Pierre Étaix


Pierre Étaix was a French clown, comedian and filmmaker. Étaix made a series of short- and feature-length films, many of them co-written by influential screenwriter Jean-Claude Carrière. He won an Academy Award for best live action short film in 1963. Due to a legal dispute with a distribution company, his films were unavailable from the 1970s until 2009.
As an actor, assistant director and gag writer, Étaix worked with the likes of Jacques Tati, Robert Bresson, Nagisa Oshima, Otar Iosseliani and Jerry Lewis, the last of whom cast the comedian in his unreleased film The Day the Clown Cried.

Biography

Étaix was born in 1928 in Roanne, France. He was trained as a graphic designer and introduced to the art of stained glass by Théodore-Gérard Hanssen. He settled in Paris where he worked as a magazine illustrator while performing in cabarets and music halls, such as The Golden Horse, The Three Donkeys, ABC, the Alhambra, Bobino and Olympia, and a circus performer with the clown Nino.
He met Jacques Tati in 1954 and worked as a draftsman and gagman on Tati's film Mon Oncle, including the creation of the film's promotional poster, then as assistant director. According to many film critics as well as admirers among his fellow film makers, Pierre Étaix was a continuation of the great masters of slapstick and the comedy film the silent era such as Buster Keaton, Harold Lloyd, Harry Langdon, Max Linder, Charlie Chaplin, and Laurel and Hardy.
He directed his first feature film The Suitor in 1963 and Yoyo in 1964, where he paid homage to the circus world. He then directed two feature films, As Long As We've Got Our Health, and The Great Love that he co-scripted with Carrière.
Faced with the scarcity of French circus artists, Étaix decided to found the National Circus School with Annie Fratellini, whom he married in 1969, and wore a white clown suit during tours of their own circus, having long played the tramp.
Etaix died from complications of an intestinal infection on 14 October 2016 in Paris. He was 87.
Jerry Lewis once remarked that twice in his life he understood what genius meant: the first time when he looked up the definition in a dictionary, and the second time when he met Pierre Etaix.

Awards

As director