Ramon Villegas
Ramon Nazareth Villegas more popularly known as Mon Villegas or Boy Villegas, was a Filipino curator, art historian, jeweller, author and poet. He was best known for chronicling the history of Philippine art and antiquities in various publications in both the Philippines and overseas. Villegas ran his own antique shop called Yamang Katutubo Artifacts and Crafts, which featured Philippine jewelry and antiques that closed its doors upon his death in 2017.
Early life and academic career
Villegas was born in Manila on 9 September 1953 to Rosendo Villegas and Illuminada Nazareth of Batangas, who was herself a jeweller. Their family are direct descendants of the Philippine revolutionary general Miguel Malvar, who was one of the last generals to surrender during the Philippine-American War.He finished his primary and secondary education at the La Salle Greenhills in 1966 and 1970 respectively, and graduated with a bachelor's degree in literature, with honors at the De La Salle University Manila in 1976. Later on, he served as an university lecturer teaching courses on Philippine literature and Philippine history. It was in this period, Villegas became part of the Galian sa Arte at Tula, a modernist group of like-minded poets that was spearheaded by the poet and academic Virgilio Almario, who subsequently be awarded as National Artist. The GAT was one of several literary organizations that fought against the martial law regime of Ferdinand Marcos through their literary writings. In 1987, Villegas along with other members of the GAT compiled their poems in an anthology titled Kamao: Panitikan ng Protesta 1970-1986 that was published in the aftermath of the People Power Revolution.
Recognition for Andres Bonifacio to be named as the first President of the Philippines
In 1994, in an essay titled Andres Bonifacio: Father of the Filipino Nation in a compiled publication, Tutuban: Progress and Transformation; Villegas along with fellow historians Milagros C. Guerrero and Emmanuel N. Encarnacion pushed for the recognition of Andres Bonifacio as the first President of the Philippines instead of Emilio Aguinaldo. Their thesis is based on his position of President or Supremo of the Katipunan revolutionary government from 1896–97 and state that Bonifacio having established a government through the Katipunan prior to the Tejeros Convention. In their research, the documents that predate the elections at Tejeros and the First Philippine Republic, Bonifacio is called the president of the "Tagalog Republic" or Haring Bayan. Later on, their thesis was revised and updated in an essay titled Andres Bonifacio and the 1896 Revolution published in the National Commission for Culture and the Arts magazine Sulyap Kultura on with updated sources and information. The controversy on their proposal to recognize Bonifacio as the first Philippine President has since gained significant traction through the years, particularly during the 150th birth anniversary celebrations in 2013 with several academic sectors backing the proposal.Art historian and curator
Keen on his interests in art and antiquities, Villegas left the academe and pursued a career as an art historian. In 1983, Villegas published his first important publication on Philippine gold and jewelry, Kayamanan: The Philippine Jewelry Tradition for the Bangko Sentral ng Pilipinas, one of four publications for the monetary authority detailing on their various holdings of Philippine art and antiquities. In 2005, Villegas, along with gallerist Evita Sarenas and fellow art dealer Pacifico Gonzales, Jr. helped catalogued and appraised the entire BSP fine art collection. Villegas served as the permanent curator for the BSP gold and pottery collection that was previously exhibited at the Metropolitan Museum of Manila. Prior to his death, he served as the editor to Likha - Enduring Legacies of Filipino Artistry: The Decorative Arts Collection of the Bangko Sentral ng Pilipinas that catalogued the collection of Philippine decorative arts of the BSP and was published in 2017.He also served in various capacities as an independent curator, and consultant for several public institutions including the Intramuros Administration, the Lopez Museum, the National Museum of the Philippines, the National Historical Commission of the Philippines, the Ayala Museum and the Museo De La Salle of the De La Salle University – Dasmariñas. Villegas served as an art advisor and helped appraised private collections held by the Ayala Corporation, the Bank of the Philippine Islands, Banco de Oro, PHINMA and the United Coconut Planters Bank. He has also worked for the Asia Society, the Asian Civilizations Museum, the Musée du quai Branly – Jacques Chirac, and other leading international institutions.
As a leading curator and consultant, Villegas has help mount important international exhibitions on Philippine art and antiquities including Trésors des Philippines: Un archipel de rites at the Muséum national d'histoire naturelle in Paris, The Sheer Realities: A Celebration of Philippine Culture at the Grey Art Gallery in New York and the landmark exhibition on Philippine pre-Hispanic gold, Philippines, archipel des échanges at the Musée du quai Branly – Jacques Chirac.
Antiquities dealer, jeweller and gallerist
Since his childhood, Villegas took a keen interest in jewelry making with his experiences his family's own jewelry shop, Capricci. He later took ownership of the said jewelry shop, and was later renamed as Capricci Jewellers and Goldsmiths that specialized in contemporary jewelry designs and was situated at the Manila Garden Hotel. Villegas' own appreciation on Philippine art and antiquities in turn led to his career as an antiquities dealer. He later on established Yamang Katutubo Artifacts and Crafts a shop centered on Philippine antiques, that subsequently transferred to the La'O Center in Makati City that continued until his death in 2017.In 1981, Villegas along with like-minded dealers including Terry Baylosis, Felix C. Sta. Maria, Edd Fuentes, Romeo Bauzon and Osmundo Esguerra amongst others established the Antique Dealers Association of the Philippines and served as its founding president and subsequently served as its chairman. Through their efforts, the ADAP organized the Manila Arts & Antiques Exhibition, one of the first Philippine antiquities fair in 1982 and published its own exhibition catalogue, with Villegas as its main editor.
Villegas serving as an appraiser and art advisor cultivated a following amongst prominent Filipino collectors including Maria Theresa Virata, Richard and Sandra Lopez, interior designer Johnny Ramirez, Claude Mark Wilson amongst others.
Amongst the important collectors that Villegas represented through his career, his close association with Philippine art collector Paulino Que has been considered as one of his most enduring contributions in Philippine art. Through his expertises and advice on Philippine art, the Que collection is considered as one of the important private art collections in Southeast Asia. Villegas subsequently wrote two cover issues for the international art and antiquities magazine Arts of Asia that featured the Que collections of Philippine colonial furniture in 1991 and their collection of Philippine modern and contemporary art in 2004 respectively.
In 2013, Villegas collated important works of National Artist Hernando R. Ocampo from the Que collection and mounted a special retrospective on the artist called The Real H.R. Ocampo: From the Paulino Que Collection at the Ayala Museum.
In 2005, Villegas along with gallerist Evita Sarenas of Finale Art File started Finale Auctions, one of the first modern auction houses centered on Philippine contemporary art which held a total of 13 auctions. From 2013 until his death in 2017, Villegas later served as a historical consultant for Leon Gallery Fine Art and Antiques, one of the leading auction houses in the Philippines and wrote essays on Philippine art, colonial art and colonial furniture for their auction catalogues.