After a car accident that left her unable to have children, Shannon and her husband, Steven, decide to adopt a Haitian girl, Nina, orphaned after the 2010 earthquake, through the IRA, an organization run by Gabrielle Reigert and based in Puerto Rico. Having paid $60,000, the two move to a resort while they wait for Nina's United States passport to arrive. Steven takes an instant dislike at his neighbors, Benjamin, Salo, and Paola, especially after a misunderstanding with Salo at a bar, where he tells them about Nina, leads to a fight. Two days after the adoption, the couple wakes up to discover that Nina has disappeared. They begin their search and contact a policeman who tells them that their adoption documents are not recorded, while the IRA's headquarters in Old San Juan has been deserted. Steven admits that Reigert had demanded an additional $30,000 as part of the adoption cost, which he did not tell to Shannon beforehand. Benjamin then suggests that the IRA is a confidence schemer which offers orphans to unsuspecting couples in exchange for a hefty sum of money, only to take them away just a few days afterward. That night, Steven and Shannon are kidnapped by Benjamin and his aides, who reveal themselves to be child traffickers working for Reigert. Holding Nina, they force the couple to send their entire savings, which is largely compensation for the car accident that left them unable to conceive. The next day, Steven heads to the bank at gunpoint to collect the savings. Having taken note that Benjamin's mansion was in Maunabo, he escapes back to the mansion with the money from Salo. Meanwhile, Shannon breaks free from her captivity, takes Nina, then distracts Paola long enough for Steven to take her gun and vehicle to facilitate his escape with his wife and Nina. They are pursued by Benjamin and Salo, though the latter is killed when a truck hits his car. After a chase, Benjamin crashes his car and is presumed dead, while the couple and Nina narrowly avoid falling from a steep cliff. The three are escorted back by the policeman, but he is killed by Benjamin who, having survived his crash, knocks Steven unconscious before taking them to Riegert's villa. A dispute regarding his shares of the money causes Benjamin to shoot Riegert dead. Steven recovers and follows Benjamin, who chases Shannon and Nina into a decrepit building. Just before he is able to murder Shannon, Steven arrives and kills Benjamin. The couple then convinces Nina, traumatized by the incident, to put down the gun she took and live with them. The film ends with a text showing the viewers that 1.2 million children are being trafficked each year with a quote: "They are invisible and they are everywhere."
Cast
John Cusack as Benjamin
Ryan Phillippe as Steven Mayer - Father
Rachelle Lefevre as Shannon Mayer - Mother
Briana Roy as Nina - Haitian orphan
Jacki Weaver as Gabrielle Reigert - Adoption director
Plans to film Reclaim were announced in 2013 and White was set to direct the film, which was initially intended to take place in Australia. This was later changed after Screen Australia declined the film's investment pitch and the filming and setting was changed to take place in Puerto Rico. Filming took place in late 2013 over a period of 23 days, which Lefevre has described as "intense". Child actress Roy commented on her role, stating that she found the hardest part to be "speaking all the languages, French, Creole and English.“
Reception
On review aggregatorRotten Tomatoes, the film holds an approval rating of 0% based on 10 reviews, with an average rating of 2.87/10. On Metacritic, the film has a weighted average score of 26 out of 100, based on 7 critics, indicating "generally unfavorable reviews". Much of the negative criticism centered around the film's plot, which many reviewers found too overly familiar and formulaic. Reviewers did praise the film's acting and scenery, with The Hollywood Reporter highlighting child star Brianna Roy out as a highlight. The Los Angeles Times criticized the movie for its script, writing "Carmine Gaeta and Luke Davies' screenplay is constructed from plot mechanics, and the emotional stakes grow less convincing with every twist of the screw."
