Salon (France)


The salons of Early Modern Revolutionary France played an integral role in the cultural and intellectual development of France. The salons were seen by contemporary writers as a cultural hub, responsible for the dissemination of good manners and sociability. It was not merely manners that the salons supposedly spread but also ideas, as the salons became a centre of intellectual as well as social exchange, playing host to many members of the Republic of Letters. In contrast to other Early Modern institutions, women played an important and visible role within the salons. The extent of this role is, however, heavily contested by some historians.

Historiography of the Salons

The historiography of the salons is far from straightforward. The salons have been studied in depth by a mixture of feminist, Marxist, cultural, social and intellectual historians. Each of these methodologies focuses on different aspects of the salons, and thus there are varying analyses of the salons’ importance in terms of French history and the Enlightenment as a whole.
Major historiographical debates focus around the relationship between the salons and the public sphere, as well as the role of women within the salons.

Periodisation of the salon

Breaking down the salons into a historical periods is complicated due to the various historiographical debates that surround them. Most studies stretch from the early sixteenth century up until around the end of eighteenth century. Goodman is typical in ending her study at The French Revolution where, she writes: 'the literary public sphere was transformed into the political public'. Steven Kale is relatively alone in his recent attempts to extend the period of the salon up until Revolution of 1848. Kale points out:

A whole world of social arrangements and attitude supported the existence of french salons: an idle aristocracy, an ambitious middle class, an active intellectual life, the social density of a major urban center, sociable traditions, and a certain aristocratic feminism. This world did not disappear in 1789.

Conversation, content and the form of the salon

The content and form of the salon must be studied in order to understand the character and historical importance of the salon. Contemporary literature about the salons is dominated by idealistic notions of politesse, civilité and honnête, but whether the salons lived up to these standards is matter of debate. Older texts on the salons tend to paint an idealistic picture of the salons, where reasoned debate takes precedence and salons are egalitarian spheres of polite conversation. Today, however, this view is rarely considered an adequate analysis of the salon.
The period in which salons were dominant has been labeled the 'age of conversation'. The topics of conversation within the salons - that is, what was and was not 'polite' to talk about - are thus vital when trying to determine the form of the salons. There is no universal agreement among historians as to what was and was not appropriate conversation. Marcel Proust 'insisted that politics was scrupulously avoided'. Others suggested that little other than government was ever discussed. The disagreements that surround the content of discussion partly explain why the salon's relationship with the public sphere is so heavily contested.

The salon and the 'public sphere'

Recent historiography of the salons has been dominated by Jürgen Habermas' work, The Structural Transformation of the Public Sphere, which argued that the salons were of great historical importance. Theatres of conversation and exchange – such as the salons, and the coffeehouses in England – played a critical role in the emergence of what Habermas termed the ‘public sphere’, which emerged in ‘cultural-political contrast’ to court society. Thus, while women retained a dominant role in the historiography of the salons, the salons received increasing amounts of study, much of it in direct response to, or heavily influenced by Habermas’ theory.
The dominance of Habermas’ work in salon historiography has come under criticism from some quarters, with Pekacz singling out Dena Goodman’s Republic of Letters for particular criticism because it was written with ‘the explicit intention of supporting thesis’, rather than verifying it. The theory itself, meanwhile, has been criticised for a fatal misunderstanding of the nature of salons. The main criticism of Habermas’ interpretation of the salons, however, is that the salons were not part of an oppositional public sphere, and were instead an extension of court society.
This criticism stems largely from Norbert Elias’ The History of Manners, in which Elias contends that the dominant concepts of the salons – politesse, civilité and honnête – were ‘used almost as synonyms, by which the courtly people wished to designate, in a broad or narrow sense, the quality of their own behaviour’. Joan Landes agrees, stating that, ‘to some extent, the salon was merely an extension of the institutionalised court’ and that rather than being part of the public sphere, salons were in fact in conflict with it. Erica Harth concurs, pointing to the fact that the state ‘appropriated the informal academy and not the salon’ due to the academies’ ‘tradition of dissent’ – something that lacked in the salon. But Landes’ view of the salons as a whole is independent of both Elias’ and Habermas’ school of thought, insofar that she views the salons as a ‘unique institution’, that cannot be adequately described as part of the public sphere, or court society. Others, such as Steven Kale, compromise by declaring that the public and private spheres overlapped in the salons. Antoine Lilti ascribes to a similar viewpoint, describing the salons as simply ‘institutions within Parisian high society’.
The most prominent defence of salons as part of the public sphere comes from Dena Goodman’s The Republic of Letters, which claims that the ‘public sphere was structured by the salon, the press and other institutions of sociability’. Goodman’s work is also credited with further emphasising the importance of the salon in terms of French history, the Republic of Letters and the Enlightenment as a whole, and has dominated the historiography of the salons since its publication in 1994.

Women in the ''salon''

When dealing with the salons, historians have traditionally focused upon the role of women within them. Works in the nineteenth and much of the twentieth century often focused on the scandals and ‘petty intrigues’ of the salons. Other works from this period focused on the more positive aspects of women in the salon. Indeed, according to Jolanta T. Pekacz, the fact women dominated history of the salons meant that study of the salons was often left to amateurs, while men concentrated on 'more important' areas of the Enlightenment.
Historians tended to focus on individual salonnières, creating almost a 'great-woman' version of history that ran parallel to the Whiggish, male dominated history identified by Herbert Butterfield. Even in 1970, works were still being produced that concentrated only on individual stories, without analysing the effects of the salonnières' unique position. The integral role that women played within salons, as salonnières, began to receive greater - and more serious - study in latter parts of the twentieth century, with the emergence of a distinctly feminist historiography. The salons, according to Caroyln Lougee, were distinguished by 'the very visible identification of women with salons', and the fact that they played a positive public role in French society. General texts on the Enlightenment, such as Daniel Roche's France in the Enlightenment tend to agree that women were dominant within the salons, but that their influence did not extend far outside of such venues.
It was, however, Goodman’s The Republic of Letters that ignited a real debate surrounding the role of women within the salons and – so Goodman contends – the Enlightenment as a whole. According to Goodman: ‘The salonnières were not social climbers but intelligent, self-educated, and educating women who adopted and implemented the values of the Enlightenment Republic of Letters and used them to reshape the salon to their own social intellectual, and educational needs’. While few historians doubt that women played an important, significant role in the salons, Goodman is often criticised for her narrow use of sources. Very recent historiography has tended to moderate Goodman's thesis, arguing that while women did play a significant role in the salons they facilitated - rather than created, as Goodman argues - the ideas and debates generally associated with the Enlightenment.