Rogneda is an opera in five acts, composed by Alexander Serov between 1863 and 1865. The scenario, by the composer, was based on the novelAskold's Grave by Mikhail Zagoskin and the poem Rogneda by Kondraty Ryleyev. The actual Russian libretto was created by Dmitry Averkiev in the same manner as with the composer's previous opera, Judith, with the words written to fit the vocal lines afterthe music had been composed. This opera forms a sequel of sorts to Alexey Verstovsky's highly successful singspiel, Askold's Grave, which premiered in 1835, just the year before Glinka'sA Life for the Tsar reached the stage. No less a patriotic opera than those two, Rogneda in its plot combines elements of the life of the title character with the Christianization of Russia, dated in 988 with the conversion of Vladimir I of Kiev. With its huge cast and sprawling plot, the opera demands spectacle of a Meyerbeerian order.
Bogatyrs; members of the prince's armed forces; city elders; guests at table; cupbearers; huntsmen; falconers; huntsmen in charge of hounds; hunters on horse and on foot; priests of Perun and immolators of sacrifices; wanderer-pilgrims; women at the feast; female slaves of Rogneda; skomorokhi; male and female dancers; warriors; captive Pechenegs, Varangians; people.
Synopsis
Note: Acts 1 and 5 may contain more than one set of stage decor
Act 1
Inside Skul'da's cave, the Supreme Priest of Perun, concerned about Prince Vladimir's failure to protect the native religion from encroaching Christianity, has decided that Rogneda -- upon Skul'da's influence -- must kill him. Rogneda enters, already prepared to avenge her father's death at Vladimir's hands. Skul'da's sorcery produces a knife with which Rogneda can perform the deed. The scene changes to a public rite of human sacrifice to the god Perun. When Rual'd, a Christian, prevents the priest from killing the first victim, he is at first threatened with death by the priests; but, after the Supreme Priest finds out that Rual'd, too, has a grievance with Vladimir, Rual'd is spared.
Act 2
At a banquet there is celebration with Vladimir, who has returned from his successful campaign. News arrives of a failed attempt by Rual'd to rescue Olava, and Vladimir commands that Rual'd be apprehended and killed. When Dobrynya Nikitich defends Rual'd's honorable devotion to his bride, Vladimir at first threatens Dobrynya with banishment, but the court jester manages to calm the situation.
Act 3
In a forest, Rual'd comes upon some itinerant Christians. An Old Man dissuades him from taking revenge on the Prince -- who, by chance, comes on the scene with his retinue on a hunting expedition from Kiev. When Vladimir is attacked by a bear, Rual'd saves his life at the expense of his own. This sacrifice, as well as the words of the Old Man -- which mention a miracle of salvation during the coming night -- makes a deep impression on the Prince. Due to the late hour, Vladimir decides to stay with Rogneda, whose abode stands nearby.
Act 4
In her tower, Rogneda is disconsolate until she hears that Vladimir is arriving. After he settles in, the Prince dismisses his retinue and falls asleep. Rogneda, knife in hand, approaches him, but Vladimir suddenly awakens and stops her, threatening with execution the next day.
Act 5
Back at Skul'da's cave, the Supreme Priest in distress consults the sorceress again. Skul'da shows him a vision in which Vladimir commands the people to drown the idol of Perun into the river. Meanwhile, in Rogneda's tower, Izyaslav intercedes for his mother, causing the Prince to leave his wife's fate in the hands of the people. Called to a veche, the people demand Rogneda's death. Izyaslav's further entreaties persuade Vladimir to forgive Rogneda, whereupon the wandering Christians appear and thank God for Vladimir's conversion.