Roger Ingram


Roger O'Neal Ingram is a jazz trumpeter, educator, author, and instrument designer. He played trumpet for the orchestras of Maynard Ferguson, Woody Herman, Wynton Marsalis, Ray Charles, and Harry Connick Jr.

Early life

The youngest of three children, Ingram was born November 13, 1957 in Pasadena, California. His mother ran the household and worked as a tailor and dressmaker from their home in Eagle Rock, Los Angeles; his father was a freelance artist, actor, and musician. His father worked as a staff animator on early Popeye cartoons and several early Disney animations, including the movie Fantasia. He hosted a radio show in Los Angeles in the 1930s, singing and playing ukulele. During the 1940s and 50's he worked in Hollywood as a singer and actor and was in over thirty movie and TV shows, including Gentlemen Prefer Blondes, Superman, and Titanic.
He played saxophone and harmonica and brought Ingram to hear Louis Armstrong, Harry James, Duke Ellington, Count Basie, Al Hirt, Buddy Rich, Barney Bigard, Jack Teagarden, Kid Ory, Woody Herman, Rafael Méndez, and Teddy Buckner. He gave Ingram his first trumpet and mouthpiece in 1965. The horn is a bare, brass trumpet made in American-occupied post-war Japan. The bell is stamped "Koondr, Kailangan Tokyo."
Ingram began playing the trumpet at age eight. Growing up in Los Angeles, he became acquainted with Hollywood session trumpeters. Many of these introductions came through John Rinaldo, his band director at Eagle Rock High School. Rinaldo's jazz program included others who went on to become professionals, such as drummers Carlos Vega and Sam Wiley, bassists Scott Colley and David Stone, guitarist Larry Koonse, saxophonists Doug Rinaldo, Brian Mitchell, and Gary Hypes, trombonists Arturo Velasco and Luis Bonilla, pianist Guy Steiner, and trumpeters Bobby Muzingo and Buddy Gordon. Through Rinaldo, Ingram was able to meet and study with Bobby Shew and Laroon Holt. Ingram's teachers included Bud Brisbois, Mannie Klein, Roy Stevens, Don Raffell, Bobby Findley, Carmine Caruso, Reynold Schilke, James Stamp, Uan Rasey, Mel Broiles, and Dan Jacobs.

Career

Early performing

At sixteen, Ingram toured with Louie Bellson, sharing section duties with Blue Mitchell, Bobby Shew, Cat Anderson, and Frank Szabo. His first international gigs were with that group during the 1974 Belvedere King Size Jazz Festival Tour at Varsity Stadium in Toronto, the Winnipeg Arena in Winnipeg, and the Pacific Coliseum in Vancouver, Canada. After his stint with Bellson, he graduated from high school and then joined Quincy Jones or a fall tour. After that tour, he spent a year touring with Connie Stevens, playing lead trumpet for the first time.
At eighteen, Ingram played first trumpet with singer Tom Jones and toured with him for six years. After that, he moved to Las Vegas, where for two years he gained experience playing on the Las Vegas Strip.

With Woody Herman and Maynard Ferguson

In 1985, Ingram joined the Woody Herman Orchestra as lead trumpet. Ingram's friend Ron Stout held the jazz trumpet chair and helped get him in the band. He remained with the band until Herman's death in 1987. He recorded three Grammy-nominated albums with Herman: The 50th Anniversary Tour, Woody's Gold Star, and The Concord Years.
He is the last lead trumpeter to play with the "original" Woody Herman Orchestra. Ingram returned to Los Angeles after Herman's death, founding and co-leading his big band with saxophonist Steve Elliott. The Ingram-Elliott big band featured Bobby Shew, Till Brönner, Bill Watrous, and Gary Foster.
In 1988, he worked with the WDR Jazz Orchestra in Cologne, Germany. While in Germany, he recorded works by Bob Brookmeyer and Jim McNeely with Mel Lewis on drums. During this time, he recorded with saxophonist Loren Schoenberg and pianist Django Bates. Later that year, Ingram joined the orchestra of Maynard Ferguson and recorded three albums with him. In October 2004, he performed as a featured artist at Stratospheric, a four-day festival honoring Ferguson. In September 2006, he performed as a featured soloist at the Maynard Ferguson Tribute Concert in St. Louis, Missouri, with many other trumpeters, including his long-time friend and colleague Wayne Bergeron.
After three years as lead trumpeter for Ferguson, he moved to Florida, where he was a teaching assistant and private instructor at the University of Miami in Coral Gables, Florida. While in Miami, he collaborated with his friend and colleague, Cuban trumpeter Arturo Sandoval, recording the Grammy Award-winning album, Danzon. He also did commercial recording work, performed and toured with the New Xavier Cugat Orchestra, and worked on a consistent basis with the Peter Graves Orchestra.

With Harry Connick Jr. and Lincoln Center

In 1990, Ingram joined the newly formed big band of pianist Harry Connick Jr. He recorded three albums with Connick, working with him until the orchestra disbanded in 1993. The following year, he toured with singer Frank Sinatra. Later in 1994, he moved to New York City, joining Wynton Marsalis and his Lincoln Center Jazz Orchestra. He recorded three albums with Marsalis, including the Pulitzer Prize–winning Blood on the Fields.
Ingram left Jazz at Lincoln Center in 1997 to tour and record with Ray Charles for two years. After touring with singer-songwriter Paul Anka, he joined the re-formed Harry Connick Jr. Bg Band in 1998 and recorded the Grammy nominated album Come by Me. In April 2000, the Recording Industry Association of America gave that album a gold record certification. In the summer of 2001, he toured with the Count Basie Orchestra, returning to tour with Connick in November. Ingram has appeared on several of Connick's albums, including Blue Light, Red Light, When My Heart Finds Christmas, Songs I Heard, Harry for the Holidays, Thou Shalt Not, Chanson du Vieux Carre, Oh My NOLA, and What a Night! A Christmas Album.

Broadway and festivals

While living in New York, Ingram performed in a freelance capacity in more than twenty Broadway productions, including Chicago, Grease, Cats, Les Misérables, and The Producers. In addition, he played trumpet for the Alvin Ailey Dance Theatre and was principal trumpeter in the Broadway shows and cast albums of Thou Shalt Not, The Pajama Game, and Harry on Broadway, Act 1.

Instrument design

In 2009, Ingram designed a B♭ trumpet for the Jupiter Band Instrument company. This trumpet is the XO Series 1600I model, known as the I-horn, and is the trumpet he uses exclusively. He also performs with the Jupiter XO Series professional flugelhorn and the Jupiter XO Series professional 4-valve B-flat/A piccolo trumpet. For fun, he also plays the Jupiter 528L valve trombone.
From 2011–2014, manufactured by Pickett Brass of Lexington Kentucky, Ingram's line of six professional mouthpieces for B-flat trumpet arrived on the market. Two additional models were added in 2016.
A line of classic mutes designed by Ingram and manufactured by Warburton USA was launched at the Midwest Clinic in December 2016. These accessories for trumpet and cornet are the Ingram-MuteMeister Cup, ShowTone, and Straight mutes.

Solo work and writing

Ingram's debut solo album, Roger Ingram Live at the College Hideaway, was released and reviewed in 2014. His second album, Skylark, was released in 2015. Both were on his One Too Tree Records label.
In February 2010, after 36 years, he "retired" from the tour bus and being a sideman. Since 2005, he has been an Artist in Residence of the Music Conservatory at the Chicago College of Performing Arts at Roosevelt University.
Ingram's textbook, Clinical Notes on Trumpet Playing, was published in 2008. In December 2015, Ingram wrote his first article for The Brass Herald and became a regular columnist for the magazine.

Awards and honors

As leader
As sideman
With Harry Connick, Jr.
With Maynard Ferguson
With Woody Herman
With Wynton Marsalis
With others
Harry Connick Jr.
Others