The company sets up wrestling matches for independent female wrestlers—wrestlers that are not signed to a major company—video tapes the matches and sells them to help promote their careers. Because the women do not sign exclusive contracts, they are free to wrestle in other promotions or major wrestling companies. Unlike many female-only wrestling organizations, PGWA does not overly emphasize the sexuality of the female wrestlers, nor does it promote them as "eye-candy", but rather stresses their skills and ability. PGWA matches tend to run 15 to 30 minutes, as opposed to the usual 5 to 10 minutes often allotted female wrestlers by promoters. This allows wrestlers to display a full range of their abilities, rather than having to focus on a few key moves in the short span of time their match allows.
History
The Professional Girl Wrestling Association was founded in 1992 in North Carolina by sportswriter Tom Randolph. Randolph brought a video camera to one of Susan Green's training sessions and later videotaped a match between her and Judy Martin. Green later became the promotion's first champion. In 2002, the promotion began holding events in the United Kingdom and Europe. The 2004 show "Summer Heat", filmed in Nashville, Tennessee, had the largest card in the promotion's history to that time with 16 women wrestling at the event. In October 2004, PGWA co-promoted the first ChickFight tournament, which later became an annual event, with All Pro Wrestling. In November 2008, after the death of Penny Banner, Susan Green became the new commissioner of the PGWA.
LadySports
Concurrent with the launch of the PGWA in 1992, the promotion began selling a women's wrestlingnewsletter called Connections. Shortly, this was transformed into a quarterly magazine titled LadySports. The PGWA staff also frequently supplied photographs and feature articles to such newsstand publications as Wrestling Eye, PWI, WOW! and Fighting Females. Since the mid-90s, a LadySports Online website has also been maintained. With the cessation of the quarterly magazine, publishing efforts were shifted to the website, which not only offers downloads of PGWA matches and features on PGWA talent, but also provides coverage for non-PGWA women, from wrestlers to valets and referees.
