark.
History
It was inaugurated in 1956 by President Marcos Pérez Jiménez, calling it El Sistema de Nacionalidad in honor of the independence struggles of Colombia, Bolivia, Ecuador, Peru and Venezuela. It was created to represent the Venezuelan military institution on an urban scale, it is part of the System of Nationality which is made up of several elements linked by a large road and pedestrian axis that articulates the ceremonial complex structured by the great Courtyard of Honor as a highlight and receiver of the urban axis that begins in the University City of Caracas.
Structure
The monument is defined by two rows of lighting poles as virtual walls. Located on the perimeter of Fort Tiuna, the largest national military complex, it articulates with the Military Academy of Venezuela, the parade courtyard, the monoliths of heroes, an oval of fountains, gardens and baroque ornaments. Glasses, cups and other pieces that commemorate the Greek Hellenistic period as the statue of the god of the waters, Poseidon, complement the architectural complex. Deployed along a two-kilometer avenue, it has driveways and grandstands on the sides, while fountains, gardens, four monoliths and huge statues in honor of the independence heroes extend in the center. It's the stage of great military parades and other official acts. The Monument to the Heroes is formed by four parallelepipeds: two vertical ones made of travertine marble and two horizontal ones in black marble, each with 30 meters/98 ft in length and a total weight of 300 tons/672.000 lb. On the horizontal walls there are bronze statues representing the heroes of independence: Simón Bolívar, Antonio José de Sucre, Rafael Urdaneta, Santiago Mariño, Francisco de Miranda, José Antonio Páez, Manuel Piar, José Félix Ribas, Luis Brión, Juan Bautista Arismendi and José Francisco Bermúdez. In the monoliths the names of the Venezuelan heroes and the four battles that sealed the independence of the Bolivarian countries were carved: Ayacucho, Boyacá, Carabobo and Pichincha, also represented in high relief. The Paseo de los Próceres, part of these emblematic blocks, is a wide avenue whose side stands are stands for military parades and official events. The monument is part of the System of the Nationality whose original function was to connect the Central University of Venezuela with the Military School. It was designed in Neoclassical style by Malaussena Avenue Los Próceres, presided over by the monument dedicated to national heroes, intended to occupy, in the urban geography of Caracas, the place of the Champs-Élysées occupy in Paris. The :es:Paseo Los Ilustres|Paseo Los ilustres is a large vehicular avenue with driveways and a pedestrian island in the middle, erected as a tribute to the illustrious children of the nation, is the point of exchange of civil and military population, moving the Circle of Forces to the side Armed, headquarters for social events of members of the military institution. On the other hand, the Paseo de los Símbolos is defined by a sculptural set made in bronze, on a marble pedestal and a water mirror. Performed by Ernesto Maragall in 1957, it constitutes an allegory to the Venezuelan national symbols: the coat of arms, the flag and the national anthem. On the :es:Paseo Los Precursores|Paseo Los Precursores there's a sculpture of an Indian who stands on his horse, made of bronze, in the middle of a platform and marble base guarded by two lions, also by Maragall. A commemorative obelisk, mosaic paths, as well as the symmetrical design of the complex, offer the place a face of serenity, while bas-reliefs made in 1957 by sculptor Hugo Daini can be seen on one of the walls of the column. Scattered among the succession of fountains, squares and paths that go from the Monument of the Precursors to that of the Próceres are other sculptural pieces in the form of nymph figures, executed in artificial stone. On the walk you can see the murals that tell the history of Venezuela from the colonization.
