Really Free Band
Really Free Band were a British Christian Rock band from 1973–1990.
The band originally played under the name Really Free and later Really Free Band, then abbreviated to RFB. The name is a reference to the New Testament bible verse John 8:36.
Really Free Band toured in the UK, Europe and the USA, and performed at the inaugural Greenbelt Festival in 1974.
Musical Styles
The overall continuity in musical direction was provided by Cliff Bergdahl, who has a university degree in music. Given the changes in musician members over the years, the band's style tended to reflect a blend of his evolving personal preferences, the aspirations/abilities of the extent musicians, and a contemporary selection of material intended to appeal musically to the intended audience - while containing some explicitly Christian content.Inspired initially by the bright, jangling guitar-based sound of mid-1960's British beat, Really Free looked to incorporate elements of musical grit as well as a light-touch of prog rock - all of this with a background influence of 1970s Americana that manifested more in the use of strong melody and harmony vocals than in the repertoire. There was some influence from reggae. In some ways the style was defined by what it was not: Cliff wanted to create an authentically British sound that could incorporate the excitement of rock music without the decadence of glam rock, the drug associations of psychedelia, the hedonism of disco, the oblivion of heavy metal or the nihilism of punk.
In a typical live concert setting, Really Free would deliver a mixed programme of mostly original high energy, guitar-based melodic rock songs, some current pop charts hits or rock 'n' roll standards, interspersed with a solo acoustic song and a more progressive, reflective instrumental work. There would sometimes be a drum solo included in the set. They aimed to play at least one song in three that the audience would know and like. Some songs had specifically religious gospel content, others were providing social commentary and others were included simply for fun.
In the full-time period, Really Free would compare themselves to Wishbone Ash or Thin Lizzy, both bands having a distinctive twin lead guitar sound.
Theology
Cliff Bergdahl is an ordained minister in the Presbyterian Church Cliff attained theological qualifications at London Bible College which was an extra-mural college of the University of London.particularly among young people and using music. For many years he was a member of British Youth for Christ which provided a level of local oversight and authentication to enable working in cooperation with churches.Cliff’s personal theology set the tone for the group which was broadly in the Low Church Protestant Reformed tradition. The group members were variously enthusiastic or struggling believers, but generally without the benefit of formal theological education. They would often pray or read the Bible before concerts or in band meetings.
Really Free operated on two levels as a band:
- It was a collaborative working environment in which young men could grow musically and spiritually, bonding by participating in the excitement and practical difficulties of outreach work.
- It presented a direct Christian voice into the audiences, mostly outside of a church context. “Who are the prophets of today?” was a question that Cliff challenged members with on more than one occasion, the implicit answer being - “musicians”.
Cliff understood that “you have to earn the right to be heard” and at some point in a full-evening concert, there would usually be a few minute’s personal Christian testimony from band members. Audience members were encouraged to meet the band after the show and discuss spiritual matters. There was also opportunity for people to follow-up via a postcard contact scheme that could direct them towards a local Christian church. In this scenario, the practical theology was operating in the expectation of inform-challenge-commit type of evangelical conversion, which had been the personal experience elsewhere for at least some of the band members.
Cliff introduced the band to the concepts of gradual growth towards Christian commitment, with necessary preliminary steps of a generalized awakening of spiritual dimension to life and a basic knowledge of Christ. The band was to focus on these ‘pre-evangelism’ stages with the intent that churches would undertake to encourage people on a long-term basis with the embrace of a Christian community that an itinerant rock band could not provide.
MUSICIANS
1973 - 1990.- Mick Almond 1977-1978.
- Steve Ayre 1979-80.
- Cliff Bergdahl 1973-1990.
- Denis Blackham 1975.
- Jon Blake 1976.
- Tim Bliss 1976.
- Matt Brown 1984-88.
- Steve Cockburn 1973.
- Gary Cunningham 1973- 1974, 1977-1980.
- Nigel Gibbons 1975.
- Valerio de Laurenzi 1984-1990
- Pete 'Bill' Downs 1977-78.
- Gary Hitchens 1976
- Simon Law 1975.
- Mark Millin 1973-1974.
- Andy Meek 1979 - 1981.
- Duncan Paulsen 1988.
- Dave Rix 1973-1974.
- Bern Stiver 1973.
- Alan White 1984-1990
- Simon Dennis -1990
- Paul Simpson 1973
CREW
- Martin Brooks 1977-80.
- Roger Hazelgrove 1986-1990.
- Rob Hibbert 1977-80.
- Bob Morris 1979-80.
- Bob Smith 1975-1977.
- Geoff Stone 1984-1986.
- Peter Swartz 1978.
- Neil Watkins 1973-74.
TIMELINE
Discography
Singles (7" vinyl)
- Ethiopian Child
- New Day Dawning
Albums
- Reverence,
- Jesus Our Love and
- Never Surrender.
Equipment
- Andy - Hiwatt 100W bass valve head with 4x12 cabinet; Burns bass guitar, Guild B301 bass guitar, 12-string acoustic guitar.
- Cliff - Hiwatt 50W 2x12 valve combo amplifier and Selmer Twin amplifier; Yamaha B10AR organ, Yamaha EP30 electric keyboard, Hohner Pianette, Gem Instapiano; Davoli speaker; Gibson ES-330 guitar, Gibson Silverburst Les Paul guitar, Burns Tri-Sonic guitar, over-sprayed silver, Ned Callan electric guitar, Fender Stratocaster guitar, Fender Telecaster guitar, Grimshaw electric guitar, Harmony Sovereign acoustic guitar; WEM Copycat echo, Schaller Roto-Sound,Coloursound Overdrive and Chorus pedals.
- Garry Cunningham - Hiwatt 50W 2x12 valve combo; Gibson SG guitar with Bigsby tailpiece, EKO acoustic guitar; WEM copycat echo, Coloursound Overdrive and Chorus pedals.