Psalm 119


Psalm 119 is the 119th psalm of the Book of Psalms, generally known in English by its first verse, in the King James Version, "Blessed are the undefiled in the way, who walk in the law of the Lord." The Book of Psalms is in the third section of the Hebrew Bible, the Khetuvim, and a book of the Christian Old Testament. It is referred to in Hebrew by its opening words, "Ashrei temimei derech". In the Greek Septuagint version of the Bible, and in its Latin translation Vulgate, this psalm is Psalm 118 in a slightly different numbering system. In Latin, it is known as "Beati inmaculati in via qui ambulant in lege Domini." The psalm is a hymn psalm.
With 176 verses, the psalm is the longest psalm as well as the longest chapter in the Bible. It is an acrostic poem, in which each set of eight verses begins with a letter of the Hebrew alphabet. The theme of the verses is the prayer of one who delights in and lives by the Torah, the sacred law. Unlike most other psalms, the author did not include his name in the text. The psalm is a regular part of Jewish, Catholic, Anglican, and Protestant liturgies. It has been set to music often. British Politician William Wilberforce would recite the entire Psalm, while walking back from Parliament, through Hyde Park, to his home.

Text

King James Version

The English version in the King James Bible can be seen at.

Structure

Psalm 119 is one of several acrostic poems found in the Bible. Its 176 verses are divided into 22 stanzas, one for each of the 22 characters that make up the Hebrew alphabet. In the Hebrew text, each of the eight verses of each stanza begins with the same Hebrew letter. This feature was not maintained in the Septuagint, except that many manuscripts have placed at the beginning of each stanza the name of the corresponding Hebrew letter.
Because of this structure, the Psalm was one of the main occurrences of the Hebrew alphabet in the texts of the medieval and modern West.
Each of the 22 sections of 8 verses is subheaded with the name of a letter in the Hebrew alphabet. These subheadings are spelled very differently amongst the various Bible text versions, even amongst the translations into different foreign languages. Their antiquated spellings shown in the Authorized King James Version of 1611 were written with influences of Latin and German medieval theological scholarship—forms which greatly differ from the standard modern-day renditions.
Most printed editions also show the actual Hebrew letters along with these subheadings.

Literary features

This psalm is one of about a dozen alphabetic acrostic poems in the Bible. Its 176 verses are divided into twenty-two stanzas, one stanza for each letter of the Hebrew alphabet; within each stanza, each of the eight verses begins with that letter. The name of God appears twenty-four times.
Employed in almost every verse of the psalm is a synonym for the Torah, such as dabar, mishpatim, etc.
The acrostic form and the use of the Torah words constitute the framework for an elaborate prayer. The grounds for the prayer are established in the first two stanzas : the Torah is held up as a source of blessing and right conduct, and the psalmist pledges to dedicate himself to the law. The prayer proper begins in the third stanza. Like many other psalms, this prayer includes dramatic lament, joyous praise and prayers for life, deliverance and vindication. What makes Psalm 119 unique is the way that these requests are continually and explicitly grounded in the gift of the Torah and the psalmist's loyalty to it.
The first and fifth verses in a stanza often state the same theme followed by a statement of opposition, affliction or conflict, and the final verse tends to be a transition introducing the next stanza. Several dozen prayers are incorporated into the Psalm, e.g. "Open my eyes that I may behold wondrous things out of your law." Themes include opposition by man, affliction, delight in the law and the goodness of God, which sometimes run into each other: "I know, O Lord, that your rules are righteous, and that in faithfulness you have afflicted me", or "If your law had not been my delight, I would have perished in my affliction". The Psalmist at times seems to appeal to God's sovereignty, "inclining his heart to the law" in contrast to the Psalmist saying "I incline my heart." Thus, God as sovereign is invoked in v.36 "Incline my heart to your testimonies", while the Psalmist also takes personal responsibility in v. 112, "I incline my heart to perform your statutes forever." It ends with an appeal to God to seek his servant who strayed.

Uses

Judaism

The psalm figures prominently in the worship of the Orthodox Church. There is a tradition that King David used this psalm to teach his young son Solomon the alphabet—but not just the alphabet for writing letters: the alphabet of the spiritual life.
The psalm comprises an entire Kathisma in Orthodox liturgical practice. In Orthodox monasteries it is read daily at the Midnight Office: "At midnight I arose to give thanks unto Thee for the judgments of Thy righteousness". It is read at Matins on Saturdays and is also chanted on many Sundays throughout the year. A major portion of Matins on Holy Saturday comprises chanting the entire psalm as a threnody, divided into three parts with Praises interspersed between each verse. This chanting is done as all stand holding candles around a catafalque over which has been placed the Epitaphion.
The psalm is also chanted with special solemnity at Orthodox funeral services and on the various All-Souls Days occurring throughout the year, with "Alleluia" chanted between each verse. Its use here is a reflection of the chanting done on Holy Saturday. "Alleluia" is chanted between the verses to signify the victory over death accomplished by Christ's death and Resurrection, and the eternal reward promised to the faithful.
The Psalm contains several dozen prayers and several themes run through it. God's goodness in the midst of affliction and delight in God's law. God is seen sovereignly "inclining ones heart" and the Psalmist "inclines his heart" to the statutes.

Latin Church liturgy

The Rule of Saint Benedict assigned this psalm to four minor canonical hours on Sundays and three on Mondays. The sections corresponding to the first four letters of the 22-letter Hebrew alphabet are used at Prime, the following sets of three sections at Terce, Sext and None on Sundays. The remaining sections corresponding to the last nine letters of the Hebrew alphabet, are assigned to Terce, Sext and None on Mondays.
The 1568 Roman Breviary of Pope Pius V has Psalm 119 recited in its entirety every day: the sections corresponding to the first four letters of the Hebrew alphabet at Prime, and the others in sets of six sections each at Terce, Sext and None respectively.
In the 1910 reform of the Roman Breviary by Pope Pius X, Psalm 119 is recited only on Sundays, divided as in the arrangement of Pius V.
Since the reform of the Roman Rite liturgy in the wake of the Second Vatican Council, the Liturgy of the Hours has a section of Psalm 119, corresponding to a single letter of the Hebrew alphabet, in the midday canonical hour on each day of the four-week cycle except on Monday of the first week and on Friday of the third week. In addition, a section of Psalm 119 is used at Saturday Lauds in weeks 1 and 3, and another section at Vespers of Saturday of week 1.
In the Roman Rite Mass portions of Psalm 119 are used a responsorial psalm on Sundays 6 and 17 of Year A of the three-year cycle of Sunday readings, on Saturday of the first week in Lent and on the third Monday in Eastertide. It is also used on five days of Year I of the two-year cycle of Ordinary Time weekday readings and fifteen days of Year II. A portion is also used on the feast of a Doctor of the Church.

Musical settings

A complete English version of Psalm 119 from the King James Bible was completed by Frederick Steinruck, Michael Misiaszek, and Michael Owens.
In Protestant Christianity, various metrical settings of Psalm 119 have been published, including "O God, My Strength and Fortitude" by Thomas Sternhold, which appeared in the Scottish Psalter of 1535. The Psalm is put to music in The Book of Psalms for Worship, published by Crown and Covenant Publications.