Ramon Guthrie


Ramon Guthrie was a poet, novelist, essayist, critic, painter and professor of French and comparative literature. He published five collections of poetry, and two novels, translated three volumes of French nonfiction, edited two standard anthologies of French literature and published numerous reviews, essays and individual poems.

Introduction

His legendary reputation among his contemporaries, many with extraordinary reputations of their own, is demonstrated by the festschrift honoring him upon his retirement from teaching. That volume, Ramon Guthrie Kaleidoscope, contains contributions by the poets: Dilys Laing, Lou B. Another major critic of the 20th century, M. L. Rosenthal, would choose Maximum Security Ward and Other Poems to be the first volume in Persea Book's Lamplighter Series of significant modern poets because he felt that Guthrie had been neglected and ought to remain in print. Rosenthal said of Guthrie that he had been ignored "For no good reason, really -- only the familiar general indifference to the real thing and identification of publicity with reputation."
Guthrie was in the middle of the literary ferment following World War I and of expatriate Paris in the 1920s. where he was conversant with James Joyce and Gertrude Stein could stop by Edith Sitwell’s salon and spend an afternoon with Ezra Pound in the Tuileries during which "all Pound talked about was bassoons." In the summer of 1919 at the Café des Tourelles in Paris he joined Norman Fitts and nine others including Steven Vincent Benet, Roger Sessions and Thornton Wilder in what would become "S4N Society." Ramon would become the most consistent and loyal contributor to the little magazine that would result from this meeting S4N, which would publish among many others, E. E. Cummings and Hart Crane.
Beginning in the mid 1920s Guthrie would become an important emotional and literary support of Sinclair Lewis. George Seldes would claim, "Of all the persons on whom Sinclair Lewis relied most from 1927 onward, either for help in his work, or as a sounding board for ideas, or as a critic, a commentator on pieces of future novels he would act out spontaneously, the chosen one was Ramon Guthrie."

Life

1896-1916: Early years of poverty and labor

14 January 1896, Raymon Hollister Guthrie is born in New York City to Harry and Ella May Guthrie. Supposedly named after a singer, Raymon Moore, he later discards both the “y” and his middle name. He has an older sister, Eleanor, probably born in 1889. In 1898 or so Harry decamps with another woman and vanishes from sight.
Years of grinding poverty follow. Mrs. Guthrie moves to Hartford and supports her children with difficulty, running a boarding house, working as a dressmaker, Christian Science practitioner, and manicurist, etc. Due to her poor health the children probably spend a brief period in an orphanage when Guthrie is about five. After completing grammar school, Guthrie is unable, for financial reasons, to accept a scholarship to the Hartford Art School. He works at odd jobs and in the Underwood typewriter factory and flunks out of night school. From 1912 to 1915, however, he manages to attend the Northfield Mount Hermon School for part of cadi year. Several of his poems appear in The Hermonite.
In 1915 Mrs. Guthrie has her first stroke and moves in with a sister near New Haven. Guthrie goes to work for the Winchester Repeating Arms factory in New Haven, at this time busy filling war orders. He works on the night shift straightening draw punches. After another stroke early in 1916 his mother commits suicide in the charity ward of the New Haven Hospital.

1916-22: War and coming of age in France.

Guthrie decides not to return to Mount Hermon in the fall and instead enlists in the 10th Connecticut Field Artillery. In December, however, he sails for France as a volunteer with the American Field Service and is an ambulance driver with the Eighth Army on the Western Front for several months and then with the Armee de l’Orient in the Balkans.
Returning to France, Guthrie joins the U.S. Army's Aviation Section Signal Corps and trains as an observer. He walks away from a spectacular plane crash, which results in bouts of amnesia and various nervous disorders, among them acusis—intolerance of loud noise—and acute attacks of anxiety and panic. He is assigned to the Eleventh Bombing Squadron and participates in a disastrous raid over La Chaussee in which an incompetent major sends the planes aloft with machine guns out of order and without a fighter escort. Guthrie and his pilot, the only survivors, are forced to watch the other planes shot down. Fortunately, their machine gun is working, and Guthrie shoots down two enemy fighters and survives to become a successful formation leader and to shoot down two more. He is awarded two citations, one of them the Silver Star. While serving in the army he discovers Paris and his future wife, Marguerite Maurey from Nancy. At the end of the war he takes a course in French civilization at the Sorbonne, but in the summer of 1919 he is shipped back to the States.
After several hospitalizations and a few months’ work as an insurance investigator, he returns to France. His poems appear in Norman Fitts's little magazine S4N, and in Paris Review: The Illustrated American Magazine in France. He studies political science at Toulouse under a disability pension, earning two special degrees for foreigners, the license and doctorat en droit, in 1921 and 1922; but he continues his literary studies and poetry, including translations from the Provençal.

1922-29: The flourishing of a poet-novelist-translator

On 8 April 1922 Guthrie marries Marguerite in Toulouse. They move to Paris, and during 1922-23 he works on a semi-autobiographical novel, “Philip”. He writes poetry, follows courses at the Sorbonne in Old French and Provençal, is rumored to have become one of Otto Rank's patients, and participates in the literary and artistic life centered in Montparnasse.
The Guthries return to the United States in 1923, also the year of his first collection of poems, Trobar Clus. Malcolm Cowley introduces Guthrie to the avant-garde literary scene in New York, but Guthrie's search for a job takes him to the University of Arizona, where he teaches French language and literature courses from 1924 to 1926.
In 1926 the Guthries return to France and the eminently congenial expatriate milieu—partly at the instigation of Sinclair Lewis, whose collaboration with and dependence on Guthrie absorb much of the poet's time and energy over the next decades. Besides Trobar Clus, Guthrie publishes his novel Marcabrun ; another collection of poems ; a translation of Bernard Fay's The Revolutionary Spirit in France and America ; a second novel ; and the risqué narrative poem The Legend of Ermengarde. That year the Guthries return to the United States, probably for economic reason.

1930-63: The Dartmouth years and relative poetic silence.

From 1930 to 1963, except for a stint in the O.S.S. during World War II in France and Algiers as liaison with the French Resistance —see “Fragment of a Travelogue” and “For Approximately the Same Reason”—Guthrie teaches full-time at Dartmouth College, specializing in Proust. He makes his home across the border in Norwich, Vermont, and returns to France as frequently as possible during vacations and sabbaticals, often to paint rather than write. He is made an Officier d’Academie in 1949 and an Officier dans I’ordre des Palmes academiques in 1963.
His scholarly enterprises include occasional articles, among them discussions of his close relationship with Lewis; a number of reviews—especially for the New York Herald Tribune Book Review; the preparation of two anthologies : French Literature and Thought Since the Revolution and Prose and Poetry of Modem France ; and two 1947 translations: The Republic of Silence, compiled by A.J. Liebling, and The Other Kingdom, by David Rousset.
Guthrie, however, does not abandon poetry entirely during this period. In 1933 The Arts Press brings out his Scherzo from a Poem To Be Entitled The Proud City; in 1938 he writes his long, anti-Fascist, unpublished poem “Instead of Abel”; he participates in the Thursday evening meetings of poets living in the area ; and he puts together the manuscript of Graffiti for M.L. Rosenthal, then poetry advisor at Macmillan, who has also published some of his poems in The Nation. As his retirement from full-time teaching approaches, his poetic output increases markedly.

1964-73: Guthrie’s last years and his final poetic flourishing

His renaissance occurs against the backdrop of his escalating medical problems and the Vietnam War. He vehemently opposes the war—see “Some of Us Must Remember” and “Scherzo for a Dirge” —and in 1965 returns his World War I Silver Star to President Johnson in protest.
His first operation for cancer of the bladder takes place in the summer of 1966, and he starts on Maximum Security Ward. He is well enough in 1967 to give some readings in France and to spend time at Yaddo, but is very ill at the beginning of 1968 and starts a course of cobalt therapy. Alexander Laing raises a subscription from Guthrie's former students and other supporters so that Emile Capouya accepts Asbestos Phoenix for Funk & Wagnalls in January. Guthrie is never aware of this arrangement. Despite his physical condition, Guthrie spends late spring and summer in Paris. Back home he races to correct the galleys of Asbestos Phoenix before undergoing surgery to remove his colon, which has been severely damaged by the cobalt treatment. Despite the dangerous operation and massive transfusions, he recovers enough to see Asbestos Phoenix in print and to return to Paris in the summer of 1969, but there he hemorrhages badly and ends up in the American Hospital.
He is shipped home in such poor condition that he is not expected to recover, but with Maximum Security Ward not quite finished he insists on being taken off pain-killers so that he can complete it. By October it is at the typist's, and Robert Giroux accepts it in the spring of 1970 for Farrar, Straus & Giroux. From now until his death Guthrie is essentially house- and hospital- bound. More operations follow, and he is too sick in May 1970 to accept the Marjorie Peabody Waite Award of the National Institute of Arts and Letters in person, and Cowley accepts for him. But by June 1971 he is well enough to attend the Dartmouth commencement ceremonies, during which he is elected an honorary member of Phi Beta Kappa and receives the Litt.D. Compounding his surgical problems, however, are Parkinson's Disease, asthma, double vision, and eventually hallucinations, he is hospitalized for much of 1972 and 1973.
22 November 1973, Thanksgiving Day, having finally succeeded in getting himself released from the hospital but not from his unrelenting physical and mental torment, Guthrie takes an overdose of phenobarbital. He dies at Mary Hitchcock Memorial Hospital in Hanover in the afternoon. His grave, marked by a miniature dolmen, overlooks Norwich. Marguerite dies three years later.

Poetry

Trobar Clus, Northampton, Mass., S4N, 1923
A World Too Old, New York, George H. Doran Co., .
Graffiti. New York, Macmillan, 1959
Scherzo from a poem to be entitled; The Proud City. , Hanover, N. H., The Arts Press, 1933
Asbestos Phoenix, New York, Funk and Wagnal, 1968
Maximum Security Ward, New York, Farrar, Straus & Giroux, 1970; Doubleday Ltd, Toronto, Canada, 1970; and as Maximum Security Ward: Poem on the Point of Death, Sidgwick & Jackson, London, England, 1971
Maximum Security Ward and Other Poems, edited by Sally M. Gall, New York, Persea Books, 1984

Novels

Marcabrun: the chronicle of a foundling who spoke evil of women and of love and followed unawed the paths of arrogance until they led to madness: and of his dealings with women and of ribald words, the which brought him repute as a great rascal and as a great singer. New York, George H. Doran Co., .
Parachute. New York, Harcourt, Brace and Co., .

Translations

The Other Kingdom, by David Rousset. New York, Reynal & Hitchcock, .
The Republic of Silence, compiled and edited by A. J. Liebling. New York, Harcourt, Brace and Co., .
The Revolutionary Spirit in France and America; a study of moral and intellectual relations between France and the United States at the end of the eighteenth century, by Bernard Fay. New York, Harcourt, Brace & Co., .

Anthologies

French Literature and Thought Since the Revolution, edited by Ramon Guthrie and George E. Diller. New York, Harcourt, Brace and Co., .
French Literature of the Twentieth Century, edited by Ramon Guthrie and George E. Diller. New York, Charles Scribner's Sons, .

Articles in Journals, Newspapers and Magazines

"Anent truth," S4N, 14th issue.
"Art credo—a challenge," S4N, 5th issue.
"The birth of a myth, or how we wrote Dodsworth," Dartmouth College Library Bulletin, n.s., vol. 3, no. 3, 50-54.
"Dilys Laing," the Nation, vol. 190, no. 10, 212.
"Dilys Laing," Carleton Miscellany, vol. 4, no. 1, 9-13.
"French language and literature," American Peoples' Encyclopedia.
"The ‘Labor Novel’ that Sinclair Lewis never wrote: the curious and revealing saga of the phantom project that carried his greatest literary hopes," New York Herald Tribune Book Review, vol. 28, no. 26, I, 6.
"Letter," S4N, 2nd issue ; 3rd issue ; 7th issue.
"Lettre d’un Americain," La Pensie, n.s., no. 26, 128-130.
"Marcel Ayme: he throws rocks at sacred cows," New York Herald Tribune Book Review, August 13, 1961, p. 7.
"Note," S4N, 1st issue.
"On serious young men," S4N, 11th issue.
"An open letter to Sydney Hook," Dartmouth Quarterly, vol. 2, no. X, 3-6.
• reprinted: ibid., vol. 14, no. 2, 12-13, 16-17.
"Proust’s La Prisonniere," Explicator, vol. 8, no. 8, article 57
"Le rôle du corps électoral dans le gouvernement fédeéral des États-Unis." Toulouse, Impr. du Sud-Ouest, 1922.
"Sinclair Lewis and the ‘Labor Novel,’ " American Academy of Arts and Letters, National Institute of Arts and Letters. Proceedings, 2nd series, no. 2, 1952, p. 68-82.
"Stendhal’s "Le rouge et le noir," Explicator,", vol. 7, no. 5, article 40.
"Stevens’ "Lions in Sweden,"" Explicator, vol. 20, no. 4, article 32.
"Typesetter’s despair," S4N, 26th-29th issue, combined.

Poetry in periodicals and anthologies

"Billy and the once-upon: a cosmogony," Dartmouth Quarterly, vol. 9, no. 4, 10.
reprinted: Beloit Poetry Journal, vol. 8, no. 3, 31-32.
"The clown: he dances in the clearing by night," the Nation, vol. 185, no. 14. p. 37.
"The clown: oral examination," New York Times Book Review, vol. 65, no. 19, pt. 1, p. 2.
"The clown’s report on satyrs," the Nation, vol. 187, no. 17, p. 388.
"A comparison of angels," Carleton Miscellany, vol. 1, no. 1, pp. 76-77.
"L’enfance de la sirene," Poetry, vol. 100, no. 6, pp. 365-366.
"Europa," the Nation, vol. 185, no. 18. p. 408.
"Ezra Pound in Paris and elsewhere," the Nation, vol. 185, no. 16, p. 345.
"The fool and the beggar," Hermonite, vol. 27, no. 17, p. 304.
"Fragments of a travelog," Beloit Poetry Journal, vol. 8, no. 3. pp. 32-34
‘‘Garden-party," Saturday Review of Literature, vol. 2, no. 9, p. 149.
"In vino," S4N, 13th issue.
"Jan van Stuybrant," Hermonite, vol. 27, no. 16, p. 289.
"A lovely morning at Beaumont barracks," Hip Pocket Poems, no. 2, p. 21-22.
"Marchand d’habits," S4N, 24th issue.
"Megallesia," S4N, 26th-29th issue, combined.
"Melitta," S4N, 19th issue.
"Mermaids in Maine," Dartmouth Quarterly, vol. 9, no. I, 14-15.
reprinted: ibid., vol. 14, no. 2, 9.
"The mess of pottage," S4N, 4th issue.
"Mr. H. G. O’Brien as Endymion," S4N, 32nd issue, 12-20.
"More Helen," S4N, 16th issue.
"The pagan’s creed," S4N, 9th issue.
"The passing of Jehovah," S4N, 17th issue.
Readings from Graffiti, with introduction by Alexander Laing. Hanover, N. H., 1959.
Readings from Graffiti for Harvard Poetry Room, request of John Sweeney, May 23, 1961.
"Reasons," S4N, 21st issue.
"Recipe and introduction," Vox, vol. 1, no. 1, 13.
"Reflections on the future state of intellectual poets," S4N, i8th issue.
"The reseda and the rose," Dartmouth Quarterly, vol. j, no. 3.
"Richard Coeur-de-Lion," Bookman, vol. 64, pp. 424, 425
"Salonika," S4N, nth issue.
"Scarab," The independent poetry anthology, 1925.... , p. 70.
"Some aspect* of baroque architecture," Greensleeves, vol. 1, no. 1 pp. 18, 19
"Sonnet," S4N, 7th issue.
"Springsong in East Gruesome, Vt.," Carleton Miscellany, vol. 2, no. 1, pp. 42, 43.
"To and on other intellectual poets on reading that the U.S.A.F. had sent a team of scientists to Africa to learn why giraffes do not black out," the Nation, vol. 185, no. 13, p. 292.
"The triumph," S4N, 13th issue.
"Unveiling a statue to a one-time poet," the Nation, vol. 191, no. 11, p. 232.
"The upside-down bug," Vox, vol. 1, no. 1, pp. 13, 14.
"A word or two for war poets," S4N,12th issue.