The concept for a monument to honour Rumyantsev's victories originated in 1795, towards the end of the reign of Empress Catherine the Great. Both the Empress and Rumyantsev died in 1796, though Rumyantsev's sons continued to press for the realisation of the monument. Catherine's successor, Emperor Paul I, tried to convince them to accept an offer of having a palace constructed at public expense instead, but they refused. Paul finally granted the request in February 1798, decreeing the construction of an obelisk "to commemorate the victories of Field Marshal Rumyantsev-Zadunaisky, which is to be sited on the square between the Summer Garden and the Lombard, and orders the amount of 82,441 rubles to be placed at the disposal of our official Marshal Tiesenhausen, to be available at his request." Architect Vincenzo Brenna was commissioned to design the monument.
Design and construction
The monument was assembled over several months and installed on the Tsaritsyn Meadow in early 1799. As completed the monument stands high, with the obelisk and base made of, and the pedestal constructed from pink and gray marble. The friezes and bas-reliefs are of white Italian marble, displaying military trophies and garlands of dark bronze. The obelisk is topped with a gilded ball surmounted by an eagle spreading its wings. The front of the pedestal displays a black marble plaque with the gilt inscription "Rumyantsev's victories". Initially sited towards the south of the meadow, close to the Moyka River, the obelisk was moved towards the northern end, closer to the Marble Palace and the River Neva, when Mikhail Kozlovsky's Suvorov Monument was erected nearby in 1801. The monument was moved again in 1818, as part of architect Carlo Rossi's redevelopment of the meadow, by now named the Field of Mars. With the approval of Emperor Alexander I it was installed on Vasilyevsky Island, on the parade ground between the Imperial Academy of Arts and the Menshikov Palace, home of the First Cadet Corps, where Rumyantsev himself had studied. In siting it in its new location Rossi placed the obelisk on a granite stepped stylobate. During its early years the monument suffered from damage, and the theft of some of its bronze ornaments. In 1809 Andrey Voronikhin restored the monument, with the missing parts being re-cast by Vasily Ekimov.
Later developments
The setting of the monument was developed between 1866 and 1867 with the laying out of gardens on the square at the expense of city merchant S. F. Solovyov and to the design of. The square was again redeveloped by Rudolf Katzer in 1927, and on 22 February 1939 it was renamed Shevchenko Square, commemorating poet Taras Shevchenko, who had lived and worked at the Academy of Arts. Its original name of Rumyantsev Square was restored on 21 May 2001.