Robin Hood: Men in Tights is a 1993 American musicaladventure comedy film and a parody of the Robin Hood story. The film was produced and directed by Mel Brooks, co-written by Brooks, Evan Chandler, and J. David Shapiro based on a story by Chandler and Shapiro, and stars Cary Elwes, Richard Lewis, and Dave Chappelle in his film debut. It includes frequent comedic references to previous Robin Hood films. The film also features Brooks in a minor role; the first time he had appeared in one of his own films in which he does not receive top billing or play the lead role since Young Frankenstein. In addition to Brooks, it features cameos from Brooks regulars Dom DeLuise, Dick Van Patten, and Rudy De Luca.
Plot
Robin of Loxley is captured during the Crusades and is imprisoned in Jerusalem. With the help of fellow inmate Asneeze, he escapes and frees the other inmates. Upon returning to England, Robin finds Asneeze's son, Ahchoo, and discovers that Prince John has assumed control while King Richard is away fighting in the Crusades. Unbeknownst to Richard, the prince is abusing his power. Robin returns to his family home, Loxley Hall, only to find it being repossessed by John's men. His family's blind servant, Blinkin, informs Robin that his family is dead, and his father left him a key which opens "the greatest treasure in all the land." Robin recruits Little John and Will ScarletO'Hara to help regain his father's land and oust Prince John from the throne. On his quest, Robin attracts the attention of Maid Marian of Bagelle, who wants to find the man who has the key to her Everlastchastity belt. They are also joined by Rabbi Tuckman, who shares with them his sacramental wine and bargain circumcisions. While Robin is training his band of tights-clad Merry Men, the spoonerism-spouting Sheriff of Rottingham hires the Mafioso Don Giovanni to assassinate Robin at the Spring Festival. They plan to hold an archery tournament to attract Robin. Maid Marian hears of the plot, and sneaks out of her castle to warn Robin, accompanied by her German lady-in-waiting Broomhilde. At the archery tournament, a disguised Robin makes it to the final round, but loses after his arrow is split in two by his opponent. Robin reviews the movie's script to discover that he gets another shot. Giovanni's assassin attempts to kill Robin by shooting at him with a scoped crossbow, but Blinkin catches the arrow in midair. Robin then takes the second shot, this time using a special "PATRIOT arrow" and hits the target. Robin is arrested, with Marian promising to marry the Sheriff in order to spare Robin's life. Robin and the Merry Men interrupt the wedding between the Sheriff and Maid Marian. Marian is carried off to the tower by the Sheriff, who wants to deflower her but cannot open her chastity belt. Robin arrives and begins to duel the sheriff, during which Robin's key falls into the lock of Marian's chastity belt. After winning the fight Robin spares the Sheriff's life only to miss his sheath and accidentally run the Sheriff through. The witch Latrine, Prince John's cook and adviser, saves him by giving him a magical Life Saver in exchange for marriage. Before Robin and Marian can attempt to open the lock, Broomhilde arrives, insisting they get married first. Rabbi Tuckman conducts the ceremony, but they are suddenly interrupted by King Richard, recently returned from the Crusades, who orders Prince John to be taken away to the Tower of London and made part of the tour. Robin and Marian are married, and Ahchoo is made the new sheriff of Rottingham. That night, Robin and Maid Marian attempt to open the chastity belt, only to realize his key will not open the lock.
of The New York Times wrote, "What's missing is the kind of densely packed comic screenplay that helped to make Young Frankenstein and High Anxiety two of the most delectable movie parodies of the last 20 years. Men in Tights has the manner of something that wasn't argued over long enough. A few good gags are supplemented by dozens of others that still need to be worked on or tossed out entirely." Caryn James wrote, "Men in Tights is not as relentlessly clever and comic as his '70s films, but its funniest moments prove that Mr. Brooks has not lost his shrewd, nutty irreverence." Gene Siskel of the Chicago Tribune gave the film half of one star out of four and called it "a most disappointing Mel Brooks movie parody that suggests that the once hilarious Brooks has lost his way. The pacing is agonizingly slow, and many of the jokes are recycled from his earlier, better work." Rita Kempley of The Washington Post called it "a pointless and untimely lampoon of Robin Hood: Prince of Thieves from the increasingly creaky spoofmeister Mel Brooks." Peter Rainer of the Los Angeles Times was mixed, writing that "what's enjoyable about the best parts of Men in Tights is its grab-bag, throwaway style", but also finding "something a little dutiful and desperate about portions of the film, as if Brooks were trying to capture an audience he didn't really connect with." Jay Boyar of the Orlando Sentinel called the film "crashingly unfunny" and a sign that "the 67-year old comedian's sense of humor isn't nearly as sharp as it once was." In his book, Reel Bad Arabs, Jack Shaheen saw the movie positively, describing it as a "funny fable" that spoofs Robin Hood: Prince of Thieves, containing "harmless visual and verbal puns". On review aggregator website Rotten Tomatoes, the film holds an approval rating of 40%, based on 42 reviews, and an average rating of 5.04/10. The critical consensus reads: "Undisciplined, scatological, profoundly silly, and often utterly groan-worthy, Robin Hood: Men in Tights still has an amiable, anything-goes goofiness that has made it a cult favorite." In more modern times, however, the film has developed a cult following.
Box office
Robin Hood: Men in Tights was not one of Brooks's best grossing films in its theatrical release, though Brooks mentions that it and Spaceballs are his two top selling films on video in a DVD interview for the latter film. The film debuted at number 6 at the North American box office, with only $6.8 million. The film went on to gross a domestic total of $35.7 million.
