Pulitzer Prize for Feature Photography

Winners and citations

• 1968: Toshio Sakai, United Press International, "for his Vietnam War combat photograph, ':File:Dreams of Better Times.jpg|Dreams of Better Times'."
• 1969: Moneta Sleet Jr. of Ebony, "for :File:Coretta Scott King by Moneta Sleet.jpg|his photograph of Martin Luther King Jr.'s widow and child, taken at Dr. King's funeral."
• 1970: Dallas Kinney, Palm Beach Post , "for his portfolio of pictures of Florida migrant workers, 'Migration to Misery'."
• 1971: Jack Dykinga, Chicago Sun-Times, "for his dramatic and sensitive photographs at the Lincoln and Dixon State Schools for the Retarded in Illinois."
• 1972: David Hume Kennerly, United Press International, "for his dramatic photographs of the Vietnam War in 1971."
• 1973: Brian Lanker, Topeka Capital-Journal, "for his sequence on child birth, as exemplified by his photograph, ':File:Moment of Life.jpg|Moment of Life'."
• 1974: Slava Veder, Associated Press, "for his picture Burst of Joy, which illustrated the return of an American prisoner of war from captivity in North Vietnam."
• 1975: Matthew Lewis, Washington Post, "for his photographs in color and black and white."
• 1976: Photographic staff of the Louisville Courier-Journal and Times, "for a comprehensive pictorial report on busing in Louisville's schools."
• 1977: Robin Hood, Chattanooga News-Free Press, "for his photograph of a disabled veteran and his child at an Armed Forces Day parade."
• 1978: J. Ross Baughman, Associated Press, "for three photographs from guerrilla areas in Rhodesia."
• 1979: Staff photographers of the Boston Herald American, "for photographic coverage of the blizzard of 1978."
• 1980: Erwin H. Hagler, Dallas Times Herald, "for a series on the Western cowboy."
• 1981: Taro Yamasaki, Detroit Free Press, "for his photographs of Jackson State Prison, Michigan."
• 1982: John H. White, Chicago Sun-Times, "for consistently excellent work on a variety of subjects."
• 1983: James B. Dickman, Dallas Times Herald, "for his telling photographs of life and death in El Salvador."
• 1984: Anthony Suau, The Denver Post, "for a series of photographs which depict the tragic effects of starvation in Ethiopia and for a single photograph of a woman at her husband's gravesite on Memorial Day."
• 1985: Stan Grossfeld, Boston Globe, "for his series of photographs of the famine in Ethiopia and for his pictures of illegal aliens on the U.S.-Mexico border."
• 1986: Tom Gralish, The Philadelphia Inquirer, "for his series of photographs of Philadelphia's homeless."
• 1987: David C. Peterson, Des Moines Register, "for his photographs depicting the shattered dreams of American farmers."
• 1988: Michel du Cille, Miami Herald, "for photographs portraying the decay and subsequent rehabilitation of a housing project overrun by the drug crack."
• 1989: Manny Crisostomo, Detroit Free Press, "for his series of photographs depicting student life at Southwestern High School in Detroit."
• 1990: David C. Turnley, Detroit Free Press, "for photographs of the political uprisings in China and Eastern Europe."
• 1991: William Snyder, The Dallas Morning News, "for his photographs of ill and orphaned children living in subhuman conditions in Romania."
• 1992: John Kaplan, Block Newspapers, Toledo, Ohio, "for his photographs depicting the diverse lifestyles of seven 21-year-olds across the United States."
• 1993: Staff of Associated Press, "for its portfolio of images drawn from the 1992 presidential campaign."
• 1994: Kevin Carter, a free-lance photographer, "for a picture first published in The New York Times of a starving Sudanese girl who collapsed on her way to a feeding center while a vulture waited nearby."
• 1995: Staff of Associated Press, "for its portfolio of photographs chronicling the horror and devastation in Rwanda."
• 1996: Stephanie Welsh, "a free-lancer, for her shocking sequence of photos, published by Newhouse News Service, of a female genital cutting rite in Kenya."
• 1997: Alexander Zemlianichenko, Associated Press, "for his photograph of Russian President Boris Yeltsin dancing at a rock concert during his campaign for re-election. This was originally nominated in the Spot News Photography section, but was moved by the board to Feature Photography."
• 1998: Clarence Williams, Los Angeles Times, "for his powerful images documenting the plight of young children with parents addicted to alcohol and drugs."
• 1999: Staff of Associated Press, "for its striking collection of photographs of the key players and events stemming from President Clinton's affair with Monica Lewinsky and the ensuing impeachment hearings."
• 2000: Carol Guzy, Michael Williamson and Lucian Perkins, Washington Post, "for their intimate and poignant images depicting the plight of the Kosovo refugees."
• 2001: Matt Rainey, Star-Ledger, "for his emotional photographs that illustrate the care and recovery of two students critically burned in a dormitory fire at Seton Hall University."
• 2002: The New York Times staff, "for its photographs chronicling the pain and the perseverance of people enduring protracted conflict in Afghanistan and Pakistan."
• 2003: Don Bartletti, Los Angeles Times, "for his memorable portrayal of how undocumented Central American youths, often facing deadly danger, travel north to the United States."
• 2004: Carolyn Cole, Los Angeles Times, "for her cohesive, behind-the-scenes look at the effects of civil war in Liberia, with special attention to innocent citizens caught in the conflict."
• 2005: Deanne Fitzmaurice, San Francisco Chronicle, "for her sensitive photo essay on an Oakland hospital's effort to mend an Iraqi boy nearly killed by an explosion."
• 2006: Todd Heisler of Rocky Mountain News, "for his haunting, behind-the-scenes look at funerals for Colorado Marines who return from Iraq in caskets."
• 2007: Renée C. Byer of The Sacramento Bee, "for her intimate portrayal of a single mother and her young son as he loses his battle with cancer."
• 2008: Preston Gannaway of the Concord Monitor, "for her intimate chronicle of a family coping with a parent's terminal illness."
• 2009: Damon Winter of The New York Times, "for his memorable array of pictures deftly capturing multiple facets of Barack Obama’s presidential campaign."
• 2010: Craig F. Walker of The Denver Post, "for his intimate portrait of a teenager who joins the Army at the height of insurgent violence in Iraq, poignantly searching for meaning and manhood."
• 2011: Barbara Davidson of Los Angeles Times, "For her intimate story of innocent victims trapped in the city’s crossfire of deadly gang violence."
• 2012: Craig F. Walker of The Denver Post "for his compassionate chronicle of an honorably discharged veteran, home from Iraq and struggling with a severe case of post-traumatic stress, images that enable viewers to better grasp a national issue".
• 2013: Javier Manzano "for his extraordinary picture, distributed by Agence France-Presse, of two Syrian rebel soldiers tensely guarding their position as beams of light stream through bullet holes in a nearby metal wall".
• 2014: Josh Haner of The New York Times, "for his stirring portraits of the painful rehabilitation of a man badly injured in the Boston Marathon bombings".
• 2015: Daniel Berehulak, freelance photographer, The New York Times "for his gripping, courageous photographs of the Ebola epidemic in West Africa."
• 2016: Jessica Rinaldi of The Boston Globe "for the raw and revealing photographic story of a boy who strives to find his footing after abuse by those he trusted."
• 2017: E. Jason Wambsgans of Chicago Tribune "for a superb portrayal of a 10-year-old boy and his mother striving to put the boy’s life back together after he survived a shooting in Chicago."
• 2018: Staff of Reuters "for shocking photographs that exposed the world to the violence Rohingya refugees faced in fleeing Myanmar."
• 2019: Lorenzo Tugnoli of The Washington Post "for brilliant photo storytelling of the tragic famine in Yemen, shown through images in which beauty and composure are intertwined with devastation. "
• 2020: Associated Press photographers Dar Yasin, Mukhtar Khan and Channi Anand "for striking images captured during a communications blackout in Kashmir depicting life in the contested territory as India stripped it of its semi-autonomy."