Alatise was born in 1975 in Lagos, Nigeria. She and her seven siblings grew up in a traditional Muslim family. Alatise first considered art as a career at age fifteen when she viewed an exhibit by Nigerian artist David Dale. When Alatise expressed her plan to become an artist, her father discouraged the idea, feeling that art was a waste of time. He wanted his daughter to choose an occupation that was more economically stable. Her mother, however, supported Alatise's artistic pursuits, as a spiritualist had foretold that Alatise would one day be wealthy. Despite his original disapproval, her father was eventually won over to the idea before he died. Before pursuing art, Alatise studied architecture at a university, valuing the way it taught her to see and think logically. During her college years Alatise began to explore her interests in art by visiting Jakande, a crafts market in Lagos. There, she practiced various media, including painting, sculpting, and jewelry making.
Career
She began her art career with painting, then branched out to being a multimedia artist, using beads, cloth, resin and other materials. She now works in sculpture, using her art to make statements about social issues, while incorporating literature, symbolism and traditional Yoruba mythology into her works.Alatise also used media such as bead making, visual arts consultancy, creative writing, leather accessory designing, and interior designing. According to Vogue, “Alatise defines her artistic practice as a search for truth and to this end much of her work centres on women in Nigeria and on the political and religious issues at the heart of the country.” Strongly believing that an artist should depict the world she lives in, Alatise strives to visualize social issues of her country and personal experience. Considering the strongly held social views of gender roles in Nigeria, it is not surprising that much of Alatise's artwork focuses on gender inequality and women's rights. Using her art to make statements about social issues, Alatise acts as a creative social activist through art. Alatise's work expands on Afro-feminist views by fracturing the male mold of Modern African culture. Over the years, Alatise's work has put her on a pedestal with many other distinguished Nigerian female artists like Nike Davies Okundaye, Lara Ige-Jacks, and Ndidi Dike. Although Alatise started her artistic career by exploring three-dimensional illusions on two-dimensional surfaces, she also creates through literature. This combined love of art and literature is reflected in one of her most stunning pieces, "Flying Girls". Exhibited in Venice Biennale, this piece consisted of eight life-size girls with wings, and, according to fashion and entertainment website BellaNaija, is "based on the story of a ten-year old girl who works as a housemaid in Lagos while dreaming of a realm where she is free, who belongs to no one but herself, and can fly." Bella also states that this piece "addresses the injustice of the present, but through a vision of a safer imaginary future, especially for little girls." Additionally, this work addresses the issue of child labor. Alatise more directly combines her multidisciplinary skills in her 2013 exhibition, titled Wrapture. This piece combined short stories with sculptures, creating a visual narrative.
Art Auctions
Alatise's 2011 work titled "Ascension" was sold at N4.4 million in Nigeria's Art Auction, this made her work the best priced among emerging artists.
Her most recent concerns include creating artist residencies in Morocco and Turkey. These are places where artists can live and work on their various art projects while being near other artists with similar interests. In this way, Alatise focuses on supporting up-and-coming artists. In an interview with Ijeoma Ndukwe, Alatise described her goals in these words: "When I look at the standard in which I want my work to be, I look at what is happening on a global scale. The artists who inspire me are whose works engage in a way that either inform or inspire you, talk to the true essence of the human in you and I want my work to do the same."
Exhibitions
Material Witness : Nike Art Gallery, Lagos. Photography by Marc C and Yinka Akingbade
WRAPTURE: a Story of Cloth : Art Twenty-One, Lagos. Photography by Marc C and Yinka Akingbade