Rip Van Winkle


"Rip Van Winkle" is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who meets mysterious Dutchmen, imbibes their liquor and falls asleep in the Catskill Mountains. He awakes 20 years later to a very changed world, having missed the American Revolution.
Inspired by a conversation on nostalgia with his American expatriate brother-in-law, Irving wrote the story while temporarily living in Birmingham, England. It was published in his collection, The Sketch Book of Geoffrey Crayon, Gent. While the story is set in New York's Catskill Mountains near where Irving later took up residence, he admitted, "When I wrote the story, I had never been on the Catskills."

Plot

"Rip Van Winkle" is set in the years before and after the American Revolutionary War in a village at the foot of New York's Catskill Mountains where Rip Van Winkle, a Dutch-American villager, lives. One autumn day, Van Winkle wanders into the mountains with his dog Wolf to escape his wife's nagging. He hears his name called out and sees a man wearing antiquated Dutch clothing; he is carrying a keg up the mountain and requires help. Together, the men and Wolf proceed to a hollow in which Rip discovers the source of thunderous noises: a group of ornately dressed, silent, bearded men who are playing nine-pins.
Van Winkle does not ask who they are or how they know his name. Instead, he begins to drink some of their liquor and soon falls asleep. When he awakens on the mountain, he discovers shocking changes: his musket is rotting and rusty, his beard is a foot long, and his dog is nowhere to be found. He returns to his village, where he recognizes no one. He arrives just after an election, and people ask how he voted. Never having cast a ballot in his life, he proclaims himself a faithful subject of King George III, unaware that the American Revolution has taken place, and nearly gets himself into trouble with the townspeople until one elderly woman recognizes him as the long-lost Rip Van Winkle.
King George's portrait on the inn's sign has been replaced with one of George Washington. Van Winkle learns that most of his friends were killed fighting in the American Revolution. He is also disturbed to find another man called Rip Van Winkle; it is his son, now grown up. Van Winkle also discovers that his wife died some time ago but is not saddened by the news. He learns that the men whom he met in the mountains are rumored to be the ghosts of Henry Hudson's crew from his ship, the Halve Maen. He also realizes that he has been away from the village for at least 20 years. His grown daughter takes him in and he resumes his usual idleness. His strange tale is solemnly taken to heart by the Dutch settlers, particularly by the children who say that, whenever thunder is heard, the men in the mountains must be playing nine-pins.

Characters

After a failed business venture with his brothers, Irving filed for bankruptcy in 1818. Despondent, he turned to writing for possible financial support, although he had difficulty thinking of stories to write. He stayed in Birmingham, England where his brother-in-law Henry Van Wart had opened a trading firm. The two were reminiscing in June 1818 when Irving was suddenly inspired by their nostalgic conversation. Irving locked himself in his room and wrote non-stop all night. As he said, he felt like a man waking from a long sleep. He presented the first draft of "Rip Van Winkle" to the Van Wart family over breakfast.
"Rip Van Winkle" was one of the first stories Irving proposed for his new book, The Sketch Book of Geoffrey Crayon, Gent. Irving asked his brother Ebeneezer to assist with publication in the United States. As Irving wrote, "I shall feel very anxious to hear of the success of this first re-appearance on the literary stage – Should it be successful, I trust I shall be able henceforth to keep up an occasional fire." 2,000 copies of the first octavo-sized installment, which included "Rip Van Winkle", were released on June 23, 1819, in Baltimore, Boston, New York, and Philadelphia, published by Cornelius S. Van Winkle, and sold at a somewhat expensive 75 cents. A British edition was published shortly afterward, by John Miller, who went out of business immediately thereafter. With help from his friend Walter Scott, Irving was able to convince John Murray to take over British publication of the Sketch Book.
Following the success of Rip Van Winkle in print and on stage, later celebrated editions were illustrated by Arthur Rackham and N.C. Wyeth.

Themes and literary forerunners

In the tenth chapter of his book Lives and Opinions of Eminent Philosophers, the third-century AD Greek historian Diogenes Laërtius relates the story of the legendary sage Epimenides of Knossos, who was said to have been a shepherd on the island of Krete. One day, Epimenides followed after a sheep that had wandered off and, after becoming tired, went into a cave under Mount Ida and fell asleep. When he awoke, he continued searching for the sheep, but could not find it, so he returned to his father's farm, only to discover that it was under new ownership. He went home, only to discover that the people there did not know him. Finally, he encountered his younger brother, who had become an old man, and learned that he had been asleep in the cave for fifty-seven years. According to the different sources that Diogenes relates, Epimenides lived to be 154, 157, or 299 years old. Multiple sources have identified the story of Epimenides as the earliest known variant of the "Rip Van Winkle" fairy tale.
In Christian tradition, there is a similar, well-known story of "The Seven Sleepers of Ephesus", which recounts a group of early Christians who hid in a cave circa 250 AD, to escape the persecution of Christians during the reign of the Roman emperor Decius. They fell into a miraculous sleep and woke some 200 years later during the reign of Theodosius II, to discover that the city and the whole Empire had become Christian. This Christian story is recounted by Islam and appears in a famous Sura of the Quran, Sura Al-Kahf. The version recalls a group of young monotheists escaping from persecution within a cave and emerging hundreds of years later.
Another similar story in the Islamic tradition is of Uzair whose grief at the Destruction of Jerusalem by the Babylonians was so great that God took his soul and brought him back to life after Jerusalem was reconstructed. He rode on his revived donkey and entered his native place. But the people did not recognize him, nor did his household, except the maid, who was now an old blind woman. He prayed to God to cure her blindness and she could see again. He meets his son who recognized him by a mole between his shoulders and was older than he was..
In Judaism, there is the story of Honi ha-M'agel, a miracle-working sage of the 1st century BC, who was a historical character but to whom various myths were attached. One of them recounts that Honi was journeying on the road and he saw a man planting a carob tree. He asked him: How long does it take to bear fruit? The man replied: Seventy years. ha-M'agel then further asked the man: Are you certain that you will live another seventy years? The man replied: No. But I am planting this not for myself, but for the other generations to come after me and the generations to follow those. Honi then shrugged as he walked away from the man. Later that day, he sat down to take a rest. But he slept for seventy years, and rocks had formed a tent-like structure around him. When he woke, he saw a man picking a tree with carobs all over it. He asked: Are you the man that planted this tree? The man replied: No. But my father told me that his father planted this tree for me.
The story of "Rip Van Winkle" itself is widely thought to have been based on Johann Karl Christoph Nachtigal's German folktale "Peter Klaus", which is a shorter story set in a German village. It tells of a goatherd named Peter Klaus who goes looking for a lost goat. He finds some men drinking in the woods and, after drinking some of their wine, he falls asleep. When he wakes back up, twenty years have passed.
In many ways, the story is a classic European fairy tale of a man who is actually rewarded for helping the fairies move their barrel. They advance him to a time in life where he is free of his nagging wife and is now old enough for it be respectable for him to take it easy and play with children, working when he wants to instead of when he has to, supported by his loving, grown children. The theme of independence is also explored; the young Van Winkle lives in British America and is a subject of the King; the old Van Winkle awakes in a country independent of the Crown. On a personal level, the awakened Van Winkle has gained another form of "independence": being widowered from his shrewish wife.
In Orkney, there is a similar folktale linked to the burial mound of Salt Knowe, adjacent to the Ring of Brodgar. A drunken fiddler on his way home hears music from the mound. He finds a way in and finds the trowes having a party. He stays and plays for two hours, then makes his way home to Stenness, where he discovers 50 years have passed. The Orkney Rangers believe this may be one source for Washington Irving's tale because his father was an Orcadian from the island of Shapinsay and would almost certainly have known the story.
In Ireland, the story of Niamh and Oisin has a similar theme. Oisin falls in love with the beautiful Niamh and leaves with her on her snow white horse, bound for Tir Na nOg – the land of the ever-young. Missing his family and friends, he asks to pay them a visit. Niamh lends him her horse, warning him never to dismount, and he travels back to Ireland. But 300 years have passed; his family and fellow warriors are all dead. When Oisin encounters some men trying to move a boulder, he reaches down to help them, the girth of the horse's saddle snaps, and he falls to the ground. Before the watching eyes of the men, he becomes a very, very old man.
Author Joe Gioia suggests the basic plot strongly resembles, and may have originated with, an upstate New York Seneca legend of a young squirrel hunter who encounters the mystic "Little People", and after a night with them returns to his village to find it overgrown by forest and everyone gone: that single night had lasted a year.
The story also bears some similarities to stories from east Asia, including the third century AD Chinese tale of "Ranka", as retold by Lionel Giles in A Gallery of Chinese Immortals, and the eighth-century Japanese tale "Urashima Tarō". The Hindu story of Muchukunda from the Bhagavatam also displays many similarities to the story of "Rip Van Winkle".
The theme is taken up in numerous modern works of science fiction. In H. G. Wells's The Sleeper Awakes, a man who sleeps for two hundred and three years wakes up in a completely transformed London where he has become the richest man in the world. In the original Buck Rogers book, the protagonist falls asleep under the influence of a gas in a mine, sleeps for four centuries and wakes to find America under the rule of Mongol invaders – whereupon he places himself at the head of the freedom fighters. In Roger Zelazny's science-fantasy series The Chronicles of Amber, protagonist Corwyn experiences drinking and revelry in an underground lair with otherworldly people who try to entice him into slumber; he knows this is a centuries-of-sleep trap and resists; the passage is similar in theme to both "Rip Van Winkle" and especially the Orkney story.
Albert Einstein's theory of relativity, under which a person traveling at near light speed would experience only the passage of a few years but would return to find centuries had passed on Earth, provides a broad new scope to express essentially the same literary theme – for example, in the opening chapter of Ursula K. Le Guin's Rocannon's World. In Robert Heinlein's Time for the Stars, Earth sends out a fleet of relativistic ships to explore the galaxy, their crews hailed as stalwart pioneers – but after a century, which they experience as only a few years, faster-than-light ships are developed and the earlier ones are recalled, their crews discovering that they had become unwanted anachronisms on a changed Earth. The protagonist notices a newspaper headline disparagingly announcing the arrival of himself and his shipmates as "yet another crew of Rip Van Winkles". The Queen song '39 is similarly a tale of relativistic space travelers returning to their home planet to find a century has elapsed.

Adaptations

The story has been adapted for other media for the last two centuries, in cartoons, films, stage plays, music, and other media.

Theater

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