Sandra Brewster is a Canadian visual artist based in Toronto. Her work is multidisciplinary in nature, and deals with notions of identity, representation and memory; centering Black presence in Canada.
Brewster's early works focused on traditional portraiture. She later transitioned towards drawings and metallic sculptures. Her work has been exhibited in Canada, the US, the Caribbean and South Africa. She was an artist-in-residence in Brazil, Canada, Trinidad and Tobago and South Africa, and her work has been published in numerous magazines, including Caribbean Beat and The Walrus. One of Brewster's most prominent bodies of work is Smiths – a series of drawings that question identity and representation. Smiths began in 2014 when Brewster started cutting pages with the name "Smith" from phone books, and transposed these pages over afro-headed, faceless individuals. The series combines the varied personalities, desires, and personal stories of these people by applying a unified visual treatment, which removed any sense of individuality. Brewster eventually developed these drawings into a series of paintings that illustrate the impact of gun violence on young black men in Toronto. In addition to her artistic practice, Brewster has worked as a Visual Art Facilitator in Toronto and was also a Program Coordinator for Sketch, a community arts enterprise that uses art to engage street involved and homeless youths. She has also served on the Board of Directors of Gallery 44 in Toronto, and has been on the Advisory Committee for the Art Gallery of York University.
Exhibitions
Brewster's work has been shown in several group exhibitions, including alongside artists Nadijah Robinson and Curtia Wright in "No Vacancy" – a 2017 show about displacement held at the Scarborough Arts’ Bluffs Gallery and curated by Alyssa Fearon. Her work was also included in the 2017 exhibition, "Position As Desired", curated by Kenneth Montague of and held at the Art Gallery of Windsor. Other group exhibitions include Undomesticated, at Koffler Gallery, Toronto, 2019; Here we are Here: Black Canadian Contemporary Art organized by the Royal Ontario Museum, Toronto, where it was on display in 2018 before touring to the Montreal Museum of Fine Arts in 2018 and the Art Gallery of Nova Scotia in 2019; Are You My Mother? at the Dunlop Art Gallery, Regina, 2019; and Position As Desired: Exploring African Canadian Identity at the Windsor Art Gallery in 2017. Her solo exhibitions include Town Girls Beneath at YYZ Artists' Outlet, Toronto, 2019; "Sandra Brewster: Blur" at the Art Gallery of Ontario, 2019; "It’s all a blur", Georgia Scherman Projects at the 2017 Scotiabank CONTACT Photography Festival; and "Mohammeds", at Alice Yard in 2013. Her work appears on the cover of publications including and Thicker Than Water.
Awards
Sandra Brewster was awarded the title of Artist in Education by the Ontario Arts Council in 2009. She was awarded the Gattuso Prize for an outstanding featured solo exhibitionIt's all a blur in the CONTACT Photography Festival in 2017. Brewster is also a recipient of the Artist Prize from the .
