Patricia Neal


Patricia Neal was an American actress of stage and screen. She was best known for her film roles as World War II widow Helen Benson in The Day the Earth Stood Still, wealthy matron Emily Eustace Failenson in Breakfast at Tiffany's, and the worn-out housekeeper Alma Brown in Hud, for which she won the Academy Award for Best Actress. She featured as the matriarch in the television film The Homecoming: A Christmas Story ; her role as Olivia Walton was re-cast for the series it inspired, The Waltons.

Early life and education

Neal was born in Packard, Whitley County, Kentucky, to William Burdette Neal and Eura Mildred Neal. She had two siblings.
She grew up in Knoxville, Tennessee, where she attended Knoxville High School, and studied drama at Northwestern University where she was a member of Pi Beta Phi sorority. At Northwestern, she was crowned Syllabus Queen in a campus-wide beauty pageant.

Career

Neal gained her first job in New York as an understudy in the Broadway production of the John Van Druten play The Voice of the Turtle. Next, she appeared in Lillian Hellman's Another Part of the Forest, winning the 1947 Tony Award for Best Featured Actress in a Play, in the first presentation of the Tony awards.

Neal made her film debut with Ronald Reagan in
John Loves Mary, followed by another role with Reagan in The Hasty Heart, and then The Fountainhead. The shooting of the last film coincided with her affair with her married co-star, Gary Cooper, with whom she worked again in Bright Leaf.
Neal starred with John Garfield in
The Breaking Point, in The Day the Earth Stood Still with Michael Rennie, and in Operation Pacific starring John Wayne. She suffered a nervous breakdown around this time, following the end of her relationship with Cooper, and left Hollywood for New York, returning to Broadway in 1952 for a revival of The Children's Hour. In 1955, she starred in Edith Sommer's A Roomful of Roses, staged by Guthrie McClintic.
While in New York, Neal became a member of the Actors Studio. Based on connections with other members, she subsequently co-starred in the film
A Face in the Crowd, the play The Miracle Worker, the film Breakfast at Tiffany's, and the film Hud, directed by Martin Ritt and starring Paul Newman. During the same period, she appeared on television in an episode of The Play of the Week, featuring an Actors Studio-dominated cast in a double bill of plays by August Strindberg, and in a British production of Clifford Odets' Clash by Night, which co-starred one of the first generation of Actors Studio members, Nehemiah Persoff.
and Lee Remick on the set of
A Face in the Crowd
Neal won the Academy Award for Best Actress for her performance in
Hud, co-starring with Paul Newman. When the film was initially released it was predicted she would be a nominee in the supporting actress category, but when she began collecting awards, they were always for Best Actress, from the New York Film Critics, the National Board of Review and a BAFTA award from the British Academy of Film and Television Arts.
Neal was re-united with John Wayne in Otto Preminger's
In Harm's Way, winning her second BAFTA Award. Her next film was The Subject Was Roses, for which she was nominated for an Academy Award. She starred as the matriarch in the television film , which inspired the television series The Waltons; she won a Golden Globe for her performance. In a 1999 interview with the Archive of American Television, Waltons creator Earl Hamner said he and producers were unsure if Neal's health would allow her to commit to the schedule of a weekly television series; so, instead, they cast Michael Learned in the role of Olivia Walton. Neal played a dying widowed mother trying to find a home for her three children in an episode of NBC's Little House on the Prairie broadcast in 1975.
Neal appeared in a series of television commercials in the 1970s, notably for pain relief medicine Anacin and Maxim instant coffee.
Neal played the title role in Robert Altman's movie
Cookie's Fortune. She worked on Silvana Vienne's movie Beyond Baklava: The Fairy Tale Story of Sylvia's Baklava, appearing as herself in the portions of the documentary talking about alternative ways to end violence in the world. In the same year as the film's release, Neal received one of two annually-presented Lifetime Achievement Awards at the SunDeis Film Festival in Waltham, Massachusetts.
Having won a Tony Award in their inaugural year and eventually becoming the last surviving winner from that first ceremony, Neal often appeared as a presenter in later years. Her original Tony was lost, so she was given a surprise replacement by Bill Irwin when they were about to present the 2006 Tony Award for Best Performance by a Leading Actress in a Play to Cynthia Nixon. In April 2009, Neal received a lifetime achievement award from WorldFest Houston on the occasion of the debut of her film,
Flying By. Neal was a long-term actress with Philip Langner's Theatre at Sea/Sail With the Stars productions with the Theatre Guild. In her final years she appeared in a number of health-care videos.
Neal was inducted into the American Theatre Hall of Fame in 2003. She was a subject of the British television show
This Is Your Life'' in 1978 when she was surprised by Eamonn Andrews at a cocktail party on London's Park Lane.

Personal life

During the filming of The Fountainhead, Neal began an affair with her married co-star Gary Cooper, whom she had met in 1947 when she was 21 and he was 46. At one point in their relationship, Cooper hit her in the face after he caught Kirk Douglas trying to seduce her. Cooper persuaded her to have an abortion when she became pregnant with his child.
, photo by Carl Van Vechten
Neal met British writer Roald Dahl at a dinner party hosted by Lillian Hellman in 1951 while she was in London to film The Hasty Heart starring Ronald Reagan. They married on July 2, 1953 at Trinity Church in New York. The marriage produced five children. On December 5, 1960, their son Theo, four months old, suffered brain damage when his baby carriage was struck by a taxicab in New York City. In May 1961, the family returned to Gipsy House in Great Missenden, Buckinghamshire, where Theo continued his rehabilitation. Neal described the two years of family life during Theo's recovery as one of the most beautiful periods of her life. However, on November 17, 1962, their daughter Olivia died at age 7 from measles encephalitis.
Neal was a heavy smoker. She suffered three burst cerebral aneurysms while pregnant in 1965 and was in a coma for three weeks. One newspaper ran an obituary, but she survived with the assistance of Dahl and a number of volunteers who developed a gruelling style of therapy which fundamentally changed the way that stroke patients were treated. She subsequently relearned to walk and talk and gave birth to a healthy daughter on August 4, 1965. Her 1968 performance in The Subject Was Roses led to an Oscar nomination the following year.
Neal's marriage ended in divorce in 1983. She was a Democrat who supported the campaign of Adlai Stevenson during the 1952 presidential election.

Legacy

In 1978, Fort Sanders Regional Medical Center in Knoxville dedicated the Patricia Neal Rehabilitation Center in her honor. The center provides intense treatment for stroke, spinal cord, and brain injury patients. It serves as part of Neal's advocacy for paralysis victims. She regularly visited the center in Knoxville, providing encouragement to its patients and staff. Neal appeared as the center's spokeswoman in advertisements until her death.

Death

In an odd twist, Neal died at her home in Edgartown, Martha's Vineyard, Massachusetts, on August 8, 2010, from lung cancer, the same as her character Julia Sanderson from an episode of Little House on the Prairie. She was 84 years old.
She had become a Catholic four months before she died and was buried in the Abbey of Regina Laudis in Bethlehem, Connecticut, where the actress Dolores Hart, her friend since the early 1960s, had become a nun and ultimately prioress. Neal had been a longtime supporter of the abbey's open-air theatre and arts program.

Filmography

Film

Television

Stage