Perdido Street Station


Perdido Street Station is a weird fantasy novel by British writer China Miéville, the first of three independent works set in the
fictional world of Bas-Lag, a place where both magic and steampunk technology exist. The novel has won several literary awards.
In an interview, Miéville described this book as "basically a secondary world fantasy with Victorian era technology. So rather than being a feudal world, it's an early industrial capitalist world of a fairly grubby, police statey kind!"
Perdido Street Station is set in Bas-Lag's large city-state of New Crobuzon: the title refers to a railway station at the heart of the city.

Plot

Isaac Dan der Grimnebulin is a scientist living in the city of New Crobuzon. He is approached by Yagharek, a member of a birdlike species known as garuda, who has had his wings removed as a punishment for an undisclosed crime in his native land. He asks Isaac to help him to fly again. Isaac agrees and starts collecting flying creatures for research purposes with the aid of Lemuel Pigeon, a fence with links to the criminal underworld. One creature is a large and unusual caterpillar, stolen from a government research lab. The caterpillar sickens until Isaac accidentally discovers it feeds on a popular hallucinogenic drug. It grows and starts to pupate. After reaching maturity, it emerges as a monstrous flying beast known as a slakemoth, able to paralyse its victims using hypnotic patterns on its wings. It escapes after eating the mind of one of Isaac's colleagues, leaving him catatonic. Isaac, Yagharek and Lemuel resolve to re-capture or destroy it.
Isaac's girlfriend Lin is a khepri, an insect-like humanoid and an artist. She is commissioned by Mr Motley, a mob boss, to make a sculpture of him. Mr. Motley has four more of the slakemoths in captivity and harvests their milk to sell as drugs. After Isaac's slakemoth frees its siblings, Mr Motley discovers Isaac's connection to the slakemoths. Assuming Isaac to be a potential rival in the drug trade, he imprisons Lin, demanding that Isaac return his creatures. The slakemoths start to terrorise New Crobuzon, feeding on its inhabitants.
With the aid of Derkhan, a journalist and friend of Lin, Isaac discovers that Mr. Motley purchased his slakemoths from the government. The security forces become aware of the activities of the slakemoths and begin to suppress the various rebellious elements within the city. To re-capture the slakemoths, they attempt to enlist the help of demons and the Weaver, a spider-like creature who moves through dimensions, obsessed with patterns and its own peculiar view of beauty. The demons refuse to assist and the Weaver soon ends up aiding Isaac.
Isaac and his friends kill one of the slakemoths with the aid of a sentient machine known as the Construct Council. They then destroy the eggs that the slakemoths have laid before laying a trap for the remainder of the creatures. The trap is mostly successful, but the last slakemoth escapes and returns 'home' to Mr. Motley's facility. The Weaver transports Isaac to the warehouse where they find Lin, who has been tortured but is still working on the sculpture. A confrontation occurs, during which Lin's mind is half eaten and the last slakemoth is killed by Mr. Motley's men. Isaac escapes with Lin and Yagharek and prepares to leave the city. Isaac learns of Yagharek's crime, a rape of one of his own species, and refuses to help him fly again. Lin never fully recovers and Yagharek is left alone in the city, pulling out his feathers and having to accept his new flightless identity.

Characters

The novel was nominated for the 2002 Nebula Award for Best Novel and Hugo Award for Best Novel. It won the British Fantasy Society's August Derleth Award in 2000, the Arthur C. Clarke Award in 2001, the Premio Ignotus Award in 2002, and the Kurd Laßwitz Award in 2003. It also won the Amazon.com Editors' Choice Award in Fantasy in 2001. In May 2009, it was made available as an audiobook from Random House.
Michael Moorcock reviewed the book and said "Perdido Street Station, a massive and gorgeously detailed parallel-world fantasy, offers us a range of rather more exotic creatures, all of whom are wonderfully drawn and reveal a writer with a rare descriptive gift, an unusually observant eye for physical detail, for the sensuality and beauty of the ordinarily human as well as the thoroughly alien." However, he suggests "Mieville's determination to deliver value for money, a great page-turner, leads him to add genre borrowings which set up a misleading expectation of the kind of plot you're going to get and make individuals start behaving out of character, forcing the author into rationalisations at odds with the creative, intellectual and imaginative substance of the book." He concludes, "That aside, Mieville's catholic contemporary sensibility, delivering generous Victorian value and a well-placed moral point or two, makes Perdido Street Station utterly absorbing and you won't get a better deal, pound for pound, for your holiday reading!"