Lev’s early piano studies were with Waiter Ruel Cowles in New Haven, Connecticut and Gaston Déthier in New York. She made her debut at age 17 in England performing Tchaikovsky's Piano Concerto No. 1 under Sir Landon Ronald. After winning the American Matthay Prize and the Philharmonic Symphony Scholarship, she studied with Tobias Matthay in England from 1930 to 1933. Thereafter, Lev returned to the United States, where she made her New York debut in 1934 with the National Orchestral Association. Her annual recitals in Carnegie Hall were generally sold out; she also toured successfully in Europe, the United States, and Canada and performed on radio network broadcasts. In one such Carnegie Hall recital, on November 10, 1944, Lev gave the first complete traversal ever presented in that venue of the Six Pieces, op. 118 of Johannes Brahms. Lev also was a champion of modern works. For instance, in November 1945, again at Carnegie Hall, she gave the premiere of Louise Talma'sAlleluia in Form of a Toccata and of 24-year-old Douglas Townsend'sSonatina No. 1, which she repeated in a March 31, 1946 recital at New York Times Hall broadcast live over WNYC. A November 1948 Carnegie Hall recital included the Hora movement from the 1937 Chassidic Suite of Jakob Schönberg. Lev gave two command performances in London, England, performed for US President Franklin D. Roosevelt, and earned seven citations for patriotic service by extensively performing for US and allied armed forces during World War II. In 1948, however, she took a step that would negate the benefits of these public-spirited activities and that effectively would put an end to the progress of her career: she joined 31 other American musicians, artists, and writers in signing an open letter of solidarity with twelve Russian writers who had called for fellow Communists to declare themselves publicly. As a result, in 1950 she had the dubious distinction of being the sole classical pianist named in the Red Channels list of alleged communist sympathizers during the American Red Scare. Little information about her appears thereafter, and her name is largely forgotten today, although one reference suggests that she continued playing throughout her remaining life, including nearly annual Carnegie Hall recitals, and performed the Schumann Piano Concerto in April 1968, a month before her death. Some support for the former claim can be found in the Fall 1958 Juilliard Review, which indicates that on April 8 of that year she performed the premiere of Toccata for Piano by Juilliard alumnus Wallingford Riegger at Carnegie Hall. Presumably, however, she became primarily a teacher; her students include Aki Takahashi, Sophia Rosoff, and the currently active American pianists Joel Sachs and Miriam Brickman.
Carnegie Hall
Ray Lev appeared in recital at Carnegie Hall nine times between 1941 and 1967, and gave many more performances as a featured soloist in both orchestral and benefit concerts. Flyers for Lev's recitals are housed in the Carnegie Hall Archives, and feature both a promo photo taken by Eliascheff and a reproduction of a 1950 painting by Raphael Soyer.
Recordings
In a 78 RPM set released by Musicraft Records in early 1939, Lev and clarinettist David Weber collaborated in the first recording of the Brahms Sonata in F minor, op. 120 no. 1, in its original instrumentation for clarinet and piano. After World War II, Lev began making phonograph records for the Concert Hall Society label, issued first on 78 RPM disks and then on LPs. She set down some adventurous literature for the day, including Schubert’sPiano Sonata in C Major, D. 840 with the completion by Ernst Krenek, probably otherwise represented on records in this form only by the slightly later performance of Friedrich Wührer on Vox. Her recording has not appeared on compact disc, although Wührer's has received a private CD release copied from LP. Lev’s records that have achieved CD reissue include her 1946 account of Bach’s Concerto No. 5 in D minor after Vivaldi’s op. 3, no. 11, BWV 596, in her own transcription, and a waltz by Sergei Prokofiev, no. 2 from his Music for Children, op. 65.
