Pendley Open Air Shakespeare Festival


The Pendley Open Air Shakespeare Festival is, as the name implies, an annual festival dedicated to the plays of William Shakespeare. It takes place at the beginning of August at Pendley Manor, a hotel in Tring, Hertfordshire.

History

The first official festival took place in 1949 with a production of King Henry VIII, although there had been less formal presentations in the two preceding years. In 1954, the festival took its current format, when a second production was added.
The credit for the festival's initiation must go to Dorian Williams. Williams was a popular sports commentator for the BBC, especially expert in Show-Jumping. Pendley Manor was his family home and he helped oversee the development of part of the house into an adult education centre. The drama group that met in the centre performed the first, non-official festival in 1947 and Williams himself often acted and directed in the early festivals.

Past productions

1947 Scenes from A Midsummer Night's Dream & King Richard II

1948 "If music be the food of love..." Famous scenes

1949 King Henry VIII. The first Festival

1950 Falstaff...combining the many scenes from Henry IV, Parts 1 and 2

1951 Twelfth Night

1952 The Tempest

1953 Romeo and Juliet

1954 Julius Caesar & A Midsummer Night's Dream

1955 Macbeth & As You Like It

1956 Henry V & The Merry Wives of Windsor

1957 King John & Twelfth Night

1958 King Lear & A Midsummer Night's Dream

1959 Henry VIII & The Merchant of Venice

1960 Richard II & The Taming of the Shrew

1961 As You Like It & The Winter's Tale

1962 Much Ado About Nothing & Macbeth

1963 Othello & The Merry Wives of Windsor

1964 Romeo and Juliet & Twelfth Night

1965 Love's Labour's Lost & The Tempest

1966 King Lear & A Midsummer Night's Dream

1967 Anthony and Cleopatra & The Taming of the Shrew

1968 Richard III & The Comedy of Errors

1969 Much Ado About Nothing & The Winter's Tale

1970 Twelfth Night & The Merchant of Venice

1971 As You Like It & Richard II

1972 Love's Labour's Lost & The Merry Wives of Windsor

1973 Hamlet & A Midsummer Night's Dream

1974 Romeo and Juliet & The Comedy of Errors

1975 The Tempest & King Henry IV; part II

1976 Twelfth Night & Henry V

1977 The Taming of the Shrew & Julius Caesar

1978 The Winter's Tale & As You Like It

1979 Much Ado About Nothing & Macbeth

1980 Love's Labour's Lost & The Merry Wives of Windsor

1981 The Merchant of Venice & Two Gentlemen of Verona

1982 A Midsummer Night's Dream & King Henry IV; part I

1983 Twelfth Night & Romeo and Juliet

1984 Much Ado About Nothing & The Tempest

1985 Richard III & The Taming of the Shrew

1986 As You Like It & King Lear

1987 Macbeth & A Midsummer Night's Dream

1988 No Festival

1989 The Merchant of Venice

1990 The Merry Wives of Windsor

1991 Romeo and Juliet & The Comedy of Errors

1992 Henry VIII & A Midsummer Night's Dream

1993 The Tempest & Twelfth Night

1994 As You Like It & Henry V

1995 Much Ado About Nothing & Richard III

1996 Two Gentlemen of Verona & The Merchant of Venice

1997 The Taming of the Shrew & Macbeth

1998 Love's Labour's Lost & Twelfth Night

1999 Romeo and Juliet & A Midsummer Night's Dream

2000 The Comedy of Errors & The Tempest

2001 Much Ado About Nothing & Henry V

2002 The Taming of the Shrew & Macbeth

2003 Sir John Falstaff and the Merry Wives & The Winter's Tale

2004 A Midsummer Night's Dream & Twelfth Night

2005 Much Ado About Nothing & Romeo and Juliet

2006 The Comedy of Errors & King Lear

2007 As You Like It & The Tempest

2008 Twelfth Night & The Merchant of Venice

2009 A Midsummer Night's Dream & Macbeth

2010 The Taming of the Shrew & Richard III

2011 The Winter's Tale & The Merry Wives of Windsor

2012 Romeo and Juliet & Much Ado About Nothing

2013 As You Like It & Love's Labour's Lost

2014 The Comedy of Errors & Hamlet

Alumni

A new company of players is formed each year. Several members return year after year, others only stay for one season.
Some are aspiring drama school students, and go on to have successful careers in the industry. These include:

The Glade Stage

The majority of Productions prior to 2001 were given on what became known as The Glade Stage, a natural raised stage in the grounds of the Manor, west-facing, flanked by two magnificent 100 ft high Canadian Firs. Dramatic entrances made on horse back down the glade were common.

The Formal Stage

A second natural raised stage, facing south was used in 1962, 1963, 1964, 1968, 1970, 1980 and 1981. This stage had a backdrop of Yew hedges, characters would make their entrances and exits through gaps between the hedges.

Rose Garden

In 1989 during the conversion of the Manor House into a Hotel, a production of The Merchant of Venice was presented raised above the Rose Garden, on the south side of the Manor, with the Manor itself as a backdrop.

The Williams Stage

In 2001, a swimming pool and leisure centre were added to the Hotel. The electricity that this facility drew from the substation, compromised the power available for the Festival. This compromise, alongside increased demand for the Hotel's wedding facilities located within earshot of the Glade Stage, meant the Festival had to be both downsized in terms of its power requirements, and also relocated away from the wedding facilities. The Garden Stage sits in front of a leafy bank, alongside the Rose Garden, and the seating stand is placed on the tennis courts. Although this smaller, more intimate stage, may lack some of the grandeur of the larger stages, many believe it doesn't lack any of the magic.

Current status

The festival has continued to grow in popularity, maintaining its reputation as one of the most significant amateur Shakespeare festivals in England. The festival saw record attendances in 2004 when it staged A Midsummer Night's Dream and Twelfth Night, two of the most popular plays in the Shakespeare canon.
This year's productions - The 66th Festival - will be Twelfth Night and Henry V.
The current Artistic Director of the Festival is Sarah Branston. Director of Drama at Reigate Grammar School, she is also an excellent director of Shakespeare; visionary and dramatic. Her productions are considered by regular festival-goers to be amongst the finest in the history of the event. Her parents, John and Jennie Branston, actually met at a festival over thirty years ago and have been attending ever since. John has directed several productions and both John and Jennie frequently play small, character roles.

Official sites

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