Rewind is the annual year-in-reviewissue of The Wire, a British music magazine founded in 1982. The year-end issues have been published every January since 1986, adopting the current "Rewind" title in 1997. Each year-end issue has included an annual critics' poll, collating critics' ballots into a list of the year's best releases. The polls survey writers affiliated with the magazine. Across its history, critics' polls in The Wire have tended to reflect the magazine's eclectic, avant-garde sensibility and coverage of experimental music across a broad variety of genres. The magazine's first few polls were limited to selecting the bestjazz LP of the year, in accordance with its original focus on jazz music. As the magazine's coverage expanded it began incorporating other lists of the best albums in selected non-jazz genres, but kept the jazz poll at the centre. In 1990 the magazine had its first all-genre poll, and the following year the main poll opened to include albums from any musical genre. Beginning in 2011, the main poll expanded to encompass not only albums, but any musical release of any length in any conceivable format. Nevertheless, the poll has typically continued to emphasise releases from the album format above all others.
History
1985–1991: jazz era
The early polls were limited to jazz albums, mirroring the magazine's focus at that time, but the purview gradually expanded; by 1990, the main jazz list was published alongside lists for blues, Latin music, "composition" and "suspect rock". The magazine published an all-genre poll for the first time in 1991, a so-called "open vote 'beyond' category" that was still subordinate to the "main" list of jazz and improvised releases. The Mix, a remix album by German electronic group Kraftwerk, was the first release to top an all-genre poll.
In 1992, The Wire stopped privileging its jazz poll and instead began to designate its all-genre poll as its primary year-end list. The blurb accompanying that year's poll announced that the "main chart takes the form of an all-inclusive, open-ended category—contributors were asked to vote for their favourite records across all genres, from jazz to Techno, opera to Africa, metal to Minimalism." The magazine continued to publish genre-specific lists, including for jazz. In 1993, The Wire started calling its all-genre poll the "Record of the Year".
In 2011, The Wire switched the name of its annual critics' poll from Records of the Year to Releases of the Year. The change meant that critics could cast votes for "any self-contained audio entity, be it a vinyl LP, 12"EP, cassette, CD, download, mixtape, etc." Editor-in-chief Tony Herrington explained the reasoning and observed how it had changed critics' submissions:
